Babbled about the Moz again, this time the mid-age rocker Moz.

Babbled about the album that taught me how to spell artic, I mean, artict, hmmm, atrict, no, it's actually arcit.

Babbled about an album that shouldn't be there and an album that never left.

Babbled about this classic of the southern gothic folk tradition on to which it might be solely comprised by him and the guys that play the opening theme for True Detective season 1.

Babbled about an album that tells you why you should use fly repellent fans at the dinner table outside.

Babbled about this sensitive and witty hip-hop album, Open Mike Eagle is a unique artists in many ways, how he balances the many idiosyncrasies in his lyrics while remaining one of the most organic and authentic voices in modern conscious "art-rap". Mike would explore deeper and darker themes in later career entries, but this a tight venture on how comedy plays into his songwriting and rapper persona.

Babbled about this blistering soul record that managed to do it all.

Babbled about one of the biggest albums of the 1970s, coincidentally, this is the 70th episode of this podcast, it's also a coincidence that Bruce Springsteen in a man in his 70s. How's that for a coincidence combo.

Babbled about the album that proves that sometimes it's okay to invade the White House.

Babbled about this chamber pop, piano driven, intensely personal album. I'm a Bird Now is probably one of the most unique albums form the early 2000s chamber pop boom, mostly because of the vocalist's elastic and vulnerable delivery.