Our guest today, RJ Cutler opened up 2021 with his raw, emotional, and remarkable new documentary Billie Eilish: The World's a Little Blurry. He’s a phenomenal documentary and TV director and producer with nearly thirty years of experience in the business.

The $2 million dollars documentary film which was directed, written, and produced by Cutler centered around singer-songwriter teen sensation and Grammy Award artist, Billie Eilish --- Revealing the creation process of Eilish's debut studio album ‘When We All Fall Asleep, Where Do We Go?’

The very intimate telling of Eillish’s solid support system and family, navigating the ropes of the music fame as a young artist depicted unconventionally and astoundingly.

From college, Cutler started off as a theater director in New York for nine years until he transitioned to filmmaking in 1993 with his debut film, The War Room. The film follows James Carville and George Stephanopoulos, at first during the New Hampshire primary, and then mostly in Little Rock, Arkansas, at the Clinton campaign headquarters. Producing the film, he was able to combine his journalism and theater directing backgrounds. The film went on to win an Oscar®.

He’s taken on great subject matters and big presences in his documentaries; the likes of legendary John Belushi, Anna Wintour, and Dick Cheney.

Belushi, released in 2020, examines the too-short life of comedian, actor and musician, John Belushi, original SNL cast member, using previously unheard audiotapes recorded shortly after John Belushi's death. Cutler credits his storytelling to the ability to connect the subject to the processes. People’s desire to have their stories told, especially in documentaries, transcends the technicalities of making a documentary.

Other well-known films or shows from Cutler are The September Issue (2009), Thin (2006), and Dear… (2020)

Dear... profiles game-changing icons and the people whose lives they’ve inspired.

Inspired by Apple’s groundbreaking “Dear Apple” ad for the Apple Watch, Dear... is an inventive approach to biographies of the influential people who are shaping culture and society today using letters that fans have written to them. Dear... focuses on key moments from subjects’ lives and their work that has profoundly impacted not only the individuals who have written letters but the world at large. All episodes are available to watch now on the Apple TV app with an Apple TV+ subscription.We talked a lot about Cutler's journey in the industry and how he landed the project to direct the first TELL ALL of the coolest 19-year-old in the US right now.

Enjoy my enlightening conversation with RJ Cutler.

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Let me introduce to you all, filmmaker and award-winning film-preneur, Greg Hemmings – Chief storyteller and CEO of Hemmings House Pictures limited. I wanted to address the serious problem of verbal abuse interns and other crew persons face on film sets from directors, producers, or others in charge.Why would I invite a CEO to discuss this topic?

Well, Gerg’s company, Hemmings House Pictures creates content that inspires positive action. Their essence is to spread kindness and positivity within the work environment and through the content they produce.One example is the heartfelt music film When You Are Wild: A Day in the Life of J. Willis Pratt, which shows the power of friendship and how a community rallied together to help one of their own.The moral model of Hemmings House Pictures is one that many in the industry can learn from.Hemmings has produced and directed countless documentaries, branded content, and commercials, featuring some of the most inspiring stories. One of which is his 2021 documentary, Sistema Revolution – a video case study that explores the impact that the Hemmings House Pictures documentary “Sistema Revolution” had on a community.Besides film and commercial production, Hemmings Film Pictures also curates courses to employ other filmmakers to create positive social change.Without further ado, let’s get into it.

Enjoy my conversation with Greg Hemmings.

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Today on the show we have Oscar® nominated documentarians Betsy West & Julie Cohen.Betsy West (Director/Producer) is an Academy Award®-nominated Emmy winning director/producer of RBG (Magnolia, Participant, CNN Films, 2018), along with Julie Cohen. Most recently, she and Cohen directed My Name is Pauli Murray (Participant/Amazon Studios), which premiered at the Sundance Film Festival in 2021.Betsy was executive producer of the MAKERS PBS/AOL documentary and digital series about the modern women’s movement, and the feature documentary The Lavender Scare (PBS, 2019). As an ABC News producer and executive producer of the documentary series Turning Point, she won 21 Emmy awards. Betsy is the Fred W. Friendly Professor Emerita at Columbia Journalism School.Julie Cohen (Director/Producer) is the Academy Award® nominated, Emmy winning director and producer of RBG (Magnolia, Participant, CNN Films, 2018) along with Betsy West.

