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On today’s date in 1967, British orchestral trumpeter David Mason went to the famous Abbey Road Studios in London to record a high-flying solo for a pop recording.
A few days earlier, Paul McCartney had seen Mason on TV performing the Baroque piccolo trumpet part in Bach’s Brandenburg Concerto No. 2 and decided on the spot that sound was exactly what he needed for a new Beatles tune he was working on called “Penny Lane.”
And so, George Martin, the Beatles’ producer, gave Mason a call.
“I took nine trumpets along and we tried various things, by a process of elimination settling on the B-flat piccolo trumpet,” Mason said. “We spent three hours working it out: Paul sang the parts he wanted; George Martin wrote them out; I tried them. But the actual recording was done quite quickly. They were jolly high notes, quite taxing, but with the tapes rolling we did two takes as overdubs on top of the existing song.”
Some Beatles fans not familiar with the sound of the Baroque trumpet assumed the tape was speeded up to make the trumpet sound so high, but Bach fans knew otherwise.
J.S. Bach (1685-1750): Brandenburg Concerto No. 2 (David Moore, tpt; New Philharmonia; Raymond Leppard, cond). HMV SXLP-20110 (LP); the Beatles: "Penny Lane" Capitol Records SMAL-2835
By American Public Media4.7
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On today’s date in 1967, British orchestral trumpeter David Mason went to the famous Abbey Road Studios in London to record a high-flying solo for a pop recording.
A few days earlier, Paul McCartney had seen Mason on TV performing the Baroque piccolo trumpet part in Bach’s Brandenburg Concerto No. 2 and decided on the spot that sound was exactly what he needed for a new Beatles tune he was working on called “Penny Lane.”
And so, George Martin, the Beatles’ producer, gave Mason a call.
“I took nine trumpets along and we tried various things, by a process of elimination settling on the B-flat piccolo trumpet,” Mason said. “We spent three hours working it out: Paul sang the parts he wanted; George Martin wrote them out; I tried them. But the actual recording was done quite quickly. They were jolly high notes, quite taxing, but with the tapes rolling we did two takes as overdubs on top of the existing song.”
Some Beatles fans not familiar with the sound of the Baroque trumpet assumed the tape was speeded up to make the trumpet sound so high, but Bach fans knew otherwise.
J.S. Bach (1685-1750): Brandenburg Concerto No. 2 (David Moore, tpt; New Philharmonia; Raymond Leppard, cond). HMV SXLP-20110 (LP); the Beatles: "Penny Lane" Capitol Records SMAL-2835

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