Adding the 2nd of (hopefully) three layers to:

https://soundcloud.com/ethanhein/trombocoder-disquiet0367

Last night I thought I'd play some flute over this. Yet tonight, after an amazing day at a vocal/body percussion workshop I used my voice instead. A quick listen to find where my voice sat with the track then this came out fist take.

More on this 368th weekly Disquiet Junto project (Engage Duo / The Assignment: Record the second third of a trio, adding to a pre-existing track.) at: https://disquiet.com/0368/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0368-engage-duo/

Some bass and drums awaiting more instruments, download and use.

Recorded for the Disquiet Junto project # 367.

I had a short jam with Paul Ryan the other night to get material for this project and then edited some sections together.

More on this 367th weekly Disquiet Junto project (Trio Initiate / The Assignment: Record the first third of an eventual trio) at:

https://disquiet.com/0367/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0367-trio-initiate/

An edit of the 3 hour DeSloMol set on the Chill Stage at the 2018 Subsonic music festival.

DeSloMol Bio

He works at bottom of time. Tempos between 10-25BPM. From pieces created for the 10BPM Dance Club an interest was sparked, explorations made and an understanding of how the slow time works developed. DeSloMol is a new AKA of Benn DeMole an experimental musician and composer who has been working in the ambient, trip hop and downbeat genres for over 20 years. His love of combining the organic with the electronic has evolved into truly electroacoustic live performances. Live saxophone, flute, voice, and didgeridoo being mixed with computer sounds, found and created, rhythms with space, glitch and textures oh so deep.

A version of Erik Satie's "First Gymnopédie" by DeSloMol at 24bpm.

Thanks to: http://www.free-scores.com/download-sheet-music.php?pdf=353

for the score & MIDI

More on this 363rd weekly Disquiet Junto project — Gymnopédie Rats: Make over Erik Satie’s “Gymnopédie No. 1” in your chosen genre — at:

https://disquiet.com/0363/

Many thanks to Peggy Nelson and Alex Hawthorn for having proposed this project, at the tail end of last week’s project.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0363-gymnopedie-rats/

As segment of my 3 hour DeSloMol set at Subsonic festival last weekend. Whilst listening and editing I realized this piece fits nicely with:

Step 1: Make something as “beautiful as the chance meeting on a dissecting-table of a sewing-machine and an umbrella.”

More on this 362nd weekly Disquiet Junto project — Operational Surrealism / The Assignment: Make a piece of music informed by a key text from the art movement — at: https://disquiet.com/0362/

Thanks to Peggy Nelson, for having proposed this project.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0362-operational-surrealism/

"Smoothing the edges" of: https://soundcloud.com/jorgenkjellgren/night-music-for-fragile-minds . Thank Jorgen!

A 'remix' aimed at removing the transient attacks from the original piece.

More on this 351st weekly Disquiet Junto project (Selected Insomniac Works Volume II / The Assignment: Rework some very quiet music by making it even more sedate) at:

https://disquiet.com/0351/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0351-selected-insomniac-works-volume-ii/

Made in response to the Haiku:

The wild geese take flight

Low along the railroad tracks

In the moonlight night

and the image seen here:

https://soundcloud.com/naviar-records/sets/haiku-225-the-wild-geese-take

For more information visit http://www.naviarrecords.com/about/naviar-haiku

"Compose a short piece of music using only sine waves and the surface sounds of vinyl played on a turntable."

Part of the Disquiet Junto composing group.

Not currently having a turntable in the house I turned to the net and found this wonderful collection of vinyl sounds: http://99sounds.org/vinyl-noise-sfx/ Thanks Chia!

I found some rhythmic activity that inspired me in the collection so pulled some into Ableton and started playing, before long a bass was needed, hello sine wave.

The command "Before proceeding, consider the sort of music that might be conducive as partially-heard, partially-background music for an art event” had made me think of bits of melodies poking up so added some more sines as chimes and some bits of melodies.

Image created from two images: https://pixabay.com/en/light-blue-frequency-sine-physics-567757/ & https://pixabay.com/en/vinyl-record-player-retro-vintage-761592/ Thanks geralt & Skitterphoto.

More on this 326th weekly Disquiet Junto project (Wave Turntable: In collaboration with composer Danny Clay, make music for his exhibit with artist Jon Fischer using only sine waves and turntable surface noise) at:

https://disquiet.com/0326/

More on Clay and Fischer at:

http://dclaymusic.com

http://feather2pixels.com

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

This is an asynchronous collaboration between three musician, each recorded one week apart. Left channel recorded first by encym (https://soundcloud.com/encymlll/first-chair-by-encym-disquiet0315) the right channel second by Nate Trier (https://soundcloud.com/triermusic/they-call-me-the-backwoods-debussy-disquiet0316) then I added the saxophone in the centre.

The harmonic space created by encym and Nate, along with the "liveness" of each recording made a real pleasure to add my part to. Thanks unmet collaborators!

Photo by Teddy Kelley on Unsplash, https://unsplash.com/photos/abVkUkfyAJE

More on this 317th weekly Disquiet Junto project (Triadic Awareness: Record the third part of a trio, adding to a pre-existing track of two parts) at:

https://disquiet.com/0317/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0317-triadic-awareness/11271/

Thanks to Proxemia for the left channel: https://soundcloud.com/proxemia_disquiet/framed-and-enabled-disquiet-0315

The sax on the right was recorded through a little modular rig.

Thanks to Photos by Vitalis Hirschmann & Elijah Hiett on Unsplash

More on this 316th weekly Disquiet Junto project (El Segundo: Record the second third of a trio, adding to a pre-existing track.) at:

https://disquiet.com/0316/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0316-el-segundo/