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As John Lennon becomes the most famous political dissident in America, President Richard Nixon becomes increasingly paranoid. Nixon defends his legacy as well as the lengths to which his administration went in order to silence the rabble rousing ex-Beatle. Nixon’s own fears led him to believe that John wouldn’t just sway the youth vote, but that he would violently disrupt the country. Nixon’s tales include wiretaps, riots, and even the Godfather himself, James Brown.
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John Lennon’s second wife and creative muse, Yoko Ono, recalls their time as one of the most simultaneously beloved and feared couples of 1970s New York City. Yoko’s tales include drug busts, government surveillance, robbery, extortion, fear, and paranoia.
All this and more in the season two premiere of BLOOD ON THE TRACKS: The John Lennon Story.
For more info on BLOOD ON THE TRACKS and other great shows, visit the Double Elvis website and follow Double Elvis on Twitter and Instagram.
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John Lennon: Rebel. Radical. Revolutionary. The story of John Lennon’s post-Beatles years in the turbulent, political, and violent 1970s is told from the perspective of those who knew him best. BLOOD ON THE TRACKS is part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, the host of the award-winning music and true crime podcast, DISGRACELAND. It features the fictionalized voices of David Bowie, Yoko Ono, Harry Nilsson, Richard Nixon, Mark David Chapman, and more. Just like John Lennon, this podcast sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks. Season 1, The Phil Spector Story, which tells the story of one of the most infamous record producers of all time, is available to binge now in its entirety. This podcast is explicit and features adult content.
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As Phil Spector faces the rest of his life in prison for the murder of actress Lana Clarkson, the memories in his head swirl around in a perfect storm of confusion, resentment, misguided anger, and petty entitlement. The words of Lenny Bruce, Ronnie Spector, Keith Richards, Ike Turner, Leonard Cohen, Debbie Harry, John Lennon, Darlene Love, and the late Lana Clarkson continue to haunt him as he pieces together the moments of his life and contemplates the rest of his days.
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Actress Lana Clarkson meets Phil Spector for the first and last time on a fateful and fatal night in February 2003. She doesn’t know who he is, but is gradually charmed by the stories he tells about The Beatles, The Righteous Brothers, Tina Turner, The Ramones, Elvis Presley, and more. When they end up at Spector’s Alhambra castle, a tipsy night of good fun quickly devolves into a deadly night of head games and murderous mischief.
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Darlene Love was the anonymous voice behind many of Phil Spector’s earliest chart-topping teenage pop symphonies; songs like “He’s a Rebel” and “He’s the Boy I Love” bear Darlene’s uncredited but unmistakable vocal. Darlene talks about how she struggled to pull herself out of anonymity and into the spotlight, but how every attempt was thwarted by the same person behind the recording console: Phil Spector. Darlene’s story is a story about the battle for legacy in the face of a madman’s oppression.
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From Let It Be to Imagine to an infamous “lost weekend” in Los Angeles, no Beatle had more face time with Phil Spector than John Lennon. John reminisces on being drunkenly tied to a bed, having a gun fired at him in the studio, and lawyering up simply to get his own session tapes back. Every crazy story has the same crazy common denominator: Phil Spector.
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Debbie Harry, Blondie frontwoman and siren of the ‘70s NYC punk scene, talks about making the jump from the Big Apple to the City of Angels, with stops at The Whisky, KROQ, American Bandstand, and, of course, Phil Spector’s mansion. Her story is also The Ramones’ story, and both the beauty and the beasts share the good, the bad, and the downright weird in their tales of working with pop music’s most reclusive and abusive record producer.
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Leonard Cohen recalls his time with Phil Spector as a time of great confusion and soul searching. It’s also a time of bad omens, punctuated by being held against his will and being held at gunpoint. Despite cameos by Bob Dylan and Allen Ginsberg, and trips to islands off the coast of Greece and Zen retreats in California, Leonard’s memories keep coming back to one word: guns.
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Ike Turner goes deep about getting high, about his myriad marriages and drug busts, and about his tempestuous relationship with ex-wife Tina Turner. Game recognizes game when his path crosses Phil Spector’s, and the two engage in a shady tête-à-tête that ends in arson, narcs, and the SWAT team.
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From the publisher's feed
In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That…