In the autumn of 2023, Luna drives through the dying town of Mercy, West Virginia, and stops at a gravel lot behind a boarded-up church. A man named Elias is digging beside a low stone wall. He isn't a groundskeeper. He isn't a priest. He's been hired by someone who never shows their face, to exhume what was buried before the church was deconsecrated. What he pulls from the earth isn't a coffin. It's a child's shoe, still laced, and a rib cage that hums in the cold air. Elias tells Luna he's been at it for three nights, and the hole keeps getting deeper. The bones he finds aren't arranged like a grave—they're stacked, sorted, like a collection. He says the last thing he dug up was a jawbone with all its teeth, and when he held it, he heard a woman singing from somewhere under the soil. Luna stays until the lantern dies, and in the dark, she hears it too. A hymn she doesn't recognize, rising from the ground in a language she's never heard. She leaves before dawn. She doesn't look back. But when she gets home, she finds a pebble in her coat pocket, smooth and warm, and she knows she didn't put it there.