Tyler and David discuss movies that take a dim view of humanity, as well as the late Anton Yelchin.

The Tunnel/ Big Brother

Tyler and David discuss what they've been watching, including A Poem Is a Naked Person, The Resurrection of Jake the Snake, Murders in the Rue Morgue, Mad Max: Fury Road, The Dunwich Horror, Keanu, Les Cowboys, The Lodger: A Story of the London Fog, Eat That Question: Frank Zappa in His Own Words, Free State of Jones, Inside Amy Schumer, Lie to Me, Unreal and Silicon Valley.

Outside your element on this very special end of the year episode. Boldly leaping into unknown territory. The Brave Little Toaster, our little secret. At long last Michael becomes a test case. Looking back on an animated cult film. Unintentional character and notability. How the Pixar talent has changed as popular animation grows. The outstandingly successful Pixar formula. The most anticipated movie of Double Feature history. After ten long years, Eli Roth strikes back with The Green Inferno. The new iconography. The original impact of Hostel and the incoming impact of The Green Inferno. Perhaps the most inventive element of The Green Inferno, a brand new handle of feminism without the baggage of modern society.

Twitter Debate

@_Sutcha re:Green Inferno – Curated tweets by eric_x13

Outside your element on this very special end of the year episode. Boldly leaping into unknown territory. The Brave Little Toaster, our little secret. At long last Michael becomes a test case. Looking back on an animated cult film. Unintentional … Continue reading →

You'll find very little blood in Them, absolutely no gore, and the torture is largely psychological. So why is Them considered and exemplary film of the New French Extremity? Perhaps the filmmakers of Them conclude that "how" is not the right question to be asking, but "why?" (or, maybe more accurately, "why not?")

To follow along on the path toward cinematic edification:

- [email protected]

- facebook.com/IDoMoviesBadly

- battleshippretension.com/category/idmb

You'll find very little blood in Them, absolutely no gore, and the torture is largely psychological. So why is Them considered and exemplary film of the New French Extremity? Perhaps the filmmakers of Them conclude that "how" is not the right question to be asking, but "why?" (or, maybe more accurately, "why not?")

To follow along on the path toward cinematic edification:

- [email protected]

- facebook.com/IDoMoviesBadly

- battleshippretension.com/category/idmb

You'll find very little blood in Them, absolutely no gore, and the torture is largely psychological. So why is Them considered and exemplary film of the New French Extremity? Perhaps the filmmakers of Them conclude that "how" is not the right question to be asking, but "why?" (or, maybe more accurately, "why not?")

To follow along on the path toward cinematic edification:

- [email protected]

- facebook.com/IDoMoviesBadly

- battleshippretension.com/category/idmb

You'll find very little blood in Them, absolutely no gore, and the torture is largely psychological. So why is Them considered and exemplary film of the New French Extremity? Perhaps the filmmakers of Them conclude that "how" is not the right question to be asking, but "why?" (or, maybe more accurately, "why not?")

To follow along on the path toward cinematic edification:

- [email protected]

- facebook.com/IDoMoviesBadly

- battleshippretension.com/category/idmb

You'll find very little blood in Them, absolutely no gore, and the torture is largely psychological. So why is Them considered and exemplary film of the New French Extremity? Perhaps the filmmakers of Them conclude that "how" is not the right question to be asking, but "why?" (or, maybe more accurately, "why not?")

To follow along on the path toward cinematic edification:

- [email protected]

- facebook.com/IDoMoviesBadly

- battleshippretension.com/category/idmb