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In his prizewinning novella Rapture, debut writer Reid Sherline has with a very small book made an outsized contribution to the literature of dark, weird Southern California, a place (and moment) where the recklessness, confusion, disengagement of adults turns their ignored or innocent children into perversely exaggerated walking, talking, misbehaving monster versions of themselves. Set in the Valley in the early Seventies --- Viet Nam war, drugs, social upheaval, divorce, cars --- Rapture considers everyday suburban violence, religion, politics, and neglect from the perspective of a young protagonist whose experiences seem to mark those of a generation. A charismatic combat vet leads our anti-hero on a Book of Revelation-inspired journey in a coming-of-age story which seems to explain so much of our own current moment of fundamentalist religion, White Christian nationalism, conspiracy theories, endless war, and the infantilization of our politics. A moving and spooky and pitch-perfect novella, it’s the winner of the Harvard Review Chapbook Prize.
The views expressed in this program are those of its presenter and guests, and do not necessarily reflect the values of the Community of Writers or its Board of Directors.
5
66 ratings
In his prizewinning novella Rapture, debut writer Reid Sherline has with a very small book made an outsized contribution to the literature of dark, weird Southern California, a place (and moment) where the recklessness, confusion, disengagement of adults turns their ignored or innocent children into perversely exaggerated walking, talking, misbehaving monster versions of themselves. Set in the Valley in the early Seventies --- Viet Nam war, drugs, social upheaval, divorce, cars --- Rapture considers everyday suburban violence, religion, politics, and neglect from the perspective of a young protagonist whose experiences seem to mark those of a generation. A charismatic combat vet leads our anti-hero on a Book of Revelation-inspired journey in a coming-of-age story which seems to explain so much of our own current moment of fundamentalist religion, White Christian nationalism, conspiracy theories, endless war, and the infantilization of our politics. A moving and spooky and pitch-perfect novella, it’s the winner of the Harvard Review Chapbook Prize.
The views expressed in this program are those of its presenter and guests, and do not necessarily reflect the values of the Community of Writers or its Board of Directors.
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