The month of April in the year 1800 was an especially busy one for Ludwig van Beethoven. On the second of April at his first big orchestral concert in Vienna, Beethoven premiered his First Symphony, a new Piano Concerto, and his chamber Septet. Composing, writing out the parts, and rehearsing all that music was no small task.

On today’s date that same month, Beethoven appeared in Vienna once again, this time as piano accompanist for the popular Bohemian horn virtuoso, Johann Wenzel Stich, who went by the more marketable Italian “stage name” of Giovanni Punto.

The pre-concert announcements for the Punto recital promised that Beethoven would contribute a new work for the occasion—but, apparently still recovering from his OWN big concert, Beethoven didn’t get around to writing the promised Horn Sonata for Punto until the day before the recital.

Beethoven and Punto took the new Sonata with them for a concert in Budapest the following month. The press in Hungary had heard of Punto, but not Beethoven, whose name they didn’t even get right: “Who is this Bethover (sic)?” one press notice read, noting (quote): “The history of German music is not acquainted with such a name. Punto, of course, is VERY well known…”

Ludwig van Beethoven (1770 – 1827) Horn Sonata in F, Op. 17 Hermann Baumann, horn; Leonard Hokanson, piano Philips 416 816