It's the yuletide season again, and so Erik, Sean, and Kyle are here to discuss one of the most celebrated Christmas horror films ever made, Bob Clark's 1974 movie, Black Christmas. Is it Christmassy? Is it a slasher movie? Is it even very fun to watch? Ho ho ho!

Bear and Long Pig, together at last. Outrageously whimsically characters disrupt the system. No negative jokes about Jean-Pierre Jeunet’s art direction suffering after 1995. Michael feels the need to rant about his top ten list and then randomly namecheck Black Panther. Has Eric Thirteen’s heart changed in 2018? Delicatessen disrupts the system. A kindly speaking bear takes over England in Paddington. Only on Double Feature is Paddington the weirder movie.

In order to understand Millions, one must first understand Danny Boyle. Once one appreciates the latter, one will see how his directorial trademarks brought out the best in this script.

In order to understand Millions, one must first understand Danny Boyle. Once one appreciates the latter, one will see how his directorial trademarks brought out the best in this script.

In order to understand Millions, one must first understand Danny Boyle. Once one appreciates the latter, one will see how his directorial trademarks brought out the best in this script.

In order to understand Millions, one must first understand Danny Boyle. Once one appreciates the latter, one will see how his directorial trademarks brought out the best in this script.

In order to understand Millions, one must first understand Danny Boyle. Once one appreciates the latter, one will see how his directorial trademarks brought out the best in this script.

In order to understand Millions, one must first understand Danny Boyle. Once one appreciates the latter, one will see how his directorial trademarks brought out the best in this script.

A cynical look at technological progress. Lo and Behold: Reveries of the Connected World. Just what kind of reveries is this about? A guy from Austin talks to an ex-Silicon Valley programmer about Werner Herzog questioning digital pioneers – and none of them have any answers. The problem of how to talk about future technological problems. An entire conversation about Idiocracy beyond “oh my god, it’s basically a documentary.” A society painted in shitty advertisements. The insane basic-income type ideas that will rule the future and how they compete with the vision presented in Idiocracy.