Binge Media

Valley and PJ decide to give you double the podcast with a BingeCast featuring Wake & Bake with Bob Ross.  You get to hear commentary on 5, count em, FIVE episodes of Bob Ross' The Joy of Painting while rolling through the BingeCast.  That's two podcasts for the price of none.  You're welcome.

The boys review The Marvelous Mrs. Maisel, Star Trek Discovery, True Detective, Scientology and the Aftermath, The Challenge (well speculation anyways), Roma, The Front Runner, Overlord, The Man Who Killed Hitler and Then the Bigfoot, and Abducted in Plain Sight.

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For the first retrospective of 2019, I wanted to take the Aftertaste into realms it hadn’t been in. Yes we have covered a variety of franchises and film series. But one thing we haven’t done is focus on the resume of one filmmaker and one filmmaker only. Who better to do this with than the master of the ‘ultimate man film’, Michael Mann. With a wide variety of films and a meticulous style that has attempted to be replicated but has never been duplicated, Mann presents quite a set of films to look at. In order to do so, we once again brought in Michael Guarnieri from the Hannibal Lecter Retrospective to do what he had originally contacted me to do to begin with. A Michael Mann Retrospective.

Though they were both Oscar winners and known as the two best actors of their generation, Robert DeNiro and Al Pacino had yet to share the screen in 1995. Leave it up to the Mann to finally make it happen in the remake to his own pilot LA Takedown called Heat.

It is one of the most popular movies ever made. So how do we feel about what Mann, DeNiro, Pacino, and Kilmer (?) bring to the $60 million budgeted film, and rate it based on how Mannly it is. Not really. I just wanted to insert another pun involving the namesake of this retrospective.

Download below, and come back next week as not only will we continue this series, we will also conclude a long in the making one as well.

Heat (1995) (?/10, ?/10, ?/10)

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Chad C fights through an ice storm and no sleep to review two highly mediocre films in honor of the Binge!

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For the first retrospective of 2019, I wanted to take the Aftertaste into realms it hadn’t been in. Yes we have covered a variety of franchises and film series. But one thing we haven’t done is focus on the resume of one filmmaker and one filmmaker only. Who better to do this with than the master of the ‘ultimate man film’, Michael Mann. With a wide variety of films and a meticulous style that has attempted to be replicated but has never been duplicated, Mann presents quite a set of films to look at. In order to do so, we once again brought in Michael Guarnieri from the Hannibal Lecter Retrospective to do what he had originally contacted me to do to begin with. A Michael Mann Retrospective.

After The Keep and Manhunter failed to make a splash at the box office, Michael Mann was in need of a hit. He decided at that time TV was where his real freedom lie. He helped watch over Miami Vice, a TV show that would overcome our living rooms with style and overlay what little substance there was with a lot of posturing.

Then in 1992, the idea to remake one of his favorite childhood films came to his head. With new Oscar winner (for My Left Foot) Daniel Day Lewis in the lead and the way Dances With Wolves took that same awards show by storm as proof that it was viable with audiences, Mann had all the studio backing he needed to make The Last of the Mohicans.

Join myself, Matt, and Mike as we dissect one of Michael Mann's most beloved films, and come back Friday as we take a look at his other major hit, Heat,

The Last of the Mohicans (1992) (?/10, ?/10, ?/10)

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We have reached the finish line of the 2018 NFL Season.  We discuss Super Bowl 53 as much as we can.  Somehow(BSV) an NBA discussion starts and quickly stops. Quick discussion on whats to come in the future for the Binge Sportscast, and we out.

Feb 3, 2019; Atlanta, GA, USA; Los Angeles Rams quarterback Jared Goff (16) reacts after throwing an incomplete pass against the New England Patriots during the fourth quarter of Super Bowl LIII at Mercedes-Benz Stadium. Mandatory Credit: Jason Getz-USA TODAY Sports

Remember to call us with your questions/comments/suggestions for the show #708-316-8822...

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Jack Falvey and Pete record a very last minute commentary for Reservoir Dogs.  Find out when they first saw this and where they rank this film amongst Tarantino's other films.  Enjoy!!!

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Chad C wanders in off the street with two new advanced reviews of LEGO MOVIE 2 and ALITA BATTLE ANGEL. Morneo checks out The Ted Bundy Tapes, WIDOWS, and some other stuff. Law watches ABDUCTED IN PLAIN SIGHT. There's lots more too, such as High Maintenance, Happy, Broad City, The Other Two, True Detective, MISS BALA, VELVET BUZZSAW, and MINDING THE GAP.

Want more? Hows aboot some Google Voice, a new sounder, and another Beer Shootout? Hows aboot that?

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Well Ladies and Gents it all came down to this, the round before our Oscar Pick 'em Contest. So what are you waiting for, go see who moved on to the final round of this years Binge Media Fantasy Movie League!!

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Well Ladies and Gents it all came down to this, the round before our Oscar Pick 'em Contest. So what are you waiting for, go see who moved on to the final round of this years Binge Media Fantasy Movie League!!

CLICK ABOVE TO LISTEN NOW!

Subscribe to Binge Cast on iTunes!

For the first retrospective of 2019, I wanted to take the Aftertaste into realms it hadn’t been in. Yes we have covered a variety of franchises and film series. But one thing we haven’t done is focus on the resume of one filmmaker and one filmmaker only. Who better to do this with than the master of the ‘ultimate man film’, Michael Mann. With a wide variety of films and a meticulous style that has attempted to be replicated but has never been duplicated, Mann presents quite a set of films to look at. In order to do so, we once again brought in Michael Guarnieri from the Hannibal Lecter Retrospective to do what he had originally contacted me to do to begin with. A Michael Mann Retrospective.

The Keep seems to be the lost film of Michael Mann's resume. People who discuss their love for Michael Mann's work will not cite it as one of their favorites. The film's box office was a paltry $3.7 million on a $6 million budget when originally released in 1983. And Mann himself has done all he could to disown it. Yet for all of these reasons and more, it has gained a bit of a cult following amongst those who have just discovered it.

I myself had never seen it until I did so for this retrospective.  Join Mike, Matt, and myself as we try our best to dissect a movie about Nazis and a wall, and discover for ourselves whether The Keep's cult following is warranted.

Join us next Weds, as we continue our look at Mann's resume with The Last of the Mohicans (hear us talk about Manhunter in our Hannibal Retrospective here) and make our way all the way through his filmography's (current) end with 2015's Blackhat.

The Keep (?/10, ?/10, ?/10)

 

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