Identity, duality, and the public eye. Reflections and persona. What is personhood? Eric Thirteen’s new film Disposition now has a trailer! Disposition (2018) Trailer. Perfect Blue as an insight to an Asia-centric phenomena. Working Perfect Blue backwards. The psychological thrills of Denis Villeneuve. What’s up with the spiders? Enemy’s secret deeper meaning. Do people still have the stamina for puzzle solving? Working though a complex, layered narrative. Rearranging beats to solve a mystery. Find Disposition showtimes at https://dispositionfilm.com.

Identity, duality, and the public eye. Reflections and persona. What is personhood? Eric Thirteen’s new film Disposition now has a trailer! Disposition (2018) Trailer. Perfect Blue as an insight to an Asia-centric phenomena. Working Perfect Blue backwards. The psychological thrills of Denis Villeneuve. What’s up with the spiders? Enemy’s secret deeper meaning. Do people still have the stamina for puzzle solving? Working though a complex, layered narrative. Rearranging beats to solve a mystery. Find Disposition showtimes at https://dispositionfilm.com.

Perhaps we shouldn't say Guillermo del Toro makes "horror" films, but rather "terror" films. Don't get me wrong - there are plenty of things to be scared of in The Devil's Backbone, but "The One Who Sighs" isn't one of them. After all, what's so scary about ghosts when there's so many horrible things of which the living are capable?

Perhaps we shouldn't say Guillermo del Toro makes "horror" films, but rather "terror" films. Don't get me wrong - there are plenty of things to be scared of in The Devil's Backbone, but "The One Who Sighs" isn't one of them. After all, what's so scary about ghosts when there's so many horrible things of which the living are capable?

Perhaps we shouldn't say Guillermo del Toro makes "horror" films, but rather "terror" films. Don't get me wrong - there are plenty of things to be scared of in The Devil's Backbone, but "The One Who Sighs" isn't one of them. After all, what's so scary about ghosts when there's so many horrible things of which the living are capable?

Perhaps we shouldn't say Guillermo del Toro makes "horror" films, but rather "terror" films. Don't get me wrong - there are plenty of things to be scared of in The Devil's Backbone, but "The One Who Sighs" isn't one of them. After all, what's so scary about ghosts when there's so many horrible things of which the living are capable?

Perhaps we shouldn't say Guillermo del Toro makes "horror" films, but rather "terror" films. Don't get me wrong - there are plenty of things to be scared of in The Devil's Backbone, but "The One Who Sighs" isn't one of them. After all, what's so scary about ghosts when there's so many horrible things of which the living are capable?

Perhaps we shouldn't say Guillermo del Toro makes "horror" films, but rather "terror" films. Don't get me wrong - there are plenty of things to be scared of in The Devil's Backbone, but "The One Who Sighs" isn't one of them. After all, what's so scary about ghosts when there's so many horrible things of which the living are capable?

The outsider’s need to belong and the influence of the spooky peer-group. Wearing an aesthetic to sneak past the gate. Three fantastic performances. The public face and the private face. The role of score in Thoroughbreds. Well check out the first time feature director over here! Two halves make a oh no jesus christ don’t do that come back downstairs. The aesthetic of high society. Privilege, wealth, and using the institution to take down the institution. The Craft as a…visual effects buffet! 90s teen horror. The spooky teen film. Bad influences. Cult films and sub-divided communities. The aesthetic of witchy goth kids. Using Trojan horses to bring opposing communities together.