
Sign up to save your podcasts
Or


Religious music, like the religious experience itself, comes in all shapes, forms, moods, and colors.
On today’s date in 2002, for example, this setting of the Song of Isaiah had its premiere performance at the Milwaukee Art Museum during a concert by the Present Music ensemble. The composer of the new setting was Milwaukee native Michael Torke, who wrote:
“I have always considered that a central religious experience is one of uplifting joy, as opposed to other spiritual expressions of pleading, suffering, atonement or wrath. It is that state of joy and thanksgiving I am trying to express.”
Song of Isaiah was commissioned for Present Music’s 20th anniversary, and to honor the Archbishop Rembert Weakland. The piece is scored for a singer, clarinet, bass clarinet, string quintet, piano, vibraphone and a percussionist who plays the rhythmic underpinning with a tambourine, claves and in the center of the piece, a triangle.
“This spirited rhythm embodies slower embedded forms that are etched out melodically by the clarinets in octaves, and also by the strings and piano in octaves,” Torke wrote. “In essence, there are no climaxes, as I wish the music to be a meditation, though the feeling is quite lively. Nine sections of the piece serve as episodic variations, and explore different small chunks of text from the Book of Isaiah. The form is a mirror: the first and ninth sections relate, as do the second and eighth, and so on; the fifth section (using the triangle) is in the exact center.”
Michael Torke (b. 1961): Song of Isaiah; Present Music; innova 590
By American Public Media4.7
176176 ratings
Religious music, like the religious experience itself, comes in all shapes, forms, moods, and colors.
On today’s date in 2002, for example, this setting of the Song of Isaiah had its premiere performance at the Milwaukee Art Museum during a concert by the Present Music ensemble. The composer of the new setting was Milwaukee native Michael Torke, who wrote:
“I have always considered that a central religious experience is one of uplifting joy, as opposed to other spiritual expressions of pleading, suffering, atonement or wrath. It is that state of joy and thanksgiving I am trying to express.”
Song of Isaiah was commissioned for Present Music’s 20th anniversary, and to honor the Archbishop Rembert Weakland. The piece is scored for a singer, clarinet, bass clarinet, string quintet, piano, vibraphone and a percussionist who plays the rhythmic underpinning with a tambourine, claves and in the center of the piece, a triangle.
“This spirited rhythm embodies slower embedded forms that are etched out melodically by the clarinets in octaves, and also by the strings and piano in octaves,” Torke wrote. “In essence, there are no climaxes, as I wish the music to be a meditation, though the feeling is quite lively. Nine sections of the piece serve as episodic variations, and explore different small chunks of text from the Book of Isaiah. The form is a mirror: the first and ninth sections relate, as do the second and eighth, and so on; the fifth section (using the triangle) is in the exact center.”
Michael Torke (b. 1961): Song of Isaiah; Present Music; innova 590

6,751 Listeners

38,856 Listeners

8,767 Listeners

9,196 Listeners

5,778 Listeners

926 Listeners

1,388 Listeners

1,286 Listeners

3,158 Listeners

1,974 Listeners

523 Listeners

183 Listeners

13,769 Listeners

3,083 Listeners

248 Listeners

28,133 Listeners

430 Listeners

5,469 Listeners

2,195 Listeners

14,142 Listeners

6,416 Listeners

2,514 Listeners

4,837 Listeners

575 Listeners

244 Listeners