
Sign up to save your podcasts
Or


In 1935, when he was 25 years old, American composer Samuel Barber was awarded the prestigious Prix de Rome. This meant that Barber could study at the American Academy in Rome for two years, with free lodgings and an annual stipend of $1,400 — a considerable sum of money in the 1930s. Barber found his Italian studio, a little yellow house approached through a garden, to be a good place to work.
While in Italy, Barber finished his Symphony No. 1. The premiere took place in Rome on today’s date in 1936, with an Italian conductor and orchestra. Years later, he recalled that the orchestra played well, but also that the Italian audience members were “not shy about expressing their feelings ... 50% applauded and 50% were hissing.” In Barber’s opinion, the Italians found the new work “too dark-toned, too Nordic.”
The Cleveland Orchestra gave the symphony’s American premiere early the next year, followed by a New York performance under the direction of Arthur Rodzinski, who was so impressed he conducted the work with the Vienna Philharmonic at the opening concert of the 1937 Salzburg Music Festival in Austria. That performance was more warmly received, and Barber was called back to the stage three times.
Samuel Barber (1910-1981): Symphony No. 1; Saint Louis Symphony; Leonard Slatkin, conductor; RCA/BMG 60732
By American Public Media4.7
176176 ratings
In 1935, when he was 25 years old, American composer Samuel Barber was awarded the prestigious Prix de Rome. This meant that Barber could study at the American Academy in Rome for two years, with free lodgings and an annual stipend of $1,400 — a considerable sum of money in the 1930s. Barber found his Italian studio, a little yellow house approached through a garden, to be a good place to work.
While in Italy, Barber finished his Symphony No. 1. The premiere took place in Rome on today’s date in 1936, with an Italian conductor and orchestra. Years later, he recalled that the orchestra played well, but also that the Italian audience members were “not shy about expressing their feelings ... 50% applauded and 50% were hissing.” In Barber’s opinion, the Italians found the new work “too dark-toned, too Nordic.”
The Cleveland Orchestra gave the symphony’s American premiere early the next year, followed by a New York performance under the direction of Arthur Rodzinski, who was so impressed he conducted the work with the Vienna Philharmonic at the opening concert of the 1937 Salzburg Music Festival in Austria. That performance was more warmly received, and Barber was called back to the stage three times.
Samuel Barber (1910-1981): Symphony No. 1; Saint Louis Symphony; Leonard Slatkin, conductor; RCA/BMG 60732

6,849 Listeners

38,784 Listeners

8,793 Listeners

9,247 Listeners

5,808 Listeners

931 Listeners

1,390 Listeners

1,291 Listeners

3,150 Listeners

1,976 Listeners

527 Listeners

182 Listeners

13,752 Listeners

3,069 Listeners

246 Listeners

28,190 Listeners

434 Listeners

5,490 Listeners

2,186 Listeners

14,131 Listeners

6,424 Listeners

2,515 Listeners

4,840 Listeners

578 Listeners

249 Listeners