Her film My Name is Pauli Murray, also directed with West, premiered at the 2021 Sundance Film Festival.Previous films she’s directed include The Sturgeon Queens (7th Art Releasing; Berlinale, 2015; Best of the Fest, San Francisco Jewish Film Festival), and Ndiphilela Ukucula: I Live to Sing (2014 New York Emmy Award for Best Arts Program).Before she started making documentaries, Julie was a longtime staff producer for NBC News. She's been an enthusiastic amateur cook and baker ever since her parents bought her a Cuisinart for her bat mitzvah in the 1970s.Their current film is called JULIA. The film tells the remarkable story of the groundbreaking cookbook author and television superstar who forever changed the way Americans think about food, about television, and even about women.Using a treasure trove of never-before-seen archival video, personal still photos, first-person narratives, and cutting-edge, mouth-watering food cinematography, the documentary will trace Julia Child’s surprising path, from her struggles to create and publish the revolutionary ‘instant’ classic Mastering the Art of French Cooking (1961, Knopf Doubleday Publishing Group), to her empowering personal story of a woman in her 50s, finding her calling as an unlikely television sensation.

This is the first feature-length documentary solely devoted to Julia Child, and will illuminate her casual upheaval of the male-dominated culinary and television worlds.Almost single-handedly, Julia Child upended the mythology that women could not hold their own at the highest levels of creative gastronomy, and that the only women Americans wanted to see on TV were young, submissive, and conventionally beautiful.JULIA is produced with the full cooperation of Julia Child’s friends, family, and the Julia Child Foundation.  It follows the highly-acclaimed documentary, RBG, executive produced by CNN Films, directed and produced by West and Cohen through their company Storyville Films, and edited by Carla Gutierrez, who will also edit JULIA.The film comes out Nov 12 in-theatres NY/LA followed by nationwide expansion.In this episode we not only discuss the making of Julia and RBG but also cover how they approach documentary, the craft of tell stories and much more.

Enjoy my conversation with Betsy West & Julie Cohen.

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Life, they say, is a story we tell ourselves—a script of experience, moments, and emotions woven into a narrative only we can claim as our own. On today’s episode, we welcome Gordy Hoffman, a screenwriter, director, and the mind behind the BlueCat Screenwriting Competition. His journey through the labyrinth of storytelling has been marked by profound lessons in creativity, resilience, and the delicate art of telling tales that move the human heart.As he shares his insights, one thing becomes evident: the best stories are not formulas but living, breathing entities. Too often, writers are shackled by the idea that a script must be a well-oiled machine of plot points and three-act structures.

But according to Gordy Hoffman, true storytelling is about emotional investment. “The only rule of storytelling is getting an audience to care,” he explains. Without that, no amount of structure or technique can save a lifeless script. Whether it’s an Oscar-winning screenplay or a child recounting their day at school, the heart of a story lies in its ability to make someone feel something real.The conversation drifts into the art of critique—how some script consultants and teachers wield feedback like a sledgehammer rather than a guiding hand. Gordy Hoffman believes in nurturing creativity with kindness, rather than crushing it under the weight of harsh criticism. He’s seen firsthand how a poorly delivered note can stifle a writer, and he champions an approach where constructive guidance fosters growth rather than fear. After all, a writer’s vulnerability is embedded in their work, and the moment they detach from that, their stories lose their humanity.But what about the battle every writer faces—the looming doubt that creeps in halfway through a script, whispering that it’s all meaningless, that every page is a failure? Gordy Hoffman reassures us that this despair is not a dead end but a marker of progress. “Every screenplay you work on, you’re going to hit that wall where you think, ‘This is awful, I’m bored, and I want to start over.’ That’s when you know you’re halfway there.” The magic, he insists, lies in persistence—pushing through the malaise, trusting the process, and understanding that the creative spirit is not meant to be shackled by self-doubt.

