Kind Hearts and Coronets may have been delightful, but The Man in the White Suit is delightful! A great comedic performance from Alec Guinness centers a film with a clear focus on what it's satirizing, resulting in enough cathartic laughs and cynicism of capitalism to make Billy Wilder proud.

Happy Thanksgiving!

Kind Hearts and Coronets may have been delightful, but The Man in the White Suit is delightful! A great comedic performance from Alec Guinness centers a film with a clear focus on what it's satirizing, resulting in enough cathartic laughs and cynicism of capitalism to make Billy Wilder proud.

Happy Thanksgiving!

Kind Hearts and Coronets may have been delightful, but The Man in the White Suit is delightful! A great comedic performance from Alec Guinness centers a film with a clear focus on what it's satirizing, resulting in enough cathartic laughs and cynicism of capitalism to make Billy Wilder proud.

Happy Thanksgiving!

The lives of individual men as told through bizarre high-concept epics! Double Feature talks about the films of Eric Roth. An examination of the lives of others and what can be learned from them. Indulging the wild premise hooks of Forrest Gump and The Curious Case of Benjamin Button. What does Forrest Gump look like without the historical cameos? Robert Zemeckis has high-tech dreams. Remembering the popular introduction to arthouse via the discovery of David Fincher. Michael refuses to believe a film is actually about what it claims to be about. What can be learned from aging backwards? A midpoint turn brought about through the fantasy mechanic.

Jim keeps this episode on Kind Hearts and Coronets light and airy, just like the film itself.

Jim keeps this episode on Kind Hearts and Coronets light and airy, just like the film itself.

Jim keeps this episode on Kind Hearts and Coronets light and airy, just like the film itself.

Jim keeps this episode on Kind Hearts and Coronets light and airy, just like the film itself.

Jim keeps this episode on Kind Hearts and Coronets light and airy, just like the film itself.