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Bizet and transcription - Concert by Nathanaël Gouin
Works for piano by BIZET and SAINT-SAËNS.
Concert programme:
00:00:47 Georges BIZET
Six chœurs célèbres de Charles Gounod
Chœur des magnanarelles de Mireille
00:03:24 Georges BIZET
Six chœurs célèbres de Charles Gounod
Chœur des soldats de Faust
00:07:01 Georges BIZET
Nocturne en ré majeur
00:12:21 Georges BIZET
Romance sans paroles
Chanson d’avril
00:14:22 Georges BIZET
Romance sans paroles
Extase
00:17:15 Georges BIZET
La Chasse fantastique
00:22:57 Georges BIZET
Entr’acte de Carmen
00:26:17 Georges BIZET (arrangement by Nathanaël Gouin)
Venise (Paraphrase sur la Romance de Nadir)
00:30:30 Georges BIZET (arrangement by Nathanaël Gouin)
Paraphrase sur le chœur des petits soldats de Carmen
00:33:27 Camille SAINT-SAËNS (transcription by Georges Bizet)
Concerto pour piano n°2
Andante sostenuto
00:45:58 Camille SAINT-SAËNS (transcription de Georges BIZET)
Concerto pour piano n°2
Allegro scherzando
00:52:05 Camille SAINT-SAËNS (transcription de Georges BIZET)
Concerto pour piano n°2
Presto
00:59:10 Georges BIZET
Les Chants du Rhin n°3 “Les rêves"
Before creating an opera in his own name, Bizet earned a living by working for others. For the publishing house Choudens, he provided piano-vocal reductions of recent operatic works, made keyboard transcriptions of many orchestral compositions, as well as orchestrating certain of Gounod’s operas. As well as strengthening his ties with the great artists of his time, those activities also nourished his practice as a composer. Thus, in 1864, Nadir’s aria (‘Je crois entendre encore’) from Les Pêcheurs de perles (1863) was published as a ‘romance sans paroles’ for piano entitled Venise. In this concert, Nathanaël Gouin plays pieces by Bizet, together with the arrangements made by him for Gounod and Saint-Saëns; the pianist also presents his own Paraphrase sur un chœur de Carmen.
#BruZaneReplay
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Works for piano by BIZET and SAINT-SAËNS.
Concert programme:
00:00:47 Georges BIZET
Six chœurs célèbres de Charles Gounod
Chœur des magnanarelles de Mireille
00:03:24 Georges BIZET
Six chœurs célèbres de Charles Gounod
Chœur des soldats de Faust
00:07:01 Georges BIZET
Nocturne en ré majeur
00:12:21 Georges BIZET
Romance sans paroles
Chanson d’avril
00:14:22 Georges BIZET
Romance sans paroles
Extase
00:17:15 Georges BIZET
La Chasse fantastique
00:22:57 Georges BIZET
Entr’acte de Carmen
00:26:17 Georges BIZET (arrangement by Nathanaël Gouin)
Venise (Paraphrase sur la Romance de Nadir)
00:30:30 Georges BIZET (arrangement by Nathanaël Gouin)
Paraphrase sur le chœur des petits soldats de Carmen
00:33:27 Camille SAINT-SAËNS (transcription by Georges Bizet)
Concerto pour piano n°2
Andante sostenuto
00:45:58 Camille SAINT-SAËNS (transcription de Georges BIZET)
Concerto pour piano n°2
Allegro scherzando
00:52:05 Camille SAINT-SAËNS (transcription de Georges BIZET)
Concerto pour piano n°2
Presto
00:59:10 Georges BIZET
Les Chants du Rhin n°3 “Les rêves"
Before creating an opera in his own name, Bizet earned a living by working for others. For the publishing house Choudens, he provided piano-vocal reductions of recent operatic works, made keyboard transcriptions of many orchestral compositions, as well as orchestrating certain of Gounod’s operas. As well as strengthening his ties with the great artists of his time, those activities also nourished his practice as a composer. Thus, in 1864, Nadir’s aria (‘Je crois entendre encore’) from Les Pêcheurs de perles (1863) was published as a ‘romance sans paroles’ for piano entitled Venise. In this concert, Nathanaël Gouin plays pieces by Bizet, together with the arrangements made by him for Gounod and Saint-Saëns; the pianist also presents his own Paraphrase sur un chœur de Carmen.
#BruZaneReplay