The conversation inevitably turns to Hollywood, that glittering beast that both nurtures and devours dreams. The industry’s appetite for franchise films and established intellectual property has made it harder than ever for original screenplays to find their place. But for those who believe in their stories, avenues still exist—film festivals like Sundance, independent productions, and even the evolving landscape of television. The key is not just writing a screenplay but crafting one so undeniable that it demands to be seen.And what of inspiration? For Gordy Hoffman, it can come from anywhere—a fleeting moment, a stray observation, or even an index card scribbled with a single thought. Love Liza, one of his most well-known works, was born from a brief encounter at a gas station. “I saw someone near a pump, and I thought, ‘Are they sniffing gasoline?’ That small moment turned into a story about grief and addiction.” Such is the power of storytelling—it transforms the mundane into the extraordinary, giving meaning to even the smallest of moments.

The beauty of storytelling is that it is never truly finished. It grows, shifts, and takes on a life of its own, sometimes in ways we never intended. As Gordy Hoffman reminds us, the path of the writer is one of perseverance, of believing in the story even when the world seems indifferent. In the end, storytelling is less about perfecting structure and more about opening the heart—to others, to ourselves, and to the infinite possibility of what can be created.

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I've been thinking about doing this podcast for a long time. In the tradition of Why Filmmakers are Always So Damn Broke & What They Can Do to Change It this episode is going to be a cold bucket of water over your head if you are not ready for it. In the insane world, we are all living in today, filmmakers need to break out of the mindset that we are living in the golden age of indie cinema.The rules have changed dramatically since the 90s and even more so in the last 8 months of the COVID pandemic. The rules aren't the only thing that has changed but the game has as well. The film distribution infrastructure is broken and has been broken for many decades. It is not set up to help filmmakers make money. It is purely designed to put more money into the pockets of film distributors.

I have written extensively about this in my book Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business. I want to put together one of my hard truths episodes to help filmmakers better understand the indie film marketplace and how to best position themselves to actually make money.There is so much talk about new cameras, lenses, rigs, post-production software, and other more interesting aspects of the filmmaking process but when it comes to selling and making money with movies filmmakers rely on old information that is no longer relevant in the current marketplace. I hope this episode empowers you to not only make more movies but to also make money while doing it.Strap yourself in because for some of you it will be a rough episode to listen to. Be well, stay safe, and keep that hustle going.

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Today on the show we have filmmaker and Filmtrepreneur J. Horton. Jason has been in the film industry for as long as I have and has been making movies ever since. What sets him apart from other filmmakers is that he actually makes a living making his films.Jason figured out the formula that would allow him to make a living doing what he loves to do. He produces low-budget feature films and uploads them to Amazon Prime.

He collects TVOD and SVOD revenue. His key is volume. This year alone he produced 14 feature films.We discuss how he chooses his niche audience, how he shifted from only narrative films to directing niche-focused documentaries, and how he's able to produce so much content.

Enjoy my conversation with J. Horton.

