Hello and welcome to this episode of BPM Pod, the podcast where we get behind people's music.

 

I hope you're doing well out there in these strange times and am glad you're taking the time to listen to the podcast. Thanks for your continued support, love and dedication. Remember if you want to get in touch with me here at BPM Pod, you can do so via the social channels, so definitely check those out. And I'd like to know what music you've enjoyed recently too so, if you want to submit a quick 30 second clip of you reviewing some music you've encountered recently – good or bad – then head over to the Facebook page at BPM Pod and drop me a message.

 

So for now, it's time for another episode of The Pulse here on BPM Pod, where I look at some of the music I've recently encountered – some new, some old, some finished, some not.

 

On this episode, I look at new music from Haim, Perfume Genius, and Fiona Apple. But first, I want to turn my attention to one of my favourite singer-songwriters today, and someone we've heard a bit of before on this podcast, and that is Jason Isbell with his album Reunions.

 

Jason Isbell – Reunions

The fourth album from American alt-country soft-rock blues-rock singer-songwriter Jason Isbell, accompanied here by The 400 Unit. Follows The Nashville Sound – a great album – from 2017.

 

Now I read somewhere that Isbell thinks Reunions is his strongest work yet and that set me up for expecting a lot, so do keep that in mind. But overall, Reunions for me was good, not great.

 

On the plus side, the sound here is different and has a lot more resemblance to a well produced Jackson Browne album, or offcuts of Dire Straits. There's a lot of overdubbing and layering here with some dreamlike effects, stereo landscapes and so on.

 

In terms of the songwriting, it's largely strong, with stand out tracks such as Overseas, Be Afraid and Only Children really stealing the show. A couple for me fall by the wayside, including St Peter's Autograph, Running With Our Eyes Closed, and controversially What've I Done To Help – a track which people seem to love for the Bill Withers slash Walk on the Wild Side blend, but is a track I think is overly long, repetitive and quite weak lyrically.

 

There are excellent performances from the band members, as always. Dave Cobb does brilliantly with the production too. But unlike his previous releases – Southeastern and Something more than free particularly – there's something in Reunions which brings distance and unrelatability. It's not somehow as touching or heartfelt, even though individual elements are excellent, whereas his other releases demand repeat listens to understand all of the emotions underneath.

 

So I overall like the direction Isbell has taken with this album, particularly in terms of the new sounds he has created, but for me it is not his best. Still a very worthy addition to his catalogue, and I recommend fans buy it, and newcomers give it a listen at least.

 

 

Haim

women in Music Part 3

Now this is not strictly a review, as the album has now been delayed until June sometime, due to the current nonsense in the world. But with that said, I want to talk about it because the first handful of tracks from the upcoming album really point to something special.

 

Now I have been a Haim fan for a long time, even when I had people saying they were poppy Fleetwood Mac rip-offs. To me they've always had some kind of sense of humour and gravitas about them, as well as a tonne of talent. And while I still don't fully understand or hear the influences that Haim tout so often – such as Destiny's Child, TLC and so on – I do get the pop sensibilities that they evoke.

 

The tracks that are out there so far are Summer Girl, Now I'm In It, Hallelujah, The Steps, I Know Alone, and Don't Wanna. So there's almost half the album out there right now.

 

For me, the strongest tracks are Don't Wanna and The Steps, but I guess this is because it appeals to my previously mentioned F

It was way back in episode two - the first 'proper' episode' - where I met Chris Weinhardt, somewhere distant and dark on the outskirts of Berlin. (Okay, Wildau isn't that bad, but it is a little far away. Listen to episode 2 here.)

I was nervous. Despite experience in the radio broadcasting field, it has been a while since I ran the show, doing the interviewing, editing, uploading and so on. I felt the pressure.

Chris? Well he couldn't have been more relaxed or accommodating, offering to collect me from the train station, offering to get me food and drink, and being welcoming and warm to this weird British guy who, with no podcasting experience, wanted to talk to him about music.

Almost two years later, Chris and I are still in touch, albeit not as often as we should be, and our musical journey has taken some wonderful turns. It was with this in mind that Chris asked me to come round for a beer so we could talk more generally about music, the next steps for Weinhardt, and how the adventure looked in 2020.

