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Recorded on Hampstead Heath in London, we take a journey into some of the most threatened places and habitats of the non-human world by talking with Julian Hoffman, author of the newly published and acclaimed book ‘Irreplaceable’. He eloquently weaves accounts of both loss and ‘radical hopefulness’ through the stories of the people working to save these places, and through our conversation we seek to answer questions about our relationship with the non-human.
Are stories becoming ever more important for us to navigate the great challenging environmental issues of our time? Why do locations become places of importance to humans? Why do some enlarge what ‘home’ means to them by including the non-human? How do we resist being divorced from the natural world by the those pursuing power and greed? How is it that children still engage with the non-human in the little details and small places unselfconscious about engaging with nature?
THEME MUSIC BY DAVID ROTHENBERG. ALL RIGHTS RESERVED. USED BY KIND PERMISSION OF THE ARTIST http://www.davidrothenberg.net
Irreplaceable
Julian Hoffman
Hoo Peninsular
John Keats
Mavrovo National Park - north Macedonia
Meteora monastery west Greece
Watford allotments
Wales
Gwent Levels
Wordsworth
Future Generations Act
Cairngorms
Jim Harrison
Václav Cílek
Serengeti
Great Expectations
David Abram
Nan Shepherd
Arctic Tern
Bangka island, Indonesia
There is perhaps no creature that better encapsulates our conflicted relationship with the non-human world. Think of the complex mix of ideas that we humans associate with bears in modern times: child’s toy; indigenous people’s power totem; the reality of human-bear antagonism; the fear of unpredictable predators; celestial constellation; Boston Bruins; Chicago Bears; Yogi; Goldilocks; the list goes on. Through their place for us in myth, symbolism, history and reality do bears ‘see’ through us, and in doing so allow us to see beyond our humanity and glimpse again how we are primordially connected to the natural world?
With music from Colin, and recordings from in the field in Asturias, northern Spain, amidst the mountains, screes, meadows and forests of biologically-rich Somiedo Natural Park, we explore the ideas that humans hold regarding Bear, whilst seeking an encounter for real with a being that is now scarce in western Europe.
THEME MUSIC BY DAVID ROTHENBERG. ALL RIGHTS RESERVED. USED BY KIND PERMISSION OF THE ARTIST http://www.davidrothenberg.net
Somiedo Natural Park
Asturias
Grizzly Man movie
Grenadier Guards bearskins
Bear clan
Eight species of bear
Kodiak Bear
Romania Bears
Nicolae Ceausescu
Bears in Britain
Cave Bear
Winnie the Pooh
Gentle Ben
Bear senses
Bear Totem
Spirituality and Bear
Nature, the non-human - and humans too - connect together in the world of sounds. We are all auditory creatures. However, how do we non-humans relate to what we hear? How do we experience these sounds and where do we store the images and memories we associate with them: in our heads, our hearts, our cells, or all of those?
With three chosen non-human sounds that mean something to him and spark discussion, plus his own music, Colin considers: the messages that the non-human shares with us; the difference between noise and sound; seeking being unsettled by a natural sound; how sounds herald other beings as visitors in ‘our’ world; and how we feel their presence.
THEME MUSIC BY DAVID ROTHENBERG. ALL RIGHTS RESERVED. USED BY KIND PERMISSION OF THE ARTIST http://www.davidrothenberg.net
Whale blowing
Blue Whale
Science of sounds as a sight
Cockchafer / May Bug
Emotional Reaction Model - Misophonia
Echoic memory
Dylan Thomas
Love in the Asylum
Skylark
Vaughan Williams
The Lark Ascending
Philip Hoare
Cape Cod
Melissa Harrison
Rain
Hinduism
River Ganges
Mary Oliver
At the River Clarion
Night distorts the human world and, as we become separated from what is not human, is the night the way we reconnect with that experience? Sat in a final fragment of Dunwich’s 10th century Greyfriars Monastery, near a single tombstone of All Saints Churchyard, we record this podcast at night in one of the “most haunted places in England”.
With ‘A Natural History of Ghosts’ by Roger Clarke, filling our minds, we contemplate why should ghosts - whatever that phenomena might be - appear more often at night? As night ‘falls’ (or does it rise?) we consider the fears that we lay at night’s door, seen from the corner of one’s eye. A time of danger and the ‘other’, night is filled with terrors for modern humans.
THEME MUSIC BY DAVID ROTHENBERG. ALL RIGHTS RESERVED. USED BY KIND PERMISSION OF THE ARTIST http://www.davidrothenberg.net
Greyfriars Priory
Dunwich
Brassaï
Tarsier
M R James
Margaret Atwood
Black Shuck
Hobby Lanterns
Marsh Gas
Homer’s Odyssey
Apochrypa
Jinn
A Natural History of Ghosts - Roger Clarke
Bram Stoker
“To enter a wood is to pass into a different world” said author Roger Deakin, and in this episode, recorded in ancient Staverton Thicks forest, we explore why it is that there is a history of humans going to the woods to grow and learn, and to travel to find ourselves, often by getting lost. Why is it a place of story-telling, of fairy tales, of childhood imagination?
Disorientating for many modern humans, is there a density of ‘otherness’ in forest, and is this why for us the wild wood is it place of fear but also a place that we love? Sit with us on a mossy fallen tree as we question whether these are places to hide, to escape and adventure, or ones to fear where the non-human - or perhaps human - is watching us.
