Played on a Morgan Monroe OB and high strung (nashville tuning) Larrive Parlor guitar

In sawmill tuning on an OME Juniper inspired by the McCrae sisters amongst many other.

Learned the tab from the book "The All-In-One Jam Book" by Mary Gordon and Hilary Dirlam from Brevard, NC.

Still messing around with audacity with CAD u1 mic and my New Huber Mills(HR30). Any opinions on the tone of my banjo, its only about three months old. I think its settled in nice but i wanted some opinions of other players good and bad opinons welcome on the tone and my pickin lol

I like how Pete Wernick did this in D. The lyrics can be pretty sad and his version caught some of that with a minor sound. The high G is tuned down to an F#, which sort of fits my unwritten rule about only changing the tune of one string for any given song. Not that re-tuning doesn't produce a great sound...

I like how Pete Wernick did this in D. The lyrics can be pretty sad and his version caught some of that with a minor sound. The high G is tuned down to an F#, which sort of fits my unwritten rule about only changing the tune of one string for any given song. Not that re-tuning doesn't produce a great sound...

I like how Pete Wernick did this in D. The lyrics can be pretty sad and his version caught some of that with a minor sound. The high G is tuned down to an F#, which sort of fits my unwritten rule about only changing the tune of one string for any given song. Not that re-tuning doesn't produce a great sound...

Played on a Gold Tone Cripple Creek mini in modal tuning. Learned from Miles Krassen's Clawhammer Banjo, based on fiddling of Henry Reed.

Here's a folk tune from India to which I added a bridge. In Hinduism Saraswati is the goddess of knowledge, music and the arts.

Wooden banjo in gCGCD. No effects, flat EQ, stereo pair AKG-414's.