After a brief hiatus, the boys are back in town (B2B Town, that is) with a **rather NSFW** episode. Nathan apologizes to Duncan Robinson and the guys fawn over Jimmy Butler before a much-needed bashing of Lakers fans (2:00). Then, they talk about how much the Astros suck but are actually kind of good, preview the ALCS and NLCS and, of course, bash the Yankees (17:03). Later, Aidan analyzes a brutal yet “bubbly” and “bouncy” song (36:23), and finally, Nathan returns with as milquetoast a freestyle as ever (44:29).

On this episode of Baseline to Bassline, Aidan bemoans the Celtics falling behind the Heat 3-1 (0:51) and Nathan holds out hope for a Phillies playoff appearance (16:20). A return to pop makes B2B history in the song segment (36:35), but will that energy carry over to Nathan’s freestyle (47:32)?

The guys return this week with their longest episode ever, and they kick off the party by talking about the NBA Conference Finals (1:41) — a sore spot for Aidan. Then, they dive into their predictions for the NFL regular season and Super Bowl (19:33). Nathan gets a little dark on the song segment (52:34) and turns in yet another FIRE freestyle performance (1:03:32).

Aidan and Nathan are back as they kick things off by giving their takeaways from the first few games of the conference semifinal round of the NBA Playoffs (0:51) and dive into whether the early leads out of the East will hold. Then, the guys talk about the MLB playoff race a few games past the halfway point of the season (14:33). Nathan provides some twang on the music segment (27:29). And finally, Nathan gets a little help on his freestyle (37:04).

Aidan and Nathan discuss the strikes across professional sports and how the leagues differed in their action (2:00). Then they grudgingly analyze BLACKPINK's "Ice Cream" feat. Nathan's true love, Selena Gomez (22:35) before Nathan provides a Karl Malone-esque freestyle performance (31:05). If that doesn't make sense to you, well, you'll just have to listen.

Aidan and Nathan welcome Bobby Kirschenbaum, who comes in hot with a baseball take (1:00). The three discuss Thursday night's NBA Draft Lottery (8:10) before offering some takes on the way the NBA Playoffs have unfolded (17:20). Aidan gives one of his worst song grades yet to an artist near and dear to Nathan's heart (29:50), but Ack gets it back with his freestyle performance (37:40).

In a truly historic day for Baseline to Bassline, ESPN MLB insider Jeff Passan joins the show to talk all things MLB (6:51). Jeff, Aidan and Nathan discuss the league’s return, whether they’ll be able to finish up this season, a potential playoff bubble, financial ramifications of the coronavirus on baseball and a whole lot more. Then, Nathan gets into his freestyle (26:57), which he thought went pretty well — Jeff gives his thoughts and adds some legendary impersonations to help him weigh in.

The guys change it up this week on many fronts. First, they do just one sports segment, a prolonged conversation about the evolving landscape in the NBA’s Orlando bubble (0:59). Then, they both — yes, both — react to Taylor Swift’s new “August” (20:15), before Nathan kills his freestyle — although, that’s not really changing anything up (27:45).

The guys welcome on the first guest in the podcast’s history — Aidan’s friend Andrew Golden, a Northwestern journalism student. Andrew, Aidan and Nathan give their reactions from the first night of the NBA restart (2:17) before Andrew, a Braves fan, and Nathan, a Phillies fan, get into it with an MLB debate (12:06). Then, it’s Pelicans szn (according to Nathan), so the three give their review of Lonzo Ball’s “Get Off” (27:28). Finally, Nathan gives a bounce back performance for the ages with the freestyle segment (34:25).

Baseball is finally back! Aidan and Nathan each give an overreaction to Yankees-Nationals and talk about Giants-Dodgers on Opening Day (1:19). Then, they dive into their predictions for the rest of the NBA restart, which tips off in six days (11:35). On the musical side of things, Aidan gives his best song grade on the podcast yet (26:45), and Nathan — well, any progress is good progress (33:35).