During his later years, the German composer Johannes Brahms was a frequent visitor to the town of Meiningen, where the Grand Duke had a fine orchestra that gave stellar performances of Brahms’ music.

Early in 1891, Brahms heard one member of that orchestra, the clarinetist Richard Mülhfeld, perform chamber works by Mozart and Weber. Brahms was so impressed that they became fast friends. Listening to Mülhfeld play, Brahms became so enthusiastic about the clarinet’s possibilities that began writing chamber works for his new friend. Brahms was always particularly fond of the female alto voice, whose timbre is similar to the clarinet’s, and so Brahms promptly nicknamed Mülhfeld “Fraeulein Clarinet” or the “new primadonna.”

For Mülhfeld, Brahms first wrote a clarinet trio, which was followed by a clarinet quintet, and finally, a pair of clarinet sonatas, both composed in the summer of 1894.

These two sonatas were first played by Mülhfeld with Brahms at a private performance in the home of the sister of the Duke of Meiningen on today’s date that year. