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When Max Westwell stepped away from a successful 12-year career with English National Ballet, many thought he was making a catastrophic mistake. But Max has always been driven by curiosity and evolution, refusing to be confined to a single artistic path.
From his earliest days as an energetic, dyslexic child finding expression through movement, Max's journey has been one of constant adaptation. His breakout role as Romeo in Nureyev's ballet came after recovering from a devastating bone tumour that nearly ended his career. Rather than retreating, he developed a sophisticated understanding of physical training and performance preparation that would serve him through decades of demanding performances.
The BBC's ground-breaking documentary "Agony and Ecstasy" unexpectedly thrust Max into the spotlight, creating opportunities beyond traditional ballet circles. Yet even at the height of his classical career, he felt the pull toward new artistic territories. His courageous leap into musical theatre with Christopher Wheeldon's "An American in Paris" required starting from scratch - learning to sing, developing new movement vocabulary, and confronting the terrifying possibility of failure. This pattern of deliberate reinvention continued through Matthew Bourne's "Swan Lake," Disney's "The Nutcracker and the Four Realms," and eventually to the cultural phenomenon "Bridgerton."
Max's approach to artistic evolution offers valuable lessons for anyone facing career transitions. His methodical identification of transferable skills, relentless pursuit of supplementary training, and willingness to occupy beginner status while building new expertise have enabled him to navigate between seemingly disparate creative worlds. The discipline forged through classical ballet provides the foundation for his continuous exploration of acting, choreography, and directorial work.
This conversation reveals both the external journey of a versatile performer and the internal resilience required to sustain a creative life through multiple reinventions. For anyone contemplating their next artistic chapter or wondering how to transform setbacks into opportunities, Max's story offers both practical guidance and inspirational courage.
Support the show
The Before the Applause Podcast is available for you to listen to across all your favourite podcast platforms, and don’t forget to subscribe so you don’t miss a thing. Please do tell your colleagues, networks, friends and family about us, and stay connected with us across all the usual social media platforms.
Twitter
Instagram
Facebook
If you’ve got any burning questions, want to share your own insights, recommend a guest or be one yourself, then we’d love to hear from you. You can direct message on any of our social accounts or email [email protected]
When Max Westwell stepped away from a successful 12-year career with English National Ballet, many thought he was making a catastrophic mistake. But Max has always been driven by curiosity and evolution, refusing to be confined to a single artistic path.
From his earliest days as an energetic, dyslexic child finding expression through movement, Max's journey has been one of constant adaptation. His breakout role as Romeo in Nureyev's ballet came after recovering from a devastating bone tumour that nearly ended his career. Rather than retreating, he developed a sophisticated understanding of physical training and performance preparation that would serve him through decades of demanding performances.
The BBC's ground-breaking documentary "Agony and Ecstasy" unexpectedly thrust Max into the spotlight, creating opportunities beyond traditional ballet circles. Yet even at the height of his classical career, he felt the pull toward new artistic territories. His courageous leap into musical theatre with Christopher Wheeldon's "An American in Paris" required starting from scratch - learning to sing, developing new movement vocabulary, and confronting the terrifying possibility of failure. This pattern of deliberate reinvention continued through Matthew Bourne's "Swan Lake," Disney's "The Nutcracker and the Four Realms," and eventually to the cultural phenomenon "Bridgerton."
Max's approach to artistic evolution offers valuable lessons for anyone facing career transitions. His methodical identification of transferable skills, relentless pursuit of supplementary training, and willingness to occupy beginner status while building new expertise have enabled him to navigate between seemingly disparate creative worlds. The discipline forged through classical ballet provides the foundation for his continuous exploration of acting, choreography, and directorial work.
This conversation reveals both the external journey of a versatile performer and the internal resilience required to sustain a creative life through multiple reinventions. For anyone contemplating their next artistic chapter or wondering how to transform setbacks into opportunities, Max's story offers both practical guidance and inspirational courage.
Support the show
The Before the Applause Podcast is available for you to listen to across all your favourite podcast platforms, and don’t forget to subscribe so you don’t miss a thing. Please do tell your colleagues, networks, friends and family about us, and stay connected with us across all the usual social media platforms.
Twitter
Instagram
Facebook
If you’ve got any burning questions, want to share your own insights, recommend a guest or be one yourself, then we’d love to hear from you. You can direct message on any of our social accounts or email [email protected]