The past decade has seen the formation of a vibrant and strange genre of music called hyperpop. Its growth has been spurred on by the internet – through Soundcloud, Twitter and now Spotify – and it has been linked to some of the most exciting young artists worldwide. Freelance music writer Shaad D’Souza speaks to Laura Murphy-Oates about the rise of hyperpop and what it tells us about the influence of big corporations such as Spotify.

Behind the rise of hyperpop

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Is Elon Musk above Australian law?

In the aftermath of the Bondi Junction and Wakeley stabbing attacks, Guardian Australia political editor Karen Middleton tells Nour Haydar why there are calls to redefine terrorism and responses to violence against women You can support the Guardian at theguardian.com/fullstorysupport

Behind the rise of hyperpop

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