
Sign up to save your podcasts
Or


The book Great Operatic Disasters chronicles the sometime humorous — and sometimes harrowing — mishaps that have befallen opera singers and productions over the last few centuries. According to that book, September 16 seems to have been a particularly unlucky day.
Consider that on today’s date in 1782, Italian castrato Farinelli, one of the most celebrated opera stars of the 18th century, died in Bologna after his dismissal from the Spanish court; on September 16th in 1920, great Italian tenor Enrico Caruso would make his last records in Camden, New Jersey; and in 1977, opera diva Maria Callas dropped dead of a heart attack in Paris.
On today’s date in 1966, the new Metropolitan Opera House at Lincoln Center opened with a gala production of a new opera commissioned by American composer Samuel Barber. Despite an all-star cast headed by Leontyne Price and a lavish stage production designed by Franco Zefferelli — you guessed it — the opera was a flop.
Maybe everyone expected too much, or perhaps the lavish sets were too distracting. Whatever the reason, despite its gorgeous music, even today Barber’s Anthony and Cleopatra, has never found a lasting place in the repertory.
Samuel Barber (1910-1981): Anthony and Cleopatra; Spoleto Festival soloists and orchestra; Christian Badea, conductor; New World 322
By American Public Media4.7
176176 ratings
The book Great Operatic Disasters chronicles the sometime humorous — and sometimes harrowing — mishaps that have befallen opera singers and productions over the last few centuries. According to that book, September 16 seems to have been a particularly unlucky day.
Consider that on today’s date in 1782, Italian castrato Farinelli, one of the most celebrated opera stars of the 18th century, died in Bologna after his dismissal from the Spanish court; on September 16th in 1920, great Italian tenor Enrico Caruso would make his last records in Camden, New Jersey; and in 1977, opera diva Maria Callas dropped dead of a heart attack in Paris.
On today’s date in 1966, the new Metropolitan Opera House at Lincoln Center opened with a gala production of a new opera commissioned by American composer Samuel Barber. Despite an all-star cast headed by Leontyne Price and a lavish stage production designed by Franco Zefferelli — you guessed it — the opera was a flop.
Maybe everyone expected too much, or perhaps the lavish sets were too distracting. Whatever the reason, despite its gorgeous music, even today Barber’s Anthony and Cleopatra, has never found a lasting place in the repertory.
Samuel Barber (1910-1981): Anthony and Cleopatra; Spoleto Festival soloists and orchestra; Christian Badea, conductor; New World 322

6,784 Listeners

38,791 Listeners

8,767 Listeners

9,190 Listeners

5,744 Listeners

924 Listeners

1,388 Listeners

1,276 Listeners

3,146 Listeners

1,975 Listeners

520 Listeners

182 Listeners

13,695 Listeners

3,080 Listeners

247 Listeners

28,234 Listeners

433 Listeners

5,489 Listeners

2,177 Listeners

14,112 Listeners

6,354 Listeners

2,514 Listeners

4,874 Listeners

569 Listeners

205 Listeners