“In the studio, Sam Cooke was a consummate pop crooner, whose delicate, caramelized voice charmed the reserved and mild. By the early sixties, his success and stature as a groundbreaking R&B crossover sensation loomed large in the music business.

But when Cooke stepped into Miami’s Harlem Square Club on the warm night of January 12, 1963, he let his hair down. He delivered a blistering 37-minute set that showcased his raw, gospel-rooted R&B spark before a predominantly African American audience.

Backed by late great saxophonist King Curtis and Cooke’s road band, which notably included guitarists Clifton White and Cornell Dupree, bassist Jimmy Lewis, drummer Albert “June” Gardner, pianist George Stubbs, and saxophonist Tate Houston, Cooke exudes a burst of hell-raising, down-home energy that feels neither measured nor rehearsed. The interaction between the performer and the enlivened Miami audience is natural and uninhibited all at once, as Cooke’s candor shines with each phrasing he sings and interjection he utters. If that quality isn’t enough to prove how dynamic his showmanship was, his distinctive voice and the peerless musicianship certainly is. Cooke attains a delectably gritty timbre that compellingly matches the fire and precision of his backing band, as they prowl through a reinvigorated run of his hit singles.

When this storied Miami show finally surfaced in 1985 as Live at the Harlem Square Club, 1963, it garnered universal reverence not only as a watershed in soul music history, but in the realm of famed live recordings as well. It best represents Sam Cooke as one of soul music’s undisputed progenitors. One full listen to it and you’ll never want the feeling to end. You’ll most likely repeat it.”  Brandon Ousley 

 

With one show remaining for the year, I‘ve gone deep into the Blues With A Feeling record library to feature for you, possibly the greatest live recording of all time.

Plus songs from the very best of the years new releases, including Buddy Guy, Bobby Rush & Kenny Wayne Shepherd, Maria Muldaur, Janiva Magness, Charlie Musselwhite, Mike Henderson, Southern Avenue Monster Mike Welch, Jo Harman, Tommy Castro, TajMo, The Alexis P Suter Band, Tad Robinson, Jon Cleary and Tad Robinson.

 

 

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“It's been over 30 years since world-class musicians guitarist Little Charlie Baty and harmonicist/vocalist/songwriter Rick Estrin first teamed up and took hard Chicago blues, jump, Texas swing and jazz and mixed it with rockabilly, proto-rock'n'roll, jumping jive, bebop and Estrin's sharply original lyrics, creating a sound one critic described as "Charlie Christian playing in Little Walter's band." Their utter mastery of American roots music is fueled by Baty's jaw-dropping guitar acrobatics and driven by Estrin's captivating original songs, cutting vocals and brilliant harmonica playing.

The story of Little Charlie & The Nightcats began back in the early 1970s when Baty--a harmonica-playing UC Berkeley student--first met Estrin. With Rick already an accomplished harp player, Baty decided to switch to guitar full-time and the two formed a blues band. After relocating to Sacramento, Baty quickly reinvented himself as a take-no-prisoners, one-of-a-kind guitarist. With the addition of a drummer and a bass player, Little Charlie & The Nightcats were born.

In 1986 the band sent an unsolicited tape to Alligator Records. Alligator president Bruce Iglauer was blown away. He flew to Sacramento to see the band perform and was sold. Their debut album, All The Way Crazy, was released in 1987 to overwhelming success. Almost immediately they went from playing small Sacramento blues clubs to performing concerts and festivals around the country and around the world.”

I’m beyond excited to feature for you this groundbreaking record this week. And to add context, my guest this week is the bands singer, songwriter and harp player Rick Estrin, who was kind enough to turn his memory back to 1987 and share all sorts of stories about the bands earliest years.

Plus new releases from Eric Bibb, Roomful of Blues, Tinsley Ellis, The Alexis P Suter Band, Darren Watson and Sally King & the Repeat Offenders.

  

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"Billed as her most personal statement, this may well be Mavis Staples’ finest solo effort to date. In 2004, the powerhouse lead singer of the famed Staple Singers released the rootsy Have A Little Faith on Alligator. Here, producer/guitarist Ry Cooder places the reigning queen of gospel’s voice in an even more intimate setting, paring the instrumentation down to the bare essentials.

But it’s the repertoire that makes the album so personal, not to mention riveting. She goes not just back to the church but back to the type of “freedom songs” that made the Staple Singers an inextricable part of the Civil Rights Movement of the ’60s – as Rep. John Lewis writes in the liner notes, “the soul of that revolution.”

Just as her family band had something to say then – with songs like “Why Am I Treated So Bad,” “Long Walk To D.C.,” and the hit “Respect Yourself” – Ms. Staples mixes traditional gospel tunes and originals to comment on the state of things in 2007.

