We're digging one out of the vault. This long-lost episode of Booze Bros & BS was recorded back in 2024 and somehow never made it out — but it's here now, and it was well worth the wait. We set sail with Insomnium's 7th album, Winter's Gate, a single continuous 40-minute journey divided into seven movements. We break down every movement, explore the album's haunting Norse narrative, talk about its inspiration, sing Dan Swano's praises, and crack a few jokes along the way. Mike arrives with a hot take about Insomnium that he is fully prepared to die on a hill over. And we disagree about just how awesome this album is. Hop onboard, and join us. 

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On the next episode of Booze, Bros, & BS, we head deep into the woods for The Cabin in the Woods — a horror movie that blends equal parts terror, humor, and razor-sharp satire.

We talk about the film’s infamous delayed release thanks to MGM’s financial woes, and how Chris Hemsworth’s meteoric rise to stardom in the meantime actually makes the movie more effective — much like Janet Leigh’s casting in Psycho.

We dig into the five archetypes that have become staples of the horror genre, how  The Cabin in the Woods plays with them, and what the movie is really saying about our appetite for horror. And, of course, we have to ask the biggest question of them all:

Who the hell are the Ancient Ones?

So grab a cold one, lock the door, and join us at The Cabin in the Woods.

Booze, Bros, & BS — Movies, Metal, Mayhem.

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Our first spooky season episode dives into Zach Cregger’s Weapons, written after the sudden death of his friend and WKU co-creator Trevor Moore. Each character embodies an emotion Cregger was processing—survivor’s guilt, anger, sadness, and more. We explore the film’s eerie 2:17 a.m. moment, its connections to The Shining, Zach’s denial of political intent, his use of Transcendental Meditation as a writing technique, and David Lynch’s surreal influence. We also touch on witchcraft and occult imagery in the film. Tune in for chills, laughs, and deep discussion.

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Better late than never — it’s the Mother’s Day episode of Booze Bros & BS.

On this episode we’re diving into Clive Barker’s 1987 cult classic *Hellraiser*. Behind the scenes trivia, the sex scene that nearly got an X rating (the MPAA was literally counting thrusts), and the haunting what-if of Coil’s lost soundtrack. We also theorize on what the Cenobites actually are — angels, demons, elementals? Are they evil, or just operating on a morality we can’t comprehend?

And on this Mother’s Day, Mike shares a heartfelt tribute to his mom, who passed in April — and to every mother who ever held it all together.

Pour one out. Press play. No box required

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On this episode of Booze Bros & BS, we're sinking our teeth into Robert Rodriguez and Quentin Tarantino's cult classic, *From Dusk Till Dawn*. We talk the unforgettable genre shift, practical effects, the cast, behind-the-scenes stories, themes of family and loyalty, and why this movie still kicks ass nearly 30 years later.


Fair warning: before we ever get to the movie, we spend the first 20 minutes doing what we do best—bullshitting. If you've ever wondered what it's would be like to sit down for a few beers with us before the cameras officially started rolling, this is that. Then we dive headfirst into one of the wildest vampire movies ever made.

Grab a beer, come get a little gooey with the Booze Bros, and enjoy the ride.

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The Booze Bros dove headfirst into a 16mm neon-drenched, blood-soaked, drug-fueled fever dream nightmare from Joe Begos, presented by Eli Roth. Chaos follows immediately: random Sublime sing-alongs break out, Ben rolls with the CLIT (Jay and Silent Bob Strike Back reference locked and loaded*), and the whole watch-along derails in classic Booze Bros fashion.
Crack a cold one and brace yourself.

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Grab your popcorn and crank up the AC/DC — the Booze Bros are taking on Maximum Overdrive! In this wild watch-along, they crack jokes through Stephen King’s killer-truck chaos, unpack the legend of his cocaine-fueled directing debut, and gush over their undying love for AC/DC. It’s a hilarious, off-the-rails good time that proves bad movies make for the best times.



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This week, we dove into Brian Yuzna’s Society (1989) — the slimy, sleazy, body horror cult classic that left us questioning… well, everything. Ben watched it for the first time during our earlier watchalong, so naturally, we had to revisit the shunting, crack some jokes, and try to get to the bottom of this... disturbing mess. Spoiler: Ben may never recover.. Is Society a brilliant social satire or just a fever dream with an Oedipus complex, and way too much body-melding? Tune in as we drink up, break it down, and gross ourselves out along the way.

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Intruder (1989) Review - Aisle Be Damned -

Clock in for a graveyard shift at the world’s most dangerous grocery store, where severed limbs pile up, the camera refuses to sit still, and a homicidal maniac swings a decapitated head in one hand while casually eating a sandwich in the other. We dig into Intruder (1989), a slasher packed with inventive kills, wild shots, more body parts than a slaughterhouse. As always, we bring the banter, the breakdowns, and just enough BS to keep things interesting.

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This week on Booze, Bros, & BS, we dig into the neon sleaze of Frankenhooker—a cult-classic mashup of Frankenstein, Re-Animator, and late-night cable weirdness. We cackle at Jeffrey’s power drill lobotomy in the name of “clear thinking,” his sandwich-pushing enabler of a mom, and the absolutely bonkers idea of Super Crack turning sex workers into human fireworks.

Despite its bargain-bin production and amateur sleaze, this flick wins us over with sheer absurdity—and earns a surprisingly high score. It’s unhinged, it’s hilarious, and yes, it’s got exploding hookers shooting sparks like it’s the Fourth of July.

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Follow us on Instagram, X, and Bluesky: @BoozeBrosandBS
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