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Our guests today are filmmakers and developers, Zach Lona and Anthony Gibson. Zach is the founder of Chicago-based film production company, Eleusinian Productions studio that invented the Patronized Self-Distribution (PSD) model. The Patronized self-distribution (PSD) uses NFTs essentially as an alternative film distribution model from traditional Hollywood distribution. It hoists and redefines the status of independent films to that of fine art while targeting the film’s specific audience (art collectors/patrons). After finishing up his feature mockumentary film directorial debut, He Who Lives In Hidden Lakes, at the end of 2020, and being reluctant to go the normal film distribution route, Zach sought an alternative and along with his team, invented the PSD model earlier this year. The fanatic beliefs of an internet mystic, a cult leader, and a rookie cop who went rogue are tested on the hunt for the "Hidden Man" -- an elusive forest-dwelling cryptid that terrorizes their idyllic suburb.He Who Lives In Hidden Lakes is now listed as Eleusinian Production’s first NFT auction on OpenSea NFT online marketplace. The NFT model is a huge incentive for independent filmmakers because the increase in viewers will lead to an increase in passive income and NFT value.As you can tell, this is a deep dive topic. So, I wanted to bring them to the show to talk about how all of it works. Efficient ways to implement Patronized Self-Distribution, Who really benefits from Patronized Self-Distribution models, and more.

Enjoy my entertaining conversation with Anthony and Zach.

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On today's episode, we dive into the fascinating world of creativity, resilience, and the art of storytelling with Phillip Andrew, a multi-talented producer, motivational speaker, and DJ from Los Angeles. From his humble beginnings in Michigan to his relentless pursuit of opportunities in Hollywood, Phillip's journey is a testament to the power of determination, adaptability, and the enduring impact of great stories.Phillip reminisced about his early days navigating the entertainment industry, sharing candid insights about how unconventional networking—like a chance encounter on a basketball court—landed him his first job in production. Reflecting on this pivotal moment, he said, "You don't always know which door will open, but that's why you keep knocking on as many as possible." This philosophy underscores the importance of persistence, even when the odds seem insurmountable.In the heart of Hollywood, Phillip discovered the transformative power of storytelling. He spoke passionately about the evolution of stories—from ancient oral traditions to modern-day cinematic spectacles. Despite technological advancements, Phillip believes the core of storytelling remains unchanged: creating narratives that resonate deeply with people. He emphasized, “It doesn’t matter how advanced the technology is—if the story doesn’t connect, the audience won’t care.”Phillip's journey wasn’t without its challenges. From grappling with personal setbacks to navigating the unpredictable nature of film sets, he revealed how these experiences shaped his outlook.

He humorously recounted a lesson from the legendary director Wes Craven, who once said, "Who told you things were ever supposed to go as planned?" This nugget of wisdom became a mantra for Phillip, helping him approach obstacles with creativity and a solutions-oriented mindset.A recurring theme in the conversation was leadership—on set and in life. Phillip shared a story about a showrunner who inspired him by personally crawling under a table to fix a light. This simple act of humility and teamwork left a lasting impression, reinforcing Phillip’s belief that effective leaders must lead by example. He noted, “When people see that you’re willing to do the work too, they’ll want to go the extra mile with you.”Phillip also touched on the current "golden age of content," highlighting both the opportunities and challenges it presents. With an explosion of platforms like Netflix, YouTube, and Hulu, the barrier to entry has never been lower. However, this democratization of content also means creators face more competition than ever. For Phillip, the solution is simple: focus on the power of the story. “If you don’t have a compelling reason for your audience to care, your content will get lost in the noise,” he warned.

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There’s a certain magic in the way creativity stirs the soul, and on today’s episode, we welcome Kristin Overn, a seasoned producer and the visionary behind the PAGE International Screenwriting Awards. With a career steeped in the art of storytelling, Kristin has spent years cultivating opportunities for writers to transform their ideas into scripts that resonate across the industry.Kristin’s journey began in the theater world, studying playwriting and directing at Northwestern University. Her love for stories soon led her westward, to the bustling hive of Hollywood. "I’ve always been fascinated by story," she reflects. "It’s the common thread that connects us all." In Los Angeles, she worked tirelessly—starting as an assistant and script reader, gradually earning her stripes in film production.

