We're bagging on The Beatles for a second week in a row! This time it's The Rutles who snatch the laurels off of the Fab Four's shaggy heads. Just like before, we pick SIX songs wherein to make our case, so just tune in and find out how amazing the song craft of Neil Innes (Ron Nasty) was, as well as the playing of Ricky Fataar (Stig O'Hara), Ollie Halsall (the voice of Dirk McQuickly)  and John Halsey (Barry Wom). They're all better than a squadron of tanks!

We're bagging on The Beatles for a second week in a row! This time it's The Rutles who snatch the laurels off of the Fab Four's shaggy heads. Just like before, we pick SIX songs wherein to make our case, so just tune in and find out how amazing the song craft of Neil Innes (Ron Nasty) was, as well as the playing of Ricky Fataar (Stig O'Hara), Ollie Halsall (the voice of Dirk McQuickly) and John Halsey (Barry Wom). They're all better than a squadron of tanks!

We're bagging on The Beatles for a second week in a row! This time it's The Rutles who snatch the laurels off of the Fab Four's shaggy heads. Just like before, we pick SIX songs wherein to make our case, so just tune in and find out how amazing the song craft of Neil Innes (Ron Nasty) was, as well as the playing of Ricky Fataar (Stig O'Hara), Ollie Halsall (the voice of Dirk McQuickly)&nbsp; and John Halsey (Barry Wom). They're all better than a squadron of tanks!

Better Than The Beatles: The Rutles

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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