
Sign up to save your podcasts
Or


Many good things come in threes — at least William Bolcom seems to think so.
On today’s date in 1971, in a converted garage next to a graveyard in Newburgh, New York, American composer and pianist William Bolcom put the finishes touches to the second of three piano pieces he collectively titled Ghost Rags.
Ghost Rag No. 2, Poltergeist and dedicated to Tracey Sterne, who at that time was a dynamic record producer at Nonesuch Records. In her youth Sterne pursued a career as a concert pianist, but in the 1960s and 70s was responsible for assembling the Nonesuch label’s astonishingly diverse catalog of old, new and world music.
Ghost Rag No. 3, Dream Shadows, was described by Bolcom as a “white rag” which evoked “the era of white telephones and white pianos” and “was in the white key of C Major.” Bolcom dedicated this rag to his fellow composer, William Albright.
And Bolcom’s Ghost Rag No. 1, Graceful Ghost, has proved to be the most popular of the three. Bolcom dedicated this music to the memory of his father, whose benign spirit Bolcom said he often felt hovering around his piano while he played at night.
William Bolcom (b. 1938): Graceful Ghost Rags; Paul Jacobs, piano; Nonesuch 79006
By American Public Media4.7
176176 ratings
Many good things come in threes — at least William Bolcom seems to think so.
On today’s date in 1971, in a converted garage next to a graveyard in Newburgh, New York, American composer and pianist William Bolcom put the finishes touches to the second of three piano pieces he collectively titled Ghost Rags.
Ghost Rag No. 2, Poltergeist and dedicated to Tracey Sterne, who at that time was a dynamic record producer at Nonesuch Records. In her youth Sterne pursued a career as a concert pianist, but in the 1960s and 70s was responsible for assembling the Nonesuch label’s astonishingly diverse catalog of old, new and world music.
Ghost Rag No. 3, Dream Shadows, was described by Bolcom as a “white rag” which evoked “the era of white telephones and white pianos” and “was in the white key of C Major.” Bolcom dedicated this rag to his fellow composer, William Albright.
And Bolcom’s Ghost Rag No. 1, Graceful Ghost, has proved to be the most popular of the three. Bolcom dedicated this music to the memory of his father, whose benign spirit Bolcom said he often felt hovering around his piano while he played at night.
William Bolcom (b. 1938): Graceful Ghost Rags; Paul Jacobs, piano; Nonesuch 79006

90,966 Listeners

38,518 Listeners

6,782 Listeners

8,760 Listeners

3,997 Listeners

9,193 Listeners

3,629 Listeners

925 Listeners

1,389 Listeners

520 Listeners

182 Listeners

1,225 Listeners

13,700 Listeners

3,083 Listeners

247 Listeners

28,255 Listeners

13,238 Listeners

5,490 Listeners

2,177 Listeners

14,110 Listeners

1,142 Listeners

6,336 Listeners

2,514 Listeners

229 Listeners

635 Listeners