But her heart’s true calling emerged as she realized a profound gap in the industry: connecting new writers with emerging producers.This insight birthed the PAGE Awards, a screenwriting competition designed not just to showcase talent but to bridge the divide between raw creativity and industry access. Kristin’s philosophy is simple yet profound: “Every great script deserves a champion, someone who sees its potential and helps it take flight.” Over the years, the competition has grown exponentially, now receiving over 6,000 entries annually. Its rigorous vetting process ensures that only the most compelling stories rise to the top—a beacon of hope for aspiring writers seeking their breakthrough.Kristin’s candid advice to screenwriters is a reminder of the industry’s complexity and the persistence it demands. “Find your voice,” she urges. “Don’t try to be the next Quentin Tarantino or Diablo Cody. 

Be unapologetically you.” Her anecdotes, drawn from years of working with writers and producers, illustrate the transformative power of authentic storytelling—where characters leap off the page and evoke emotions that linger.The episode dives deep into the intricacies of screenwriting competitions, the challenges of script development, and the significance of receiving professional feedback. Kristin’s passion for mentorship shines as she describes the thrill of connecting PAGE winners with managers, agents, and producers who can bring their stories to life. “There’s nothing quite like seeing a writer’s hard work pay off,” she says, with a palpable sense of joy.As the conversation unfolds, Kristin’s wisdom offers not just technical insights but a deeper understanding of the human connection that underpins all great storytelling. Her belief in the power of perseverance and the beauty of imperfection reminds us that the road to success is often paved with lessons learned from failure.“At the end of the day,” Kristin concludes, “the stories that move us are the ones that come from the heart. They’re honest, raw, and unapologetically human.” It’s a sentiment that echoes long after the episode ends, leaving listeners inspired to pick up their pens and tell their own truths.

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Today, we welcome Josh Gibson, a pioneer in the realm of 360-degree video and the founder of 360 Video Academy. With a deep understanding of immersive storytelling, he guides us through the labyrinth of this ever-evolving technology, revealing its profound potential beyond mere entertainment.At first, 360 video may seem like an extension of traditional filmmaking, but as Josh Gibson explains, it is not just about capturing an image—it is about placing the viewer inside a world. Unlike conventional storytelling, where a director dictates the frame, 360 video invites audiences to choose their own focus, to explore, to be participants rather than mere observers. “It’s not just about framing a shot,” he says. “It’s about framing an experience.”The evolution of this technology has been astonishing. What started as a jumble of GoPro cameras rigged together has now led to compact spherical cameras, capable of seamlessly stitching together breathtaking landscapes and bustling cityscapes. As Josh points out, it is no longer just the domain of Hollywood or high-budget productions—this is a tool accessible to storytellers, educators, and explorers alike.

The real estate industry, for instance, is already using it to provide virtual property tours, while educators take students on immersive field trips to ancient ruins or even the surface of Mars.Yet, for all its promise, there are challenges to consider. The mechanics of “stitching,” the art of blending multiple video feeds into a seamless 360-degree environment, remains both a technical and creative hurdle. Imperfections in stitching can disrupt immersion, snapping the viewer out of the dreamlike state that great 360 content aspires to create. This is where artistry meets technology, where patience and precision elevate an experience from mere footage to something truly transcendent.And what of narrative storytelling? Can a filmmaker truly control a viewer’s attention in a world without a frame? Here, Josh acknowledges the paradox. Traditional cinema directs the gaze, guiding emotion with each cut and composition. But 360 video asks something different of both the creator and the viewer—it invites presence. The horror genre, he notes, has embraced this shift masterfully, using space to intensify suspense, while documentary filmmakers have found it a tool for deeper empathy, placing audiences in the shoes of another’s lived experience.Perhaps, at its core, 360 video is less about replacing film and more about expanding consciousness. It is a step toward a future where reality is not confined to a screen but becomes a shared, navigable space. From medical training to meditation experiences, from historical reconstructions to virtual reality concerts, we are only beginning to understand what this technology can offer.

Please enjoy my conversation with Josh Gibson.

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