Views & Voices is a series of brief and personal responses to works of art and film selected by BAMPFA staff who work in different departments . . . some, by UC Berkeley students as well. At a time of distance, these commentaries are designed to bring you closer both to individual people behind BAMPFA and to individual works in our collections. We hope you'll enjoy hearing these personal views. Here, UC Berkeley PhD candidate Ramón de Santiago leads us through the magnificent late fifteenth-century tapestry, Ecce Homo (Behold the Man).

Les Blank, Maureen Gosling, and Chris Strachwitz on CHULAS FRONTERAS and IN HEAVEN THERE IS NO BEER

Les Blank and Chris Strachwitz, who made CHULAS FRONTERAS, and Blank and Maureen Gosling, who made IN HEAVEN THERE IS NO BEER, take us behind the scenes of the making of these films, drawing out links between Tex-Mex Norteño music and the polka, and relating stories about each film's premiere. They briefly mention DEL MERO CORAZÓN, a tribute to Norteño love songs made by the three of them and Guillermo Hernandez.

archive.bampfa.berkeley.edu/film/FN19617

Views & Voices is a series of brief and personal responses to works of art and film selected by BAMPFA staff who work in different departments . . . some, by UC Berkeley students as well. At a time of distance, these commentaries are designed to bring you closer both to individual people behind BAMPFA and to individual works in our collections. We hope you'll enjoy hearing these personal views. 

Here, Curatorial Assistant Claire Frost takes an intimate look at one of Eva Hesse's diminutive sculptural "Test Pieces", and considers their experimental role in the artist's practice.

Today we talk to writer and thinker Akande X, a Black Life Alum who in 2018 shared their multimedia presentation “That Feeling When” explores the intersection of blackness, comedy, the Internet, and politics. In an moment when white nationalism has a deep foothold in Internet culture, “TFW” provides a theoretical approach to the ethics of the Internet and the substance of memes as comedy and as political message, revealing how memes are one of the most subversive, volatile, and promising black art forms today. In our conversation we cover affect theory, their work as the editor of Maji News, a Afrofuturist community newspaper, and theorist Aria Dean's seminal article on meme culture Poor Meme, Rich Meme. 

Show Notes

Instagram: https://www.instagram.com/basedzizek/

Aria Dean Article: https://reallifemag.com/poor-meme-rich-meme/ (Poor Meme, Rich Meme) 

Affect Theory: https://plato.stanford.edu/entries/emotion/

Book Recommendation: https://lithub.com/ottessa-moshfeghs-year-of-anything-but-rest-and-relaxation/

Outro Song TikTok : https://www.tiktok.com/@itsjustnyissa/video/6849116103512247558?lang=en

Photo Credit: Andrea Nieto

Views & Voices is a series of brief and personal responses to works of art and film selected by BAMPFA staff who work in different departments . . . some, by UC Berkeley students as well. At a time of distance, these commentaries are designed to bring you closer both to individual people behind BAMPFA and to individual works in our collections.

We hope you'll enjoy hearing these personal views. Here, AJ Fox, shares his very personal experience encountering the video installation Simulated Marin Tour.

AJ Fox, BAMPFA's Media Relations Manager, shares his very personal experience encountering the video installation Simulated Marin Tour, which evoked his discovery of the Northern California landscape. A lifelong film lover, Fox holds a BA in Film and Media Studies from Dartmouth College; he joined BAMPFA in large part because of its internationally renowned film and video programming.

Click here to see the video version of this podcast to see an excerpt from SIMULATED MARIN TOUR

https://youtu.be/odaxmatlPuI

bampfa.org

Views & Voices is a series of brief and personal responses to works of art and film selected by BAMPFA staff who work in different departments . . . some, by UC Berkeley students as well. At a time of distance, these commentaries are designed to bring you closer both to individual people behind BAMPFA and to individual works in our collections. 

We hope you'll enjoy hearing these personal views. Here, Claire Ittner discusses Romare Bearden’s 1973 work, "Final Study for Berkeley - The City and Its People".

Relocating Romare Bearden’s Berkeley: Capturing Berkeley’s Colorful Diversity

https://boomcalifornia.com/2016/12/26/relocating-romare-beardens-berkeley-capturing-berkeleys-colorful-diversity/

https://bampfa.org/program/about-things-loved-blackness-and-belonging

Views & Voices is a series of brief and personal responses to works of art and film selected by BAMPFA staff who work in different departments . . . some, by UC Berkeley students as well. At a time of distance, these commentaries are designed to bring you closer both to individual people behind BAMPFA and to individual works in our collections. We hope you'll enjoy hearing these personal views.

Rachael Dickson, BAMPFA Associate Director of Administration, shares her responses to the painting "Four Brushtrokes Over Figure" by Hyun-Sook Song. She focuses on the artist's exacting and evocative technique and on the contemplative power the work holds for her.

https://bampfa.org

https://bampfa.org/program/architecture-life

Views & Voices is a series of brief and personal responses to works of art and film selected by BAMPFA staff who work in different departments . . . some, by UC Berkeley students as well. At a time of distance, these commentaries are designed to bring you closer both to individual people behind BAMPFA and to individual works in our collections.

We hope you'll enjoy hearing these personal views. Listen as Jamie Danis discusses Fred Wilson's Wanderer

https://bampfa.org/views-and-voices-personal-perspectives-collection

Subscribe to the BAMPFA Podcast:

podcasts.apple.com/us/podcast/bampfa/id1520467594

From the UC Berkeley Art Museum and Pacific Film Archive, this is Off the Shelves. Highlighting some of the rare treasures of BAMPFA’s Film Library & Study Center. 

Through the project “Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986”, BAMPFA is digitizing a decade’s worth of guest-speaker recordings, filmmaker presentations, panel discussions, and Q&A’s from the early years of the Pacific Film Archive, making them available online for the first time.

This episode features David Lynch introducing Eraserhead in March of 1978.

This project is supported by a Recordings at Risk grant from the Council on Library and Information Resources. 

The grant program is made possible by funding from The Andrew W. Mellon Foundation.