February and Francois Truffaut wrap up with 1973's Day for Night, the kind of film about filmmaking that may be short on innovation, but more than makes up for in enthusiasm, joy, and pride in those who - like Truffaut - are crazy enough to dedicate their lives to cinema.

Tyler and David reveal their top ten movies of 2016.

Tyler and David host the 4th Annual BPs Awards!

Violence and Maternity. Inside and something else. Eric: It’s ok, you’re in a safe place. This is Double Feature. Michael: Is our show fairly traded? Eric: And uh…oh, I remember that. That’s good, that’s a good…Michael: Thank you. Thanks. Eric: I think that is the same voice actually. My name is Eric, and I’m in my last hope for a happy place, with Michael Koester. Michael: Yeah, well I’m sure these two movies helped you find that happy place. Eric: They really did, they really did. You’re referring to the David Lynch coffee commercial. Michael: I am. Yeah, David Lynch signature cup coffee.

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More information on the David Lynch Signature Cup Coffee Commercials

Violence and Maternity. Inside and something else. Eric: It’s ok, you’re in a safe place. This is Double Feature. Michael: Is our show fairly traded? Eric: And uh…oh, I remember that. That’s good, that’s a good…Michael: Thank you. Thanks. Eric: … Continue reading →

If the French New Wave filmmakers weren't intending to be revolutionary and were just instead concerned with making the kind of fun, complex, Hollywood-esque films that they wanted to see, then in a way, Shoot the Piano Player is a purer encapsulation of the novelle vague sensibilities than The 400 Blows could ever be.

If the French New Wave filmmakers weren't intending to be revolutionary and were just instead concerned with making the kind of fun, complex, Hollywood-esque films that they wanted to see, then in a way, Shoot the Piano Player is a purer encapsulation of the novelle vague sensibilities than The 400 Blows could ever be.

If the French New Wave filmmakers weren't intending to be revolutionary and were just instead concerned with making the kind of fun, complex, Hollywood-esque films that they wanted to see, then in a way, Shoot the Piano Player is a purer encapsulation of the novelle vague sensibilities than The 400 Blows could ever be.

If the French New Wave filmmakers weren't intending to be revolutionary and were just instead concerned with making the kind of fun, complex, Hollywood-esque films that they wanted to see, then in a way, Shoot the Piano Player is a purer encapsulation of the novelle vague sensibilities than The 400 Blows could ever be.

If the French New Wave filmmakers weren't intending to be revolutionary and were just instead concerned with making the kind of fun, complex, Hollywood-esque films that they wanted to see, then in a way, Shoot the Piano Player is a purer encapsulation of the novelle vague sensibilities than The 400 Blows could ever be.