Enter the surreal world of August Strindberg's "The Ghost Sonata," where a young student becomes entangled in the mysterious affairs of a haunted mansion. As he navigates its labyrinthine corridors, he encounters a cast of eccentric characters, including a mysterious old man who seems to have blackmail over everyone in the house, a woman who has begun to resemble a mummy after being locked away in a closet for years, a young girl who can't leave her hyacinth room, and an ethereal milk maid who seems to hold the future of everyone involved delicately in her hands. This truly is one of the most bizarre and nihilistic works to ever come out of Strindberg's catalog, but also helped lay down the correct foundation for his final play, the Great Highway.

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*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

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