BERGCAST

BERGCAST Season Two will begin soon enough, but until then, we're going to supply you with some dead air, as the Man in Black introduces the first of a series of ghost stories, written for your pleasure and discomfort.

The first of our tales, “The Austringer (1969)”, tells the story of a man who finds the Holy Grail of archive television, and the consequences of its discovery.

It's a force more powerful than 1,000 H-bombs unleashed to devastate earth!

Marcus enlightened us on why it took so long to make a third Quatermass (but why they kept trying), and who else could have played our pal Bernard.

We touch on the awkward relationship that Quatermass has with the sex/colour/blood aesthetic of Hammer Horror and Babs Windsor's bra.

We hear a tale of two Roy Bakers, and muse on whether the only things violated in this movie are trade descriptions.

And we talk about the power of this film, and how the juxtaposition of the prosaic and the uncanny lend it its curious power. 

Thanks to our lovely engineer Emma, Andrea Kinnear, Toby Hadoke and Sarah Reuben of the BFI, and also  Kier-La Janisse of the Miskatonic Institute of Horror Studies, without any of whom, as the saying goes, this would not have happened.

This is the second part of our descent into the Pit with prolific writer Maura McHugh.

Along with our discussion of what may be Nigel Kneale's finest moment, we look at MONSTERS FROM THE ID, the Nazi rocket scientist no one wanted, great character surnames, the entire absence of a philosophical leviathan, and HP Lovecraft's debt to bad archaeology.

Today, the BERGCAST team takes a deep dive into the only place to go: the pit, source of terror, haunting and the awful Darwinian impulse that drives the human race to suicidal mass action, which isn't remotely topical. We're joined by our special guest, novelist, playwright and Squaxx dek Thargo, the brilliant Maura McHugh.

The sky. The sky is purple.

This episode sees the conclusion of Jon and guest James Goss's look at Hammer's Quatermass 2. In a wide-ranging discussion that encompasses everything from Alan Plater to Flesh Gordon, they witnesses the trauma of Sid James being shot in the face (apparently), admire the inventive use of filler text and investigate if this really is the first use of the suffix '2' in a film title. James also tells us about interviewing Nigel Kneale for his student magazine...

Donlevy's back! This episode sees the first of a two-part chat between Jon and producer and writer James Goss as we look at how he first discovered Quatermass and a slightly wider discussion on Nigel Kneale's influence on Doctor Who (including an interesting conspiracy theory concerning The Invisible Enemy), before we make the two-hour trip from London to Carlisle, via Hemel Hempstead, to begin our look at Hammer's Quatermass 2 and wonder what Donlevy's Quatermass must be like at the Rocket Group's Christmas Party.

On the way we'll look at how conspiracies must seem efficient, and the terror of charm and the fear of Communist colonisation. Oh, and what actually is Broadhead's first name anyway?

Jon also gives a shameless plug to the BFI's Projecting the Archive strand, and in case you were wondering, the name of the actor James was so impressed with is John Van Eyssen, probably best know for playing Jonathan Harker in Hammer's first Dracula film, in 1958.

In this episode, Jon and Howard are joined by writer and actor Gareth Preston as they examine Hammer's attempt to do Quatermass without Nigel Kneale, in Jimmy Sangster's attempt at his very own Royston and the Pit...

On the way we look at how the portrayal of radiation in films might depend on which side of the atomic bomb you were at the end of World War II. We examine whether Royston just spends the entire film trying to kill his boss's son, and we witness what might be the birth of Fraser Hines's ego.

All that plus the horrific deaths of the writer of the theme song to Goldfinger and the producer of Month Python.

For the second part of our look at Quatermass II, we are once again with Andy Murray, writer of Into the Unknown: The Fantastic Life of Nigel Kneale, which you can purchase here. 

There's some dark stuff in the later episodes of Quatermass II, so we have to warn you that BERGCAST is not for children or persons of a nervous disposition.

Distract yourself from the political crisis and sinister machinations of the U.K. Government by letting Bernard Quatermass deal with it instead.

This episode we're joined by writer Andy Murray, whose book Into the Unknown: The Fantastic Life of Nigel Kneale is an absolute must read. You can get it here.

In the first of a two part chat, we look at what Nigel Kneale's been up to since The Quatermass Experiment, the casting of John Robinson and how the BBC felt the need to combat the launch of commercial television and a quick side step to the proposed Quatermass prequel, set in 1930s Berlin.

Howard's short story, The Austringer, can be found here.

Quatermass gets Hammered, with Brian Donlevy.

This episode we're joined by Dave Thomas, writer of Hammer: Back From The Dead, to look at Quatermass's first big screen adventure.

On the way we'll look at the origins of this film and what it meant for Hammer, why Brian Donlevy might actually be the villain of the piece and what connects The Quatermass Xperiment with the Marlboro Man. We'll awaken cathartic memories of Britain's scariest comic...

...and investigate just what the bloody hell is going on with that US poster.