Brendan McCarthy is a legend in the world of comics and now the world of Mad Max. His series Freakwave was inspired by Mad Max 2, The Road Warrior, and was later copied by the film Waterworld (without giving credit to McCarthy). In this episode, we talk with McCarthy about his relationship with Mad Max and how he went from being a film of The Road Warrior to actually co-writing the most INSANE installment with writer/director George Miller.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

BPS 286: Inside Writing the Oscar® Nominated Mad Max: Fury Road with Brendan McCartney

The Bulletproof Screenwriting Podcast shows you how to make your screenplays bulletproof. Weekly interviews with Oscar® and Emmy® award winning screenwriters, story specialists, best-selling authors, Hollywood agents and managers, and industry insiders. We cover every aspect of the screenwriting process. This is the screenwriting podcast for the rest of us. No fluff. No BS. Just straight talk that will help you on your screenwriting journey.Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Eric Roth (Dune, Forest Gump), Edgar Wright (Shaun of the Dead), Richard Linklater (Boyhood, Slacker) James V. Hart (Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls ( Fight Club), Peter Rader (Waterworld), Diane Drake (What Women Want), Daniel Knauf (Carnival, Blacklist), Derek Kolstad (John Wick) and Pen Densham (Robin Hood, Backdraft) to name a few.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

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Today episode is probably one of the most important shows I have released in some time. On the show is filmmaker Naomi McDougall Jones the writer, actress and producer behind the indie film Bite Me, a subversive romantic comedy about a real-life vampire and the IRS agent who audits them, directed by Meredith Edwards.The filmmakers of Bite Me have decided to take a radical approach to distribute their film: they're doing it themselves. For 3 months, they traveled in an RV around the U.S. and screening the film wherever they can – be it a theater, a bar, or someone's living room. Not only did they tour around the country like carnies they also documented their entire process with a docu-series.EVERY FILMMAKER NEEDS TO WATCH THIS SERIES. It is mandatory for every IFH Tribe member. I've never said this before so take it seriously. It will save you a ton of pain and suffering. Naomi is so open, raw and honest about her experience. Get ready for one heck of an interview. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

BPS 367: Making Money Self Distributing Your Indie Film with Naomi McDougall Jones

Today on the show we have filmmaker and author Jon Fitzgerald. Jon has twenty-five years of experience in the independent film, internet, and film festival communities, a rare leader with a unique combination of skills.  As a filmmaker, he has produced a number of award-winning documentaries; and as a consultant, he has guided many independent film projects through the maze of festivals and hybrid distribution models.As a co-founder of the Slamdance Film Festival (1995), he led the event the next two seasons before being named the Festival Director for the prestigious AFI Film Festival in 1997. After running AFI Fest for three years (1997-1999), he created a consulting business, guiding the launch of numerous film festivals (Bahamas, Lone Star, Orlando), directing several others (Santa Barbara, Topanga, and Abu Dhabi), and consulting to dozens more.Jon authored his first book, entitled Filmmaking for Change: Make Films That Transform the World, which was ground-breaking in the space.Again, based on the premise that powerful stories can create change, Jon founded Cause Cinema, connecting social impact films to related causes. The Company acts as a filter to the best of social impact cinema, integrating numerous film programs, social action campaigns, and unique exhibition models, giving audiences the tools to take action.Enjoy my conversation with Jon Fitzgerald.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

BPS 366: Using Filmmaking for Change in the World with Jon Fitzgerald

Today on the show we have a filmmaker that was able to crack the Amazon code and actually make money self-distributing his low-budget film on the platform. His name is Ismael Gomez.Ismael Gomez is a Cuban-American filmmaker. In 2009, he received an Artist Fellowship grant to pursue his B.A degree in Film Production. After completing his studies, he began to work as lead editor on several motion pictures and commercials for theatrical and TV releases. Some of his projects have been screened at Cannes, Starz Denver, Tribeca, and Miami International film festivals.His film is Death of a Fool. A teenager and his dying grandfather conduct afterlife investigations in Miami when a mysterious man hires them to find the secret to immortality.Ismael was able to generate close to $75,000 in rentals and sales on Amazon using about $9000 in Facebook Ads. In this conversation, I dig in deep on how he did this, his techniques, and how he used the Filmtrepreneur Method to create additional revenue outside of TVOD.Enjoy my conversation with Ismael Gomez. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