And then came coronavirus

After recording this episode over beer and pizza back in February 2020, Chris and I had planned to meet again on a more regular basis to transform elements of BPM Pod into a two-man show. We'd talk absolute crap, review music, review gigs and so on - a bit like the Kermode and Mayo Film Review, if you know that.

And then everything stopped.

Within a matter of weeks the restrictions came in. People freaked out, bought far too much toilet paper, and prepared for the end of the world. In my own little bubble, I was freaking out too, especially as my wife and I were having (and did have, I am glad to say) a baby in April.

It all became a bit much and the podcast took a backseat.

The thing is though: Chris and I talked for hours back in the Spring and a lot of it was good. We had such a flowing, different chemistry that it felt odd to simply abandon the episode. At the same time, the conversation was so rambling and weird (thanks alcohol) that it felt strange to put it out as one episode.

Better late than never

So to relive the pre-coronavirus days, to hear the absolute nonsense Chris and I talked about, I'll be releasing all parts of the chat Chris and I had over the coming weeks, starting with part one.

Each part is around 10-20 mins, discussing a bunch of different topics from Fred Durst, to country music, to backing tracks and if you should be able to use them in live performances.

It's nonsensical, it's all a bit stupid, but it's exactly what we need in these trying times. So check out parts one and two above, and stay tuned for more to come.

Inspired by the excellent YouTube movie review channel YMS (thanks for all your great work, Adam) I've decided to transform the regular 'The Pulse' feature into a kind of quickie review segment.

This month, I turn my attention to three absolutely awesome releases, all in the stoner-rock heavy-metal field, as I review the latest releases from King Buffalo, Heavy Heavy and Gyoza. Don't miss it.

"Have you heard Jason Isbell?" said my record producer, Thomas. I sheepishly said no, trying to hide how I may just have missed someone I should know about. He could tell.

"Oh don't worry - I don't think that many people have heard of him. But you should hear his stuff. I'll start you off with Southeastern."

And there we sat, in Thomas's vinyl-stacked basement studio, and listened to the album all the way through. We did not talk, we did not offer opinions, we sat silently and absorbed what we heard.

I have been hooked ever since.

Isbell's catalogue, while relatively short, is crammed with stunning stories of love, loss, hope, fears and occasionally political standpoints. The former guitarist for the Drive-By Truckers - another band I absolutely adore - Isbell is today one of the most in-demand songwriters out there, having most recently broken more into the mainstream with his contribution to A Star is Born.

Ahead of new album Reunions from Jason Isbell and the 400 Unit, I thought I'd give you what are, in my opinion, the top 10 best Jason Isbell songs to date.

Do you agree, disagree, or perhaps you've never heard of Jason Isbell and you want to offer your thoughts on this introduction to him?

Listen to the podcast, read the list below, and let me know.

On the next episode

We'll be going back to a friend of the podcast, Chris Weinhardt, for a dose of pre-lockdown musical fun. Plus we'll have an episode coming soon with singer-songwriter Alex Spencer so stay tuned.

Everyone and anyone who knows me - or even if you only listen to this podcast - knows I am a massive Queen fan. From watching their music videos over and over on VHS as a kid, through to owning pretty much all of their music as I grew up, there's something about the band that has allured me ever since my grandfather turned me onto them.

I make no apologies at all for saying that, to me, Queen are the greatest rock band ever. There's been no one better since, and I don't see anyone bettering them soon. Their shining star was, of course, Freddie Mercury. And again, I don't mind relying on hyperbole when I declare that Freddie is the best rock singer of all time either. Again, no one has come close, or is coming close.

The music of Queen is not all great though. Their albums were rarely consistent in terms of track quality, and their styles were a little too varied and unfocused at times (even within one single song). But the fact that Queen need three greatest hits albums to even scratch the surface of their back catalogue speaks volumes about the quality of music the band created.

And let's not forget their incredible live prowess too. Of course, led by the showman Freddie, there was the sense you were watching a circus ring leader rather than a rock singer - and that's meant as an entirely positive thing, I assure you.

