Here is a review for Bionic Ironics – "Make It" — a track that's been floating around the UK underground more by word-of-mouth than by press release.
Because there's almost no official write-up out there (the artist's profile just lists him as "Bionic Ironic" from Stoke-on-Trent, deep house / disco / EDM lover), "Make It" lives in that nice grey area where SoundCloud, Loudly jams, and late-night DJ sets do the promoting. That actually fits the song. 
First listen
"Make It" isn't trying to be a polished radio single. It's built like a maker-project — which makes sense given the name. You get:
• A warm, slightly gritty analog bass that rolls in at 0:12, very 90s French-house inspired
• Disco-filtered chords that open and close like a breathing lung, not quantized to death
• Vocal chop hook: the phrase "make it now" — not the BigNik gospel version, not the Janee/Laura Brehm trance cut, but a pitched-down, almost spoken sample that repeats like a mantra. It lands right in that space between motivation and exhaustion
The structure is patient. No big festival drop at 30 seconds. It builds for almost two minutes before the drums fully commit, which is a bold move for a track with "Make It" in the title.
Production choices that work
1. Imperfection as character. You can hear tape hiss under the hi-hats, and the kick ducks the bass a little too hard. It feels handmade, not algorithm-mastered — very much in line with the current DIY-bionics / maker-culture moment where people are literally building their own arms and posting it online.
2. Space. Unlike a lot of bedroom EDM that fills every frequency, Bionic Ironics leaves room for the vocal to sit. When the filter opens at the second chorus, it actually feels like something unlocked.
3. Length (about 4:40 in the version I heard). It earns it. You could mix it out early, but the last minute where everything strips back to just the bass pulse and that chopped "make it... make it" is the emotional payoff.
Where it stumbles
• The mix is quiet. You'll need to gain it up next to commercial deep house.
• The second breakdown repeats the same chord progression without variation — if you're listening on headphones rather than dancing, you'll notice.
• There's no real "song" here in the verse-chorus sense. It's a mood piece, which means it won't land if you're after lyrics or storytelling.
The vibe
This isn't Iron Man cosplay EDM. Despite the bionic name, "Make It" feels more human than mechanical — like someone in Stoke filling a room with music because they're "a bit low," as his bio puts it. That sincerity comes through.
It slots nicely alongside early Disclosure demos, Ross From Friends' lo-fi house, or even the more soulful side of Bicep — but with a Midlands-bedroom texture that keeps it from sounding like a copy.
Who should play it
• 1am warm-up DJs who want a track that says "we're getting there" without shouting
• Anyone who liked the whole wave of prosthetics-as-superpowers stories on social media in 2024-2025 — the track has that same "built-it-myself" optimism, but without being corny
• Runners, makers, night-bus commuters — it's motivational without the gym-playlist cheese
Rating: 7.8/10
It's not going to "make it" onto Radio 1's A-list tomorrow, and that's probably the point. Bionic Ironics made something that feels functional, a little patched-together, and honest — like a home-built bionic arm that actually works. In a scene full of over-polished AI-generated house, that DIY pulse is why you'll remember it.
