Julia Cagé, professeure d'économie à Sciences-Po, est invitée sur Thinkerview pour parler de la situation médiatique française. Elle expose les sommes versées par l'état aux médias, et donne des idées pour sortir de ce système.

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Réponses au quiz de fin :

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Quelle proportion de la population française ne fait pas confiance aux médias ?

Qu'est-ce que la cppap ?

Quels sont les 3 mécanismes d'aide de l'état au journalisme ?

#cagé #média #journalisme #écologie #extrait #ethiqueettac

Direct to the Fediverse!

Literally everyone agrees that cargo bikes are awesome. Doesn’t matter if you’re moving dumbbells, serving slushies, transporting your kids, or doing landscaping for the city. Doesn’t matter if it’s a long-tail or a boxbike (bakfiets), a two-wheeler or a three-wheeler.

But there are barriers to getting one. They’re expensive, ranging from 2 to $15,000. That’s still cheap compared to a car, especially because you don’t need gas, but it’s a sticker shock coming from a regular bike or a transit pass. They can also be big and difficult to store. No one’s putting a bakfiets on their balcony (I hope). And naturally you’re going to worry more about theft.

One solution to the cargo bike problem is getting creative about rental and sharing options. These are popping up in different cities: there’s Minneapolis Cargo Bike Library, CargoB in Boston, and of course equivalents in European cities like London and Berlin. In this video I’m going to explore not one, not two, but three options for renting cargo bikes or bike trailers that we have in Montreal to see how they work, what they do, and whether they can replace buying your own.

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May's come and gone, and, man, there sure are a lot of festival cards this summer, huh? Unfortunately, I'm too tired/broke to go to them all, but that's okay because lovely Metro Ambassadors were giving them out outside before the event!

The next TAP card vlog was actually filmed a little bit before the end of this one, but it's releasing after for pacing reasons. The final moments of this vlog were filmed in early June as the military occupation of LA, ordered by fascist forces thousands of miles away, had just begun. The shift in my tone is a glimpse into what life felt like then.

Some Related Video(s?)

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https://youtu.be/AOoPA9TF13o?si=0l-249quBV5xOc2r

Première lecture de Tendresse Radicale, le nouveau spectacle de la compagnie 88 mètres/seconde.

Filmé à Comme Vous Émoi à Montreuil, le 19 juin 2025.

Tracklist coming soon...

Any other Sparks fans attending their listening party on Thursday 22nd May on Bandcamp?

The “MAD!” listening party on Bandcamp, hosted by Sparks: https://sparksofficial.bandcamp.com/merch/mad-listening-party

“Tryouts For The Human Race” by Sparks: https://youtu.be/O-iw3yyLApQ

The new music video for "Here Come the Lucky Ones”, which features a few Sparks references: https://youtu.be/-nP-nIF_SrU ✨

Bandcamp: https://robertafidora.bandcamp.com/

Falling somewhere between Bet Lynch, David Lynch, Laurie Anderson and Gerry Anderson, with polite nods to Toyah, Amanda Lear, Siouxsie, Alison Moyet and Sparks, Roberta Fidora is a musician, amateur biography writer and person of disinterest based at the bottom of the UK (previously releasing music under the moniker CURXES) whose output has incorporated everything from broadcasts in dark forests and giant dancing bear puppets to depressed budgerigars, abandoned rocket testing sites and human taxidermy displays, getting shout-outs from the likes of MOJO magazine, The Independent, The Guardian and BBC6Music along the way. She has also contributed to the field recording project Cities & Memory, with the track Huygens appearing on the accompanying CD to Electronic Sound’s special field recording issue, as well as numerous other electronic/electroclash/synthpop releases which can be found on her website: https://www.robertafidora.com.

Watch the new music video for "Here Come the Lucky Ones” (as recently heard on KEXP’s Mechanical Breakdown): https://youtu.be/-nP-nIF_SrU ✨

Mechanical Breakdown (17.05.2025): https://www.kexp.org/shows/mechanical-breakdown/?stream_time=1747468804

Bandcamp: https://robertafidora.bandcamp.com/

Falling somewhere between Bet Lynch, David Lynch, Laurie Anderson and Gerry Anderson, with polite nods to Toyah, Amanda Lear, Siouxsie, Alison Moyet and Sparks, Roberta Fidora is a musician, amateur biography writer and person of disinterest based at the bottom of the UK (previously releasing music under the moniker CURXES) whose output has incorporated everything from broadcasts in dark forests and giant dancing bear puppets to depressed budgerigars, abandoned rocket testing sites and human taxidermy displays, getting shout-outs from the likes of MOJO magazine, The Independent, The Guardian and BBC6Music along the way. She has also contributed to the field recording project Cities & Memory, with the track Huygens appearing on the accompanying CD to Electronic Sound’s special field recording issue, as well as numerous other electronic/electroclash/synthpop releases which can be found on her website: https://www.robertafidora.com.