Queen are thoroughly entertaining, stunningly talented, and quite simply irresistible. So picking their top 10 songs is a stupid endeavour, right?

Yes, you're correct. But did that stop me? Does my own stupidity stop me doing anything on any given day?

Nope, it does not. So without further ado, here are my personal favourite Queen tracks.

And before I go

You might think: "Hey, I did not follow BPM Pod to hear about the things you like. Where are the interviews?"

Well first off, that is a legitimate thing to wonder. There has been a decline in interviews recently, and it's been a real shame.

The reason?

My wife and I now have a baby. You're sure to hear little Ella on the podcast sometime soon, probably crying in the background. Of course, this has somewhat drained my time and energy, so bear with me.

Rest assured though: there are not many of these short list podcasts left before we get back into the swing of things.

Stay safe everyone.

Jackson Browne is, without question, my favourite musical artist of all time. Perhaps someone else will come along one day and take the crown, but I don't see it happening any time soon.

Browne is, to me, one of the most sensitive, soulful, poetic songwriters of all time. Sure you've got Bob Dylan, Neil Young, Bruce Springsteen, Gordon Lightfoot and so on, but none of them - despite similar styles - really capture the beauty, sorrow and confusion this life holds.

A wonderful storyteller, pianist and guitarist, Jackson Browne is my biggest musical inspiration and certainly my most listened to artist.

Does this mean everything he touches is golden? Not at all. There have been some dreadful albums along the way, including Hold Out, Lawyers in Love, and Lives in the Balance.

But in an attempt to showcase just how brilliant Browne is, I've compiled what I consider the best Jackson Browne songs out there.

If you like what you hear, definitely check out anything from his discography, though I would recommend Late for the Sky first, and possibly For Everyman and Jackson Browne shortly afterwards. Once that's under your belt, I'm Alive wouldn't be a bad bet.

For solo acoustic fans, check out either his Vol.1 or Vol.2 solo acoustic stuff. Really haunting renditions of some superb songs.

Browne is still making music today - most recently with his album Standing in the Breach - and tours relatively consistently. Right now, Browne has the dreaded coronavirus, which has somewhat paused his musical progress. Still, he released his latest single A Little Soon to Say in March 2020, ahead of his upcoming album Downhill From Everywhere which is slated for release in October 2020. (I also mentioned this in the most recent Pulse blog.)

Check out my top 10 and let me know what you think.

Go on, say Orange Utan. Oran-gee Uu-tarn. Orang-Utan. Orrrr-angje Uo-tan. Like many of the great mysteries of the world, we may never, ever know how to properly say this mystical name. (And that doesn't go for us only, but the band too.)

Yet Orange Utan know this causes confusion. They know it's interesting. And, in properly refreshing self-referential humour, they don't care.

The thing that stuck out to me about the band (I spoke with bassist Soren, and drummer Christian, but I assume the other two are the same) is how relaxed they are. There's no bullshit, no fakery, no nonsense. They're honest, open, and certainly having a wonderful time.

Orange Utan are part prog-rock, part punk, part thrash, part stoner rock - it's pretty tough to describe, but certainly worth checking it out. Given the wide range of genres in their music, there's a wide range of topics to touch upon to see how the band got to this point. From talking about the happiness they feel on stage, to the musical ambitions of the band going forward, we had a delightful, long chat touching on far more than what is in this episode. (Some of it got political; we cut that out.)

With two albums down, Orange Utan are still going strong, recording their third album and currently touring (coronavirus fuckery pending) in Spring 2020. Certainly a band to watch and track in the coming months and years.

To find out more about the band, click here to go to their website.

PLUS: You might hear a bit of a different intro song on this episode. Clever listeners will know it is Warren Zevon's 'Splendid Isolation'. Kind of apt given the virus situation. (I hope the joke is well received and royalties aren't claimed.)

Nights out, singalongs, soulful chats, and a damn lot of fun - Lucas Castillo and I have had a pretty decent run through it all. And, finally, he made his way around to BPM Pod.

The thing is: podcasts with friends sometimes become a bit dull. You have so many inside jokes, so many nearby references, and so much history, that you can easily abandon the listener.