BPS 365: Making Money & Cracking the Amazon Code for Self Distribution with Ismael Gomez

Today on the show we have renaissance filmmaker Tanner Beard. I Had the pleasure of meeting him at the Mammoth Film Festival this year. His adventures in Hollywood are pretty amazing.Tanner Beard is a film and television actor, producer and director as well as CEO of Silver Sail Entertainment and Mammoth Film Festival. SSE was created during the industry strike of 2008 with a concentration on cultivating professional media content without sacrificing the integrity and artistic vision of the content creators themselves.Tanner has since produced various projects including a travel show, award-winning short films, award-winning documentaries, commercials, music videos and multiple seasons of a web-based television series.His feature film producer credits include critically acclaimed ‘Hellion” starring Aaron Paul and Juliette Lewis, and ‘Legend of Hell's Gate,' which he also wrote, directed and starred in alongside Eric Balfour, Henry Thomas, Jenna Dewan Tatum, Summer Glau, Kevin Alejandro, and Lou Taylor Pucci. Mammoth Film Festival was named by the press as “the biggest first-year film festival ever created” in 2018.In early 2015, Tanner Beard entered into a four-film partnership with iconic Oscar-Nominated Director Terrance Malick and producer Sarah Green. ‘Knight of Cups‘ stars Christian Bale, Ryan Gosling, Cate Blanchett, Michael Fassbender, and Natalie Portman. The only documentary of the partnership, ‘Voyage of Time,' was produced alongside Brad Pitt, who also narrates the film. It recently premiered at the Venice Film Festival and had its North American Premiere at the Toronto International Film Festival.Enjoy my conversation with Tanner Beard.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

BPS 364: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard

Television editor and author Gael Chandler is on the hot mic today. Most of you may know by now that I started out in post as an editor. Anytime I have another editor on it’s like sailors recalling old battle stories, which are always very entertaining. It is a whole other world when a director says, ‘CUT!’ to the final scene and the elves of film production, EDITORS, get to work. While I am curious to hear Geal’s stories from behind the scenes, I would like to focus first on her new book, Editing for Directors: A Guide for Creative Collaboration which was released in August of 2021. This is her fifth publication which shares tools and lessons from her expert experience in film production/editing.Gael has been nominated twice for the Cable Emmy award for comedy editing and has taught editing practices and history at Loyola Marymount University and California State Universities at Long Beach, Los Angeles, and Northridge.Editing for Directors: A Guide for Creative Collaboration focuses on how directors should be working with editors. It guides directors through postproduction, starting with planning for editing during the shoot and ending with the completion of their film.This thorough, well-illustrated book:Describes the artistic, organizational, and technical skills editors bring to the party; with tools on what directors should look for when hiring an editor and the best ways to work with an editor; It further explains how and why directors should plan for editing before they shoot a frame. An entire chapter is devoted to relating the history of editing and cutting tools and how they have affected the language of cinema and present-day editing while defining and discussing cutting-room terms, practices, and workflows.Gael filmography credits her editing on wonderful 90s television shows like Max Headroom, Deep Dark Secrets, A Mom for Christmas, Family Matters, and The Very Retail Christmas.Some of her other books include Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know and Cut by Cut: Editing Your Film or Video.It’s always fun to hear unique stories from seasoned technicians and the huge technological revolution or evolution their line of work has had to face as well as their adaptation processes.Please enjoy my conversation with Gael Chandler.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

BPS 286: Inside Writing the Oscar® Nominated Mad Max: Fury Road with Brendan McCartney

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