THEME MUSIC BY DAVID ROTHENBERG. ALL RIGHTS RESERVED. USED BY KIND PERMISSION OF THE ARTIST http://www.davidrothenberg.net
Some of the ideas and references we make in this podcast can be found here:
Blair Witch Project
Staverton Thicks
Pollarding
Gossip from the Forest - Sara Maitland
Where the Wild Things Are - Maurice Sendak
Grimm’s Fairy Tales
As You Like It - William Shakespeare
Walden - Henry David Thoreau
Wood - Andy Goldsworthy
The Scarlet Letter - Nathaniel Hawthorn
The Consolations of the Forest - Sylvain Tesson
Wild Wood - Roger Deakin
Woodlands - Oliver Rackham
Lord of the Rings
Domesday Book
Beowulf
Białowieża
Baka people
The Witch - Robert Eggers
Grizzly Adams
Olympic National Park
Massachusetts
Polish Jewish villages
We humans have long made sense of the non-human world around, and beyond us, through storytelling and myth. Folklore has much to say about hairy wild men, and women, and their relationship to us, past and present. Exploring these motifs, stories and the creative process, we focus on these ‘woodwose’, their presence on church fonts, and their probable origins as creatures and symbols.
We speak with playwright Thea Smiley who, with theatre company Wonderful Beast, has written about The Last Wildman and The Woodwose. With her we ponder what we should learn from wild places and wild people, and the 'mythical' beings who perhaps know more than we do about how to live.
THEME MUSIC BY DAVID ROTHENBERG. ALL RIGHTS RESERVED. USED BY KIND PERMISSION OF THE ARTIST http://www.davidrothenberg.net
Some of the ideas and references we make in this podcast can be found here:
Aesops Fables
Pliny
Michael Witzel
Selkie
Flood mythology
Werewolf
Wendigo
Griffin
Thea Smiley
Wonderful Beast theatre company
Return of the Wildman
Woodwose
Woodwose photos
Matt Salusbury
The Wildman
Wildman of Orford
Ludham font
Ralph of Coggeshall
Green children of Woolpit
Orford Ness
Ted Hughes ‘Wodwo’
Bigfoot, Sasquatch, Almasty
In this podcast we explore the proscribed routes, the safe paths, the trackways; and how they affect our perception of the land and our experience of the non-human world. What lives beyond the path? Are we an animal making paths of convenience or is there a human need for paths, boundaries and way markers - is it that our species deliberately wants to make marks on the land?
On a windswept autumn day we explore The Ridgeway and ancient Wayland’s Smithy discussing trading routes, pilgrimage, and how to avoid getting lost on tracks that may even be born of the Earth itself.
THEME MUSIC BY DAVID ROTHENBERG. ALL RIGHTS RESERVED. USED BY KIND PERMISSION OF THE ARTIST http://www.davidrothenberg.net
Some of the ideas and references we make in this podcast can be found here:
The Ridgeway
Oxfordshire Downs
Plague village of Eyam
Night makes us focus on our human experience of the darkness. Night is a place where the non-human world thrives: both in reality through wild predators whose senses exceed ours, and also in imagination as, for humans, the darkness often harbours our fears and is home to the unknown, the half-seen, and the mis-heard.
We explore what is special about night, In what ways does night reveal itself that goes beyond simply the interval between the light of day? How do we respond as the night-time takes away our senses? Maybe night is when we see ourselves most clearly.
THEME MUSIC BY DAVID ROTHENBERG. ALL RIGHTS RESERVED. USED BY KIND PERMISSION OF THE ARTIST http://www.davidrothenberg.net
Some of the ideas and references we make in this podcast can be found here:
Robert Johnson
Canonical hours
Ramadan
Melatonin
The Daintree
Tawny Owl
Nightjar
Transylvania
Fortified churches
Svalbard
Spring-heeled Jack
Jack the Ripper
Reynardine
Heart electromagnetic field
Baja California
Swamp gas
Human sleep pattern
Botswana
The Darkness is Light Enough
Visions of Johanna
In a windswept locale we explore how both we, and the inhabitants the non-human world, respond to the wind. Wind spirits, the voice of the wind, hurricanes, and the sense of ‘aliveness’ that it has all affect us. Why does it makes us feel a certain way? How is it perceived by many indigenous human cultures?
For birds, insects, trees, seeds, oceans and more, the way the wind moves across The Earth is fundamental to their lives. And so it is to us. Indeed during this podcast you can catch the wind in our voices.
THEME MUSIC BY DAVID ROTHENBERG. ALL RIGHTS RESERVED. USED BY KIND PERMISSION OF THE ARTIST http://www.davidrothenberg.net
Some of the ideas and references we make in this podcast can be found here:
North Wessex Downs
The effect of wind on children
Inkpen Beacon
Anemochory
Mi’kmaq
Navajo word for wind
Sami god, Bieggolmai
Carlos Castaneda
Shetland
Iceland
Western Isles
Beaufort scale
Aeolian harp
Gerard Manley Hopkins
We explore some of the most evocative sounds in the natural world and examine the power that the acoustics of the non-human world have over us. As we listen in Part 1 to Ian’s choice of sounds, we discuss how we navigate the natural world with sound and how it gives us a sense of place.
Are we acoustic creatures? What is the ‘voice’ of the non-human world? How does it speak?
How does sound link to a sense of place and calendar and what is it power to stir memories in us? What indeed is its power for one species to ‘speak’ to another?
THEME MUSIC BY DAVID ROTHENBERG. ALL RIGHTS RESERVED. USED BY KIND PERMISSION OF THE ARTIST http://www.davidrothenberg.net
Some of the ideas and references we make in this podcast can be found here:
David Abram, Becoming Animal
Spring Peeper
Barry Lopez, Arctic Dreams
Elk
Chris Watson
Geoff Sample
Gruenrekorder
Peregrine Falcon
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