A woman named Elise moves into a rented cabin on Bayou Tremblant in early October, hoping for peace after a divorce. At first, the night sounds are normal—frogs, crickets, the rustle of cypress needles. But on the third night, she hears a voice calling her name from the water. Not a whisper, not a shout—a clear, ordinary voice, like a friend standing at the dock. Elise knows she lives alone. The voice comes every night, always after midnight, always from the same patch of black water between two cypress knees. She tries to ignore it. She seals the windows, plays music, stuffs cotton in her ears. Nothing stops it. The voice starts saying things it couldn't know—her mother's maiden name, her childhood nickname, the exact words her ex-husband said the day she left. Luna tells this story in a flat-bottomed pirogue, the lantern scraping against the hull, as she rows toward a place where the water looks wrong. A quiet, dreadful episode about loneliness, attention, and the thing that learns to love you from the dark.