Well, here’s some big news: Beer and a Movie is ENDING, and we talk all about it at the top of this week’s episode.

But don’t panic just yet — there are 13 episodes left, and we’d love for you to join us as we close up shop as we go out the only way we know how: talking movies, drinking great beer, and probably getting a little unhinged.

This week, Anthony Zoccolillo joins us to dive into Park Chan-wook, tackling his latest awards-buzzy thriller No Other Choice alongside his all-time WTF masterpiece, Oldboy. We talk vengeance, obsession, craftsmanship, and why Park remains one of the most singular filmmakers working today.

On the beer side, we crack open Independence Brewing’s Be/Rad IPA, then follow it up with a true unicorn: a 2017-bottled Bourbon County Brand Barleywine, aged, boozy, and absolutely worth the wait.

The countdown has officially begun. Grab a beer, hit play, and stick with us till the credits roll. 🍺🎬

Two movies. Two comedians. Two very big beers.

This week on Beer and a Movie, Dave and Joe bring on comedian Uncle Sam to dig deep into comedy on film with Bradley Cooper's newest, Is This Thing On?, and Bob Fosse's 1974 Lenny Bruce biopic, Lenny—two very different looks at life onstage, offstage, and the price of being funny. One film captures the awkward grind and personal fallout of chasing laughs, while the other revisits the myth, brilliance, and self-destruction of a Mt. Rushmore comic who changed the rules by breaking all of them. 

On the beer side, things get dangerously boozy. The guys start with Martin House Brewing’s Death by Chocolate Cake (a casual 12% ABV) before escalating to the heavyweight main event: Bourbon County Brand Stout 2025, clocking in at a staggering 14.6% ABV. It’s a lot of beer, a lot of alcohol, and maybe not the best idea—but definitely the right one.

High-proof stouts, iconic comedians, and two comics trying to keep it together long enough to finish the episode. What could possibly go wrong? 🍺🎤

No guest this week — just Joe and Dave doing what they do best: watching something bleak, talking about relationships, and washing it down with absurdly fun beer.

The main feature is We Bury the Dead, a zombie-adjacent horror film that’s less about the end of the world and more about what’s left when love, grief, and obligation refuse to die. 

We also finally circle back to a 2025 horror movie we somehow missed on the show: Together (2025). Another relationship-forward horror story, Together explores intimacy, dependency, and emotional rot with a very different tone, giving us the perfect excuse to compare how modern horror keeps turning romance into the real monster. 

Beer-wise, things get significantly less depressing. We crack open a mixed four-pack from Martin House Brewing, featuring their Extra Creamy Peanut Butter Blonde and Extra Crunchy Peanut Butter Stout. Naturally, this leads to experimentation, irresponsible mixing, and the accidental creation of our own peanut butter monstrosity — possibly the happiest horror creation of the episode.

Two horror films about relationships falling apart. Two peanut butter beers pushed past their limits. What could go wrong?

This week on Beer and a Movie, we go full anxiety mode with a Safdie Brothers double feature, diving into Marty Supreme and Good Time with returning guest Rachel Clow. One film is raw, chaotic, and relentless; the other somehow manages to be even more stressful—because that’s the Safdie promise. We talk obsession, desperation, handheld panic attacks, and why these movies feel like they’re yelling at you on purpose.

On the beer side, it’s all first-timers. We crack into Künstler Brewing out of San Antonio with their Black Swan Black IPA, then close it out strong with Great Divide Brewing’s Yeti Imperial Stout—a heavyweight beer for heavyweight vibes.

This episode of Beer and a Movie goes full James Cameron—twice.

Then we crack open Lagunitas Brewing's Little Sumpin’ Sumpin’ and Saint Arnold's Christmas Ale, pairing hop-forward chaos and holiday nostalgia with Cameron’s cinematic excess. Expect strong opinions, beer-fueled tangents, and Connor Stewart doing what he does best—calling it like he sees it.

Grab a beer, pick a side, and stay frosty—because in space, no one can hear you crack open a Christmas ale. 🍺🎬

This episode of Beer and a Movie goes full James Cameron—twice.

Then we crack open Lagunitas Brewing's Little Sumpin’ Sumpin’ and Saint Arnold's Christmas Ale, pairing hop-forward chaos and holiday nostalgia with Cameron’s cinematic excess. Expect strong opinions, beer-fueled tangents, and Connor Stewart doing what he does best—calling it like he sees it.

Grab a beer, pick a side, and stay frosty—because in space, no one can hear you crack open a Christmas ale. 🍺🎬

Hark! A New BaaM Episode Appeareth 

This week on Beer and a Movie, we are joined by Emily Suggs, our most learned and oft-returning guest, for a thoughtful dip into Hamnet—a most modern tale and fictionalized accounting of the writing of Hamlet, now strutting about the awards circuit in fine hose.

But lo, Shakespeare hath been borrowed from before. Thus, we turn our gaze unto Shakespeare in Love, and discourse upon inspiration, grief, creation, and the eternal question: what if the bard was, in fact, very horny?

Our cups run dry of alcohol this fortnight, yet not of flavor, as we quaff Brooklyn Brewery’s Special Effects Grapefruit IPA alongside Best Day Brewing’s Galaxy Ripple Imperial IPA—our first parley with Best Day.

Same keen analysis. Same merry disputation.

🎧 Attend thee now, wherever podcasts be heard.

This week, we hit a double feature of Netflix’s latest mood-soaked meditations, Jay Kelly and Train Dreams, with guest Adam Beam. Both films lean hard into lush cinematography, sweeping landscapes, and the quiet poetry of a life unfolding… but they take those ingredients to two very different destinations.

To pair with all that visual beauty, the guys crack open a couple of beers with complicated pasts. First up: Magnetic Disturbance from Roughtail Brewing—an IPA Joe grabbed last week without peeking at the bottom of the can: It's two and a half years old. (Whoops. Not all art ages gracefully.) Fortunately, redemption comes in the form of a 2024 Goose Island Bourbon County Macaroon Stout, a beer that absolutely benefits from a year of patience and barrel-kissed maturity.

Thoughtful films, adventurous beers, and a blunt verdict from Dave and Joe: See Train Dreams NOW.

This week, we’re following the yellow brick road straight into an Oz double feature—Wicked: For Good and Return to Oz. Two films, decades apart, both proving that no matter how far you wander, you can’t escape those ruby-slippered roots.

To keep our courage up, we crack open two high-octane potions from Lagunitas: the Maximus Colossal IPA and the Shugga Original Recipe—big, bold brews with enough ABV to make even the Cowardly Lion roar. Let’s just say there’s no place like foam.

Joining us is returning guest Adam Beam, who chatted with us about the original Wicked: Part One. He’s back to help us untangle this Emerald-City-sized tapestry of witches, Wheelers, wizardry, claymation fever dreams, and questionable Kansas parenting.

We ease on down the cinematic road, talk sequels that aren’t really sequels, prequels that might be sequels, and why Return to Oz still feels like the dark and stormy night Dorothy really needed a therapist for. If you’re into green girls, Gump gliders, and stories stitched together with a whole lot of heart, this episode is over the rainbow and then some.

Grab a Maximus, click those heels, and join us—because this week, it’s Oz or nothing.

Guest Blake Trevino returns to Beer and a Movie for a two-lager, two-Edgar Wright film kind of episode. First up is The Running Man (2025), a fresh new take that still carries some of Wright’s kinetic fingerprints—though two of us liked it and one of us walked away a little underwhelmed.