BINK!

Dana Thalheimer's House. So this is the earlier configuration of the Tritones. Without Paul. Thus, it is called the Semitones. Paul was unable to attend on this particularl scheduled recording session. We also used Logic to capture the audio and not Presonus, which is the preference Dana has. Ben used his laptop to capture all the audio and then just walked off with it on his hard drive. The MIDI for the keyboard went directly in, instead of being rendered into audio by one laptop and captured by another. The MIDI gets out of sync sometimes with the audio, which Ben is working to fix, and prevent, in future sessions. Also we actually played three or four more songs on this session, but Ben forgot to hit record, so we do not have them in this collection.

Semitones w Logic Pro X: #1 - Something You Got. Located at Dana Thalheimer's HouseJam Notes: So this is the earlier configuration of the Tritones. Without Paul. Thus, it is called the Semitones. Paul was unable to attend on this particularl scheduled recording session. We also used Logic to capture the audio and not Presonus, which is the preference Dana has. Ben used his laptop to capture all the audio and then just walked off with it on his hard drive. The MIDI for the keyboard went directly in, instead of being rendered into audio by one laptop and captured by another. The MIDI gets out of sync sometimes with the audio, which Ben is working to fix, and prevent, in future sessions. Also we actually played three or four more songs on this session, but Ben forgot to hit record, so we do not have them in this collection.Track Notes: A new tune Dana brought in

Semitones w Logic Pro X: #3 - Softly - 1. Located at Dana Thalheimer's HouseJam Notes: So this is the earlier configuration of the Tritones. Without Paul. Thus, it is called the Semitones. Paul was unable to attend on this particularl scheduled recording session. We also used Logic to capture the audio and not Presonus, which is the preference Dana has. Ben used his laptop to capture all the audio and then just walked off with it on his hard drive. The MIDI for the keyboard went directly in, instead of being rendered into audio by one laptop and captured by another. The MIDI gets out of sync sometimes with the audio, which Ben is working to fix, and prevent, in future sessions. Also we actually played three or four more songs on this session, but Ben forgot to hit record, so we do not have them in this collection.Track Notes: Someone went to the bridge too early

Semitones w Logic Pro X: #4 - Softly - 2. Located at Dana Thalheimer's HouseJam Notes: So this is the earlier configuration of the Tritones. Without Paul. Thus, it is called the Semitones. Paul was unable to attend on this particularl scheduled recording session. We also used Logic to capture the audio and not Presonus, which is the preference Dana has. Ben used his laptop to capture all the audio and then just walked off with it on his hard drive. The MIDI for the keyboard went directly in, instead of being rendered into audio by one laptop and captured by another. The MIDI gets out of sync sometimes with the audio, which Ben is working to fix, and prevent, in future sessions. Also we actually played three or four more songs on this session, but Ben forgot to hit record, so we do not have them in this collection.Track Notes:

Semitones w Logic Pro X: #2 - Night and Day. Located at Dana Thalheimer's HouseJam Notes: So this is the earlier configuration of the Tritones. Without Paul. Thus, it is called the Semitones. Paul was unable to attend on this particularl scheduled recording session. We also used Logic to capture the audio and not Presonus, which is the preference Dana has. Ben used his laptop to capture all the audio and then just walked off with it on his hard drive. The MIDI for the keyboard went directly in, instead of being rendered into audio by one laptop and captured by another. The MIDI gets out of sync sometimes with the audio, which Ben is working to fix, and prevent, in future sessions. Also we actually played three or four more songs on this session, but Ben forgot to hit record, so we do not have them in this collection.Track Notes:

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.

Tritones at Dana Thalheimer's House. Still working out the kinks of the recording process. Lots of trouble getting the trombone in a volume range that is both loud enough to here and also does not overdrive the equipment. Also these are just the roughest of mixes as a reminder. Anything that we decide is worth keeping musically, we can redo the mixing to make it sound much higher quality. Some cool stuff in this session. In particular, we have the arrangement with counterpoint for Heres that Rainy Day by Dr. Zimmerman. We also had the neat idea of taking You Dont Know as a rubato intro with just sax and piano.