BINK!

Gato Maestro at Ben's House. This was a wide-ranging rehearsal. We all seemed to have kind of a rough time. We went around to various songs that we thought we would feel good about but ended up having to repeat them all quite a bit. The forms were rough and individual people had trouble with their parts sometimes. This rehearsal is a good example of why we rehease. Ben couldnt get the form right on Feel Like Makin Love to save his life. These experiences make us better as a band though, and if we spent all our time playing our favorites like 1-2-3 and Use Me and Get Loose, we would never improve. At least thats what Ben keeps telling himself.

Gato Maestro at Ben's House. This was a wide-ranging rehearsal. We all seemed to have kind of a rough time. We went around to various songs that we thought we would feel good about but ended up having to repeat them all quite a bit. The forms were rough and individual people had trouble with their parts sometimes. This rehearsal is a good example of why we rehease. Ben couldnt get the form right on Feel Like Makin Love to save his life. These experiences make us better as a band though, and if we spent all our time playing our favorites like 1-2-3 and Use Me and Get Loose, we would never improve. At least thats what Ben keeps telling himself.

Gato Maestro at Ben's House. This was a wide-ranging rehearsal. We all seemed to have kind of a rough time. We went around to various songs that we thought we would feel good about but ended up having to repeat them all quite a bit. The forms were rough and individual people had trouble with their parts sometimes. This rehearsal is a good example of why we rehease. Ben couldnt get the form right on Feel Like Makin Love to save his life. These experiences make us better as a band though, and if we spent all our time playing our favorites like 1-2-3 and Use Me and Get Loose, we would never improve. At least thats what Ben keeps telling himself.

Gato Maestro at Ben's House. This probably isnt actually rehearsal 50. There have been many more that werent recorded, and there have been several that were probably misnumbered, and Im not even sure we started numbering from number 1. Another gig got canceled. We were geared up to run the songs but then there was no point. Paul pointed us to a version of Naima that is in a bizarre time signature, and it seems right up our alley. We are actually all struggling to make it work and be correct. We will get it eventually. Anyway the first hour or two of rehearsal was us trying to figure out that song. Then we ran a bunch of things from the book.

Gato Maestro at Ben's House. This probably isnt actually rehearsal 50. There have been many more that werent recorded, and there have been several that were probably misnumbered, and Im not even sure we started numbering from number 1. Another gig got canceled. We were geared up to run the songs but then there was no point. Paul pointed us to a version of Naima that is in a bizarre time signature, and it seems right up our alley. We are actually all struggling to make it work and be correct. We will get it eventually. Anyway the first hour or two of rehearsal was us trying to figure out that song. Then we ran a bunch of things from the book.

Gato Maestro at Ben's House. This probably isnt actually rehearsal 50. There have been many more that werent recorded, and there have been several that were probably misnumbered, and Im not even sure we started numbering from number 1. Another gig got canceled. We were geared up to run the songs but then there was no point. Paul pointed us to a version of Naima that is in a bizarre time signature, and it seems right up our alley. We are actually all struggling to make it work and be correct. We will get it eventually. Anyway the first hour or two of rehearsal was us trying to figure out that song. Then we ran a bunch of things from the book.

Gato Maestro at Ben's House. This probably isnt actually rehearsal 50. There have been many more that werent recorded, and there have been several that were probably misnumbered, and Im not even sure we started numbering from number 1. Another gig got canceled. We were geared up to run the songs but then there was no point. Paul pointed us to a version of Naima that is in a bizarre time signature, and it seems right up our alley. We are actually all struggling to make it work and be correct. We will get it eventually. Anyway the first hour or two of rehearsal was us trying to figure out that song. Then we ran a bunch of things from the book.

Gato Maestro at Ben's House. This probably isnt actually rehearsal 50. There have been many more that werent recorded, and there have been several that were probably misnumbered, and Im not even sure we started numbering from number 1. Another gig got canceled. We were geared up to run the songs but then there was no point. Paul pointed us to a version of Naima that is in a bizarre time signature, and it seems right up our alley. We are actually all struggling to make it work and be correct. We will get it eventually. Anyway the first hour or two of rehearsal was us trying to figure out that song. Then we ran a bunch of things from the book.

Gato Maestro at Ben's House. This probably isnt actually rehearsal 50. There have been many more that werent recorded, and there have been several that were probably misnumbered, and Im not even sure we started numbering from number 1. Another gig got canceled. We were geared up to run the songs but then there was no point. Paul pointed us to a version of Naima that is in a bizarre time signature, and it seems right up our alley. We are actually all struggling to make it work and be correct. We will get it eventually. Anyway the first hour or two of rehearsal was us trying to figure out that song. Then we ran a bunch of things from the book.

Gato Maestro at Ben's House. This probably isnt actually rehearsal 50. There have been many more that werent recorded, and there have been several that were probably misnumbered, and Im not even sure we started numbering from number 1. Another gig got canceled. We were geared up to run the songs but then there was no point. Paul pointed us to a version of Naima that is in a bizarre time signature, and it seems right up our alley. We are actually all struggling to make it work and be correct. We will get it eventually. Anyway the first hour or two of rehearsal was us trying to figure out that song. Then we ran a bunch of things from the book.