The program opens with the biting social commentary of unsung blues poet J.B. Lenoir’s “Down In Mississippi,” with Ladysmith Black Mambazo providing vocal backing to Cooder’s guitar and mandolin and the heavy backbeat of his constant collaborator, Jim Keltner. Mike Elizondo, who played on Cooder’s Chavez Ravine, is back on bass and keyboards, with Ry’s son, Joachim, who provided percussion on the acclaimed Buena Vista Social Club.

Cooder’s big-toned slide leads off a version of “Eyes On The Prize” that will make the hair stand up on the back your neck. But the autobiographical “My Own Eyes” – recalling her father, Roebuck, and Martin Luther King (singing, “If he can preach it, we can sing it”) is perhaps Mavis’s finest hour.

Sure to be on numerous Top 10 lists for 2007." Vintage Guitar 

 

A particular favourite of mine, it’s a thrill to feature for you this week, this sublime record.

 

Plus new releases from Buddy Guy, Eric Bibb, Roomful Of Blues, Kim Wilson, Bobby Rush & Kenny Wayne Shepherd, Billy Branch & The Sons Of Blues, Tinsley Ellis, Eddie 9VT, Sally King & The Repeat Offenders, Darren Watson, The Alexis P Suter Band and John Primer &Bob Corritore.

 

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Live Focus – Mike Henderson – Last Night At The Blue Bird - Live

“Mike Henderson's long musical career saw him tour with Mark Knopfler, record with Emmylou Harris, John Hiatt and Kelly Willis. His song writing skills have been showcased by the Dixie Chicks, Trisha Yearwood and Patty Loveless, and he's played in numerous bands over the years including The Steel Drivers with Chris Stapleton. He first started playing regular shows at Nashville's Bluebird Café in 1986 while a member of The Kingsnakes.

‘Last Nite at the Bluebird – Live’ brings to close a thirty year relationship with the famous venue and documents the late musician in an intimate venue he knew and loved.

A gentle ribbing of the venue and the famous singer-songwriter sessions it hosts gets his audience warmed up as he opens the album with his own composition, ‘Weepin’ & Moanin’.  Not letting up, the boogie shuffle of ‘Matchbox’ quickly follows.  However, things really step up a gear with the searing slide guitar on ‘Too Much Alcohol’, a song made famous by the late Rory Gallagher.  This version finds Henderson playing with the fire of Elmore James and Jeremy Spencer combined.

Other highlights include ‘When I Get Drunk’, the harmonica soaked ‘Have A Good Time’ and ‘Pay Bo Diddley’ from Henderson’s old band, The Bluebloods.

‘Last Nite at the Bluebird – Live’ is well produced live recording that highlights Henderson’s raw energetic guitar skills and ability with work with an intimate audience, anyone who was lucky enough to catch any of these shows really did witness something special and as this recording proves, catching lightning in a bottle is possible.” Folk and Tumble

Really excited to present this crackin live set this week.

Plus new music from Billy Branch & the Sons Of Blues, Kim Wilson, Eric Bibb, Maria Muldaur, GA20, Chambers DesLaurier Band, Lloyd Spiegel, Darren Watson, The Alexis P Suter Band and Candice Ivory.  

 

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Classic Album Feature – The Paladins – Years Since Yesterday

 

“Hottest roots rock band on the West Coast; terrific guitar from Dave Gonzales. Minimalist and raw as hell. "Beat for beat, there's no better band than The Paladins. This lineup is lethal!"--L.A. WEEKLY

 

The Paladins' own way of making music has earned them fans from many quarters. They have toured often with Los Lobos and Stevie Ray Vaughan. Texas guitar hotshot Anson Funderburgh and The Fabulous Thunderbirds' Kim Wilson worked on the band's self-titled debut album. The Los Lobos connection continues on Years Since Yesterday, which was produced by Lobos saxman/producers Steve Berlin and engineer Mark Linett.”

 

I’m excited to feature for you this incredible album from one of the very best bands I’ve ever seen this week.

Plus new releases from Buddy Guy, Roomful Of Blues, Maria Muldaur, Kim Wilson, Eric Bibb, Fiona Boyes, Greg Nagy, The Alexis P Suter Band, Dave Keller, Darren Watson, John Primer & Bob Corritore and GA20.

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“David Johansen is a true musical chameleon. Whether fronting the influential punk band the New York Dolls, lounging it up as Buster Poindexter or invoking the blues with the Harry Smiths, he has always demonstrated his unique talent for taking a musical style and making it his own. On David Johansen and the Harry Smiths, David and his first-rate band summon the spirit of the blues through American musicologist/folklorist Harry Smith. Featuring gripping performances of songs by Muddy Waters, Mississippi John Hurt and Bob Dylan.”

