A simple question:

Why have "poor white people" - aka Rednecks and Hillbillies - always been seen as legitimate targets for vicious mockery and public ridicule by "mainstream" American society?

The answer to that question goes to the heart of early colonial American self-identity.

What connects The Mayflower with an iconic screen adaptation of Mary Shelley's Frankenstein? 

And what connects the 1931 James Whale film Frankenstein with the 1956 Hollywood musical The King and I?

Why do so many Americans show South Asian ancestry in DNA tests? 

And where exactly does John Wayne fit into all of this?

Sometimes the real horror is the story behind the actors and storytellers...

Before We Were White takes a mid-point break from our four part series on the history of Christianity in America - "New, Improved, and Super-Sanctified". 

Join us as we explore some of the darkness at the heart of Tinsel Town's Golden Era.

America is easily the most religious country among the wealthy western democracies.

Why?

Episode 19 of Before We Were White - "New, Improved, and Super-Sanctified, Part 2" is out now.

Part 2 explores the Medieval Catholic church, and how its quest for total political, economic, and spiritual power and authority led to the birth of Protestantism.

America is easily the most religious country among the wealthy western democracies.

In almost every other nation, greater wealth and educational levels correlate with a drop-off in levels of religiosity.

The USA remains a conspicuous outlier in this regard.

Why?

An exploration of the curious synergy between God and Mammon in American history, from Canaan to Corporation, from Pilgrims to Pentacostalism, from Jamestown to Jonestown.

Part 1 goes right back to the source, tracing the line between Bronze Age storm gods and the Medieval Catholic church.

How did a musical instrument which started off hundreds of years ago in Africa end-up becoming a symbol of "white" American country music?

Was this a case of simple cultural appropriation, or is there another story waiting to be told?

When it comes to American history, nothing is ever as black and white as people think...

Part Two of "Pre-Deliverance" continues our exploration of some of the forgotten roots of American culture and ethnicity.

In this episode, we get closer to understanding the origins of "Hillbilly Jews".

Play a game of word association with the average American.

Say "banjo".

Chances are, a great many would reply with words like "hillbilly" or "redneck".

Some might venture to mention bluegrass music.

How did a musical instrument which started off hundreds of years ago in Africa end-up becoming a symbol of "white" American music culture?

And what if some of the earliest people of non-African ancestry to take-up the banjo were actually...Appalachian Jews?

Join us for another winding trek through the hidden history of heartland America.

In Part 1 of "Black Paddywhackery", we learned about the origins of the Irish people, and asked why so many Americans self-identify as "Black Irish", believing themselves descended from survivors of the Spanish Armada which wrecked off the west coast of Ireland.

Having shown the flaws in this folk history, in Part 2 of "Black Paddywhackery" we explore the true origins of those who call themselves "Black Irish". 

A curious number of Southern Appalachians like to refer to themselves or extended family members as being "Black Irish".

There are Facebook discussion groups catering to Appalachian Americans (with tens of thousands of members), and almost weekly an "expert" pops up assuring other members that the "Black Irish" are a thing, and that thing is usually this:

"Loads of Irish people have black eyes, dark hair and skin.  They come from Spanish sailors stranded on Irish coasts during the naval retreat of the Spanish Armada in 1588.  These sailors intermarried with local Irish girls." 

This oft-repeated folk history - and the assertion that large sections of the native Irish population are dark in complexion due to this - is utter claptrap.

The eastern half of the continental USA is dotted with places inaccurately described as "tri-racial isolate communities".

One of the largest such population groups can be found spread over Eastern Kentucky, the western parts of Virginia, East Tennessee, and West Virginia.

Widely known as "Melungeons", few Americans have been the subject of such intense scrutiny and curiosity.

Who are these people?  And why are they called "Melungeons"?  

In this third and final installment of a three-part episode, we complete our exploration of this Appalachian and American enigma. 

Is this a story about weirdly exotic or isolated people - or is it a story about the lies and myths at the heart of American identity itself?