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Ikô band rehearsing the song »Noch nicht so weit« on 2005-07-03
Intro by: Radio Allelopathy
Surrender by: Surrender
Knowledge by: Operation Ivy
My City by: Downfall
Another Day by: Crimpshrine
Opresion by: La plebe
Parabola by: Jawbreaker
The Money Will Roll Right In by: Fang
Lullabye by: Blatz
Sun Or Death by: Acts Of Sedition
Crush Kill Destroy by: Spazz
Ol'Factory by: Punch
Throwing Bricks by: Ceremony
Purgatory Dust by: IRON LUNG
Who Rides The Astral Wings by: Asunder
A People Defeated Will Never Be United by: Noothgrush
Empty Hands by: Necrot
Raw Life by: Acephalix
Corruption by: Embers
Chasms by: Lycus
One Thousand Wolves by: Ludicra
Disorder by: Nails
https://x.com/i/status/2068247924794875992
«Hemenway is a frequent teacher, consultant and lecturer on permaculture and ecological design throughout the U.S. and other countries. His writing has appeared in magazines such as Natural Home, Whole Earth Review and American Gardener. He is an adjunct professor in the School of Graduate Education at Portland State University, a Scholar-in-Residence at Pacific University, and a biologist consultant for the Biomimicry Guild.»
tracklist coming soon
En visite au salon Vivatech hier, Marine Le Pen réitère. Il faut massifier la climatisation ! Mais quel effet cela aurait vraiment à l'échelle d'une ville comme Paris ? David Marchal, directeur des programmes à l'ADEME, vient nous expliquer pourquoi la massification de la clim est tout sauf une solution.
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Si on massifiait la clim à Paris, quel effet cela aurait sur la température extérieure ?
Quels sont les 4 types de solutions pour créer un îlot de fraîcheur ?
Marine Le Pen est-elle au courant qu’elle est inéligible pour le moment ?
#marchal #écologie #climat #canicule #MLP #extrait #ethiqueettac
#shorts #pride #lgbt #6arelyhuman #edit #satan #gta
Libero Mureddu (pianoforte, pianoforte a modelli fisici) e Charlotte Hug (voce, viola) presentano per la prima volta il loro duo dal vivo a Milano. Il duo è caratterizzato da un’intensa fisicità sonora, drammatica e allo stesso tempo giocosa. L’ampio ricorso a tecniche estese su tutti gli strumenti alimenta una continua interazione tra rumore e suono, dando forma a una materialità che oscilla costantemente tra vitalità e fragilità.
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