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How driven are you to create the work you see in your mind’s eye? Will you produce more excuses than scripts and films? Or push through adversity and rejection, doing whatever it takes? From the Gold Coast of Australia, today’s guest goes by the name of gough and is the director of Beernuts Productions, “a prolific producer of film, television, audio downloads, books and other forms of creative media.” And he happens to be legally blind.
In the past three years, I’ve interviewed gough eight times on Getting Work To Work, and every time I do, I learn something new that could be a game-changer for my career. This conversation is no different.
We dive into how he became blind and the rejection he faced because of his disability. He shares the journey from his early days in radio and audio production, stand-up comedy, and why he created Beernuts Productions. He also talks about various skills every filmmaker needs: from an understanding of business models and leadership to effective communication and why you should never use the word game-changer.
What do you do when you are going through a health crisis, and you are a filmmaker? You turn the experience into a film. When Erica Taylor Davis was diagnosed with uterine fibroids, a medical condition that 80% of African American women and 75% of Caucasian women suffer from, she saw a much larger story unfolding. In the midst of her own pain and struggle, she courageously pushed through to objectively tell her story, and the stories of countless women with the impact fibroids and endometriosis have had on their lives in a documentary called Red Alert: The Fight Against Fibroids. If you are currently struggling with gripping self-doubt as you tell your own story, I hope you find a glimmer of hope and encouragement in Erica’s story of courage, patience, and perseverance.
The question at the heart of this conversation was inspired by a moment of brutal truth on a recent job: How does filmmaking change as you get older? As I scrambled to the top of a semi to get the shot, I stood there and thought, “I’m not getting any younger. One day, I won’t be able to do this.”
I reached out to two filmmakers I madly respect, Beth Harrington and the Angry Filmmaker, Kelley Baker. We had a fun and engaging conversation about the changing nature of filmmaking as you get older. With over 40 years each into their careers, both continually move forward into the future, telling stories that matter to them, building supportive communities, remaining fiercely independent, and realizing that they are in this pursuit for life.
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