Before The Chorus

Small Black are a chillwave four-piece from New York City. Frontman Josh Kolenik has called several parts of the Tri State Area home, having grown up on Long Island and now residing in Brooklyn. Between moving around & the recent loss of his uncle, a surfboard shaper and local fixture on Long Island, Josh has been reflecting on what it means to live a fulfilling life. It is this question that has largely shaped the band’s new album, Cheap Dreams.

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Flyte are a three-piece band based in London, known for their tight harmonies & brilliant, near-perfect instrumentation. On ‘This Is Really Going to Hurt’, they intentionally dropped some of their usual polish; frontman Will had come out of an 8-year relationship, & was writing his most vulnerable songs to date. The resulting record is a true gut-punch, powerfully taking us through the pain of endings, & the healing that comes after them.

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Julien Baker is an artist from Memphis Tennessee. She is known for both her solo work, & as a member of the bands Forrister & boygenius. Her 2015 record Sprained Ankle rose her to fame with its gut-wrenchingly honest songwriting. On Little Oblivions, her third full-length album, Julien explores themes of addiction & relapse, mental health & faith, never mincing her words.

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Nuha Ruby Ra is a London-based experimental artist, with roots in sound art & avant-punk music. For her debut EP, she took the ups & downs of an unhealthy relationship & fashioned them into a powerful journey. How To Move is a raw, visceral, complete record that shows that while the healing process is never perfect, we can emerge with new resilience.

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Genesis Owusu is a Ghanian-Australian artist, currently based in Canberra. He has an affinity for genre-stretching sounds & storytelling; because of this, his music is full of colour & complexity. On his debut album ‘Smiling With No Teeth’, he explores the interconnectedness of depression & racism - two things that have greatly impacted his life.

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Claud is a solo artist based in Los Angeles. Blending elements of dream pop, indie & more, their music is as refreshingly bright as it is warm & introspective. On their debut album Super Monster, they show that growth isn’t an easy, linear process; it’s okay to fall on your face, & overcoming things does’t happen overnight. In time, we all fall into place.

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clipping. are an experimental rap trio currently based out of Los Angeles, California. Their last two albums, 'There Existed an Addiction to Blood' & 'Visions of Bodies Being Burned', draw heavy influence from horrorcore, a niche genre of rap from the 90s. However, where horrorcore was often campy, clipping. goes visceral, making fully-fledged horror films for your ears. I am joined now by the three members of the group to discuss the second of the aforementioned records, Visions of Bodies Being Burned.

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BEYRIES is a bilingual solo artist from Montreal Canada. She is passionate about the things that connect us, and this is what she centres her writing around. When her songs are released, she happily lets them evolve, allowing listeners find their own meanings in her music. This was a very different conversation than most of the ones I’ve had on this podcast. That being said, it’s a great reminder that meaning isn’t static, and that an artist’s role in shaping meaning can vary.

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Helena Deland is a solo artist based in Montreal, Canada. Over the past four years, she has released multiple EPs, and even appeared on JPEGMAFIA’s ‘All My Heroes Are Cornballs’. Her debut album Someone New, which was released last month, explores the struggle between idealization and reality, femininity, and asking for what we need from friends and lovers alike.

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Local Natives are a five-piece group from Los Angeles. For over a decade, they’ve been a respected indie staple, blending folk-esque harmonies & storytelling with indie guitars & bright choruses. Their albums are meticulously planned & thought out; while this yields great results, it can get pretty tiring. So this time, they decided to try something different: release a short EP, highlighting four songs that never fit into an album, but needed to be heard.

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