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The BFE goes en-camp-us to see what the student section of the yoof are telling us about the state of the educational situation: money, bombs and waterfront property; the whole gamut of what we know as knowledge as it destroys a people, a culture, life itself. What can be done, from the camp to the street, the dock to the Red Sea, the Swiss banks to the west bank to bring the historical truth of the youth to bear and hold the uprising rock steady. The Barrons look to see how the ivory towers are shaken off and will have come tumbling down.
On its best behaviour yet, the BFE asks the great Serene Richards, ‘what is pissing you off right now?’ and it turns out to be Smart Being, the greatest anti-philosophical character since the Good European. Serene, riffing and expanding on her excellent new book, Biopolitics as System of Thought, speaks on all the things that smart in the contemporary way of life & how in dispensing with its slavish mantra of the ‘safe & secure’ we might instead ‘think’ a new re-public (Barron’s term) of joy. Sit tight and listen keenly: our form of life depends on it.
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Listen keenly as the three Barrons raise two cheers for the middle-age of reason (spoiler: it’s not Descartes’ fault; it’s yours!). Meillassoux, Brassier, Thoreau’s laundry, À la recherche du temps perdu…, everyone gets a look under the covers at the mother’s tongue exciting the cunning of reason. It’s a brand-new musical biscuit, a Baronial odyssey, from the river to the sea.
Note: (A field of hedgehogs were slaughtered in the making of this film.)
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Join the men without qualities as they darken the light in this rollicking pursuit of the Nutflex serial you deserve. Jason Epstein-Bar, Barry Cropper and Alan Woody explore the phantasmagoria of everyday gaslighting without concept and consider the fate of this public transport as it steals the lived experience you do not have: byte by byte, digit by digit. Turn on, tune out and drop everything as the men qua sans qua lose it all following each other up the Khyber pass in search of L'anus solaire. Only the BFE can be trusted to decanter the gas, unlive every experience and hold the concept in the napalm of its tiny hands. (No animals were seduced by Peter Singer.)
* Mea Culpa. This episode repeats an oft repeated falsity: Hitchcock did not make the 1940 British version of Gaslight. Rather, this version, which adheres closely to the original play Gas Light (two words) by Patrick Hamilton, written in 1938, was directed by Thorold Barron Dickinson. The Barrons humbly apologise to their fellow Barron and beg the pardon of our esteemed audience.
Listen as the Barron Field Experience splits your bad faith good conscience in two. In this episode the Barrons uneducate the educated, corrupt the corruption, deskill the scholastics and Socratise the craven all the while running a cold eye over, under and between the lines of what you profess to know. The Prussians, free market, big pharma pedagogical pipeline is blown to Sadean proportions, scattered to the Platonic winds and returned on the new school tide. The Barrons set fire to the cap and gown clowns and sterilise the desktops demanding, finally, that one more effort atopians if you would be an education by truths.
Manifestation, demonstration, protest and revolt. Let the Barron Field Experience bring you the good news, from the river to the sea: it is right to rebel against the reactionaries. Comrades, please pay attention to this truth: Under the Luther nails, the Müntzer; under the litho-state, the people; under the Barron Field Experience, the world to win.
From the cultic structure of hot-desking to the universal desire of Socratic ugliness, the Barron Field Experience takes you to the bloated beer gut of fascism, slicing it up and serving it cold to the masters desire. Come along for the ride: personal, universal, pallid and Pauline at any given time and not a zionist or forrested pedagogue left standing. The BFE, terminably unfuckable.
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