Not with Lucas Castillo. A pro musician, with the ability to critically self-reflect on his journey, we talked through the night about mental health, being away from family, musical ambitions, and much, much more.

There's nothing I can say that can really capture the warmth, humour and appreciation captured in the podcast up top. Thanks to Lucas for appearing on the show, and for all the good times at Laksmi bar and beyond.

To find out more about Lucas Castillo, go to Facebook or search on le Instagram. (You'll also find him at Laksmi Bar quite a bit.)

The problem with Limp Bizkit is that they're misunderstood. Are they cool? No. Do they make good music? Meh, not really. Are they relevant? Good lord no.

But are they fun? Yes.

See I've always seen Limp Bizkit as a weird 90s/00s remnant of angry white-guy rap-rock. I'm not necessarily advocating a comeback of the genre, themes, or style, but I have always had a soft spot for their music somehow. I was pretty unsure as to why, until I met Dean Schweitzer of Tidal Wave.

"It's because it's fun. It's just '1, 2, 3, 4' and now we're going to jump, or shout, or whatever the fuck we want to do," says Dean.

"I like that fun element. It's not clever or cool. It's just fun."

I think Dean is right, and the fun element is certainly something he too puts into his music. Alongside an absolute bucket load of heart, soul, and ragged rock riffs, of course.

Check out the new song for proof (if you needed any).

Fight Song by TIDALWAVE

From reliving the nineties to musing on today's scene

Tidal Wave - fronted and run by Dean - is primarily a studio project. Different musicians form, and have formed, the band in every country Dean has lived.

It brings new flavours to old material, and it is a fun way to prevent the complications of committing to a permanent band, but when the only constant is one member and their vision, it takes a lot of drive and mental strength to keep reinventing again and again.

And that's a lot of what we talk about in this episode: maintaining a healthy mind, heart, and soul. What do you do when the music just isn't coming? How do you stay motivated and focused to keep pushing? And when do you give yourself a break for the success you've achieved?

In this podcast, you'll hear all of these topics, and more (Limp Bizkit included). You'll come away feeling refreshed, rejuvenated, and with a new found understanding of how hard it is to keep chasing something you love.

Speaking with Dean was an absolute pleasure. Tidal Wave is a superb project, with some cracking tunes out there. Thanks to Dean for taking the time to talk, and for being such a welcoming, open host.

For more information on Tidal Wave, go to Bandcamp, or their website .

'So how do you best describe your music?' That's a pretty tough question for any musical artist but, for Forest Island, it gets pretty complicated. They combine effects, guitar, cello, and vocals into a sublime, swirling ambient mix.

But how did it get to this point, what are the inspirations, and what are the hopes for the future? Find out in this short and sweet podcast, capturing all of this and more.

Also in the episode: Warren Zevon top 10 songs

It would have been Warren Zevon's 73rd birthday in January 2020 - not a particularly significant one for most people. For me though, Warren Zevon is one of the absolute greatest singer-songwriters of all time.

Sure, he was a pretty damn horrible guy, with a terrible temper, and a string of violent misdemeanors to his name. They cannot, and should not, be downplayed. Read I'll Sleep When I'm Dead for an in-depth look at the dirty times.

Zevon though was responsible for an enviable body of work, part nonsense, part fun, part sardonic, and part sensitive like nothing else before it.

So to mark the belated birthday of Warren Zevon, I put together my personal top 10 list of Warren Zevon songs.

Whether you're a seasoned Zevon fan, or an absolute newbie, give it a listen and I am sure you'll learn something.

It was pretty damn tough to narrow down the list, but here are some honourable mentions:

Don't Let Us Get Sick

Gridlock

Reconsider Me

The French Inhaler

Splendid Isolation

Dirty Life and Times

I'll Sleep When I'm Dead

Detox Mansion

Accidentally Like a Martyr

Frank and Jesse James

Disorder in the House

Werewolves of London

Hasten Down the Wind

On the next episode

Next time, we look at nu-metal, heavy rock band Tidal Wave. Stay tuned for that, and check out Tidal Wave already here on their website.