A favourite of mine when It was released back in 2000, Im excited to feature for you this week, this extraordinary record.

 

Plus new releases from Buddy Guy, Kim Wilson, Harrell “Young Rell” Davenport, Eric Bibb, Sue Foley, Shirley Johnson, Greg Nagy, Fiona Boyes, Alexis P Suter Band, Lloyd Spiegel and Darren Watson.

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The first live album from the King of Texas Roadhouses. Raw rockers, soul ballads, driving band. A best seller. "Breathtaking, hardcore roadhouse rhythm & blues"--Rolling Stone

I’ve long been a fan of this classic live set from Delbert and his amazing band and now, for the first time, I’ll be featuring it in its entirety on the show.

Plus new music from Buddy Guy, Roomful Of Blues, Eric Bibb, Sue Foley, Kim Wilson, Fiona Boyes & The Fortune Tellers feat. Hubert Sumlin, Monster Mike Welch, Billy Branch & The Sons Of Blues, John Primer & Bob Corritore, Mike Henderson, Darren Watson, Young Rell Davenport and Johnnie Johnson and Friends.

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A favourite band of mine from back in the very early days, a copy of this incredible live show has recently made its way back into the Blues With A Feeling record library and I’m beyond excited to be featuring this album for you this week.

Plus tracks from the latest releases by Buddy Guy, Jimmy Burns, Mike Henderson, Shirley Johnson, Kirk Fletcher, Bily Branch & The Sons of Blues, Fiona Boyes & The Fortune Tellers feat. Hubert Sumlin and Raphael Wressnig.

  

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“Blues Is My Wailin' Wall is the debut album by the American musician Mighty Mo Rodgers, released in 1999. Rodgers referred to his music as "nu bluez"; he was also working on a master's thesis titled "Blues as Metaphysical Music (Its Musicality and Ontological Underpinnings)". He initially released the album on his label, North Star Records, in December 1998. Rodgers supported the album with a North American tour. He was nominated for a W. C. Handy Award for "Best New Artist Debut".

Exclaim! wrote that the album "is no revivalist camp ... but a richly musical charge that recalls the work of the late Curtis Mayfield... Rodgers' deep, warm vocals embrace gospel and R&B, and his voice alternates between a powerful growl and a gentle caress across arrangements designed around solid hooks that first seduce the listener before driving home their message."The Daily Herald noted that, "where most contemporary blues songs are riffs built around hogging guitar solos, Rodgers brings a literate, philosophical punch to the genre."The Edmonton Journal said that "slices of soul, dips into R&B, some rootsy roadhouse arrangements and a voice that has lived every lyric, amounts to an impressive 11 songs.”

Long a favourite of mine, I’m excited about featuring this remarkable record for you this week.

Plus new releases from Buddy Guy, Roomful of Blues, Billy Branch & the Sons of Blues, Alexis P Suter Band, Mike Henderson, Fiona Boyes & the Fortune Tellers feat Hubert Sumlin, Monster Mike Welch, Jimmy Burns, Shirley Johnson, Tom Hambridge, Raphel Wressnig, Darren Watson and Kirk Fletcher.

 

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“Walter “Wolfman” Washington, a New Orleans guitarist and singer… played his mix of funk, blues, soul and jazz in the city’s clubs for six decades.

A quintessential local luminary, Mr. Washington held down long-running weekly residencies at clubs including the Maple Leaf and d.b.a, where he recorded a live album with his band, the Roadmasters, that was released in 2013. He was also a member of a durable trio, with the keyboardist Joe Krown and the drummer Russell Batiste Jr., that released “Live at the Maple Leaf” in 2008.

Between New Orleans gigs, Mr. Washington toured clubs, particularly around the South, and worked an international circuit of blues clubs and festivals.

Mr. Washington’s guitar playing was lean, light-fingered and harmonically rich, conveying a relaxed authority as it teased and jabbed. His voice could convey flirtatiousness, amusement, heartache or wily agility, and his syncopated phrasing was as close to jazz as to traditional blues, leaping easily into falsetto or letting loose a vulpine howl.”

Its long been an ambition of mine to spend some time featuring this incredible musician Walter “Wolfman” Washington and this week, its all coming together as I feature this incredible release “Funk Is In the House” .

 

Plus new releases from Buddy Guy, Mike Henderson, Billy Branch & The Sons Of Blues, Candice Ivory, Kirk Fletcher, The Alexis P Suter Band, Monster Mike Welch, Roomful of Blues, GA 20, Darren Watson, Shirley Johnson and Raphael Wressnig.

 

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