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Behold me as I am! Melissa comes to us with two episodes from The Animated Series: "Yesteryear," (S01E02) written by D. C. Fontana and directed by Hal Sutherland; and "How Sharper Than a Serpent’s Tooth," (S02E05) written by Russell Bates and David Wise and directed by Bill Reed. Like "Qpid," these episodes involve paternalism echoing from the past. We talk about radical autonomy, monoculturalism, paternalism, orientalism, and (of course) assessment. We also geek over James Doohan (despite his accent work), space monsters, and how all the writers agree about young Vulcan bullies.
For images discussed in this episode, visit the episode page on our website.
Please let us know what you think about the show! Hail us at [email protected], contact us on social media, or comment on our website at beforethefuture.space.
Connections:
Works Cited:
For our next episode, we'll watch Star Trek: Prodigy S01E09-10, "A Moral Star" parts 1 and 2, written by the entire Prodigy writing team and directed by Ben Hibon.
Before the Future Came is edited by Lucy Arnold, transcribed by Melissa Avery-Weir, and webmavened by Gregory Avery-Weir.
Our theme is “Let’s Pretend” by Josh Woodward, available under a Creative Commons Attribution 4.0 License.
Blood will be spilt! Gregory brings "Qpid," the 20th episode of season 4 of The Next Generation, written by Ira Steven Behr and Randee Russell and directed by Cliff Bole. Like "Captain's Holiday," this episode features the recurring character of Vash (and a lot of misogyny). We discuss historical fantasy, amatonormativity, the ideal woman, power, pedagogy, and Q. We also chat about humor, stage fighting, and queer coding.
Transcripts are in progress and will be added to this post when complete.
For images discussed in this episode, visit the episode page on our website.
Please let us know what you think about the show! Hail us at [email protected], contact us on social media, or comment on our website at beforethefuture.space.
Connections:
Works Cited:
For our next episode, we'll watch The Animated Series S01E02, "Yesteryear," written by D. C. Fontana and directed by Hal Sutherland; and S02E05, "How Sharper Than a Serpent's Tooth," written by Russell Bates and David Wise and directed by Bill Reed.
Before the Future Came is edited by Lucy Arnold, transcribed by Melissa Avery-Weir, and webmavened by Gregory Avery-Weir.
Our theme is “Let’s Pretend” by Josh Woodward, available under a Creative Commons Attribution 4.0 License.
You've fulfilled your destiny all too well! Lucy brings "Captain's Holiday," the 19th episode of season 3 of The Next Generation, written by Ira Steven Behr and directed by Chip Chalmers. Like "Inquisition," this episode revolves around an attempted holiday that goes awry. We talk about vacations, misogyny, bodies, liminality, archaeology, and antisemitism. We also discuss pre-trip research, amazing costumes, and our beloved Vash.
For images discussed in this episode, visit the episode page on our website.
Please let us know what you think about the show! Hail us at [email protected], contact us on social media, or comment on our website at beforethefuture.space.
Connections:
Works Cited
For our next episode, we'll watch The Next Generation S04E20, "Qpid," written by Ira Steven Behr and Randee Russell and directed by Cliff Bole.
Before the Future Came is edited by Lucy Arnold, transcribed by Melissa Avery-Weir, and webmavened by Gregory Avery-Weir.
Our theme is “Let’s Pretend” by Josh Woodward, available under a Creative Commons Attribution 4.0 License.
I can assure you: this is no game. Melissa brings "Inquisition," the 18th episode of Season 6 of Deep Space Nine, written by Bradley Thompson and David Weddle and directed by Michael Dorn, the actor of Worf; one of only four episodes of Star Trek he directed. Like Elite Force, this episode contains a lot of questionable military ethics. We discuss assessment, astonishment, morality, espionage, truth, and the Promenade. We also geek about homosociality, academic conferences, and the actor William Sadler.
Please let us know what you think about the show! Hail us at [email protected], contact us on social media (we’re now also on Mastodon: @[email protected]), or comment on our website at beforethefuture.space.
For our next episode, we'll be watching The Next Generation S03E19, "Captain's Holiday," written by Ira Steven Behr and directed by Chip Chalmers.
Before the Future Came is edited by Lucy Arnold, transcribed by Melissa Avery-Weir, and webmavened by Gregory Avery-Weir.
Our theme is “Let’s Pretend” by Josh Woodward, available under a Creative Commons Attribution 4.0 License.
Content Warnings: mention of motion sickness and vomiting
Consider this your personal Kobayashi Maru. Gregory brings Star Trek: Voyager - Elite Force, a video game released in 2000 by Raven Software. Like "In a Mirror, Darkly," this episode involves the denizens of the Mirror Universe. We discuss first contact, video games, military orders, courtesy, romance, and canonicity. We also chat about Jefferies tubes, stealth, and technobabble.
If you don't want to play the game yourself, you can watch the same video Lucy did on Youtube.
(The transcript for this episode is in progress and will be added to this post when it’s ready.)
For images discussed in this episode, visit the episode page on our website.
Please let us know what you think about the show! Hail us at [email protected], contact us on social media, or comment on our website at beforethefuture.space.
Connections:
Works Cited:
For our next episode, we'll watch Deep Space Nine S06E18, "Inquisition," written by Bradley Thompson and David Weddle and directed by Michael Dorn.
Before the Future Came is edited by Lucy Arnold, transcribed by Melissa Avery-Weir, and webmavened by Gregory Avery-Weir.
Our theme is “Let’s Pretend” by Josh Woodward, available under a Creative Commons Attribution 4.0 License.
Love never fails. Lucy brings "In a Mirror, Darkly" Parts 1 and 2, episodes 18 and 19 of Season 4 of Enterprise. Part 1 was written by Mike Sussman and directed by James Conway. Part 2 was written by Mike Sussman and Manny Coto and directed by Marvin V. Rush. Like the 2009 film Star Trek, this double episode explores an alternate history. We talk about compassion, misogyny, dehumanization, censorship, and torture. We also chat about the ongoing story of the mirror universe, biblical references, and these episodes' special intro sequence.
For images discussed in this episode, visit the episode page on our website.
Please let us know what you think about the show! Hail us at [email protected], contact us on social media (we're now also on Mastodon: @[email protected]), or comment on our website at beforethefuture.space.
Connections:
Works Cited:
For our next episode, we'll play the first four levels of the video game Star Trek: Voyager - Elite Force, developed by Raven Software. That's through the end of the Scavenger Base sequence. The game is available at GOG.com and has a widescreen patch for modern resolutions.
Before the Future Came is edited by Lucy Arnold, transcribed by Melissa Avery-Weir, and webmavened by Gregory Avery-Weir.
Our theme is “Let’s Pretend” by Josh Woodward, available under a Creative Commons Attribution 4.0 License.
Fire everything we've got! Melissa brings the 2009 film Star Trek, written by Roberto Orci & Alex Kurtzman and directed by J.J. Abrams. Like "Crisis Point" and "Crisis Point 2," this movie dives headlong into the action genre. We discuss vilification of labor, misogyny, and character motivations. We also chat about destiny, humor, set design, and lens flares.
For images discussed in this episode, visit the episode page on our website.
Please let us know what you think about the show! Hail us at [email protected], contact us on social media, or comment on our website at beforethefuture.space.
Connections:
Works Cited:
Our next episode will cover Enterprise S04E18, "In a Mirror, Darkly," written by Mike Sussman and directed by James L. Conway, and S04E19, "In a Mirror, Darkly, Part II," written by Mike Sussman & Manny Coto and directed by Marvin V. Rush.
Before the Future Came is edited by Lucy Arnold, transcribed by Melissa Avery-Weir, and webmavened by Gregory Avery-Weir.
Our theme is “Let’s Pretend” by Josh Woodward, available under a Creative Commons Attribution 4.0 License.
These graphics are mindblowing! Gregory brings "Crisis Point," the ninth episode of season one of Lower Decks, written by Ben Rodgers and directed by Bob Suarez; and "Crisis Point 2: Paradoxus," the eighth episode of season three, written by Ben Rodgers and directed by Michael Mullen. Like "Subspace Rhapsody," these episodes engage in a specific genre: here, the action movie. We discuss family, race, and the power of narratives. We also touch on mental health, aspirations, Star Trek movies, punishment in Starfleet, and holodeck episodes.
(The transcript for this episode is in progress and will be added to this post when it’s ready.)
For images discussed in this episode, visit the episode page on our website.
Please let us know what you think about the show! Hail us at [email protected], contact us on social media, or comment on our website at beforethefuture.space.
Connections:
Works Cited:
Our next episode will cover the 2009 film Star Trek, written by Roberto Orci & Alex Kurtzman and directed by J.J. Abrams.
Before the Future Came is edited by Lucy Arnold, transcribed by Melissa Avery-Weir, and webmavened by Gregory Avery-Weir.
Our theme is “Let’s Pretend” by Josh Woodward, available under a Creative Commons Attribution 4.0 License.
There's no episode for July 2024, but we offer some recommendations for new listeners about some of our favorite pre-Star-Trek episodes. We'll return in August with Lower Decks S01E09, "Crisis Point," written by Ben Rodgers and directed by Bob Suarez, and S03E08, "Crisis Point 2: Paradoxus," written by Ben Rodgers and directed by Michael Mullen.
It might be time to change our paradigm. Lucy brings "Subspace Rhapsody," the ninth episode of season two of Star Trek: Strange New Worlds, written by Dana Horgan and Bill Wolkoff and directed by Dermott Downs. Like "Sarek," this episode has the crew overwhelmed by their emotions and forced to express them in unproductive ways. We discuss connection, authenticity, and imperial communication. We also talk about genres, theme and variation, secrets and lying, K-pop (Klingon pop), retcons, and the nature of musical episodes.
(The transcript for this episode is in progress and will be added to this post when it’s ready.)
For images discussed in this episode, visit the episode page on our website.
Please let us know what you think about the show! Hail us at [email protected], contact us on social media, or comment on our website at beforethefuture.space.
Connections:
Works cited:
Our next episode will cover Lower Decks S01E09, "Crisis Point," written by Ben Rodgers and directed by Bob Suarez, and S03E08, "Crisis Point 2: Paradoxus," written by Ben Rodgers and directed by Michael Mullen.
Before the Future Came is edited by Lucy Arnold, transcribed by Melissa Avery-Weir, and webmavened by Gregory Avery-Weir.
Our theme is “Let’s Pretend” by Josh Woodward, available under a Creative Commons Attribution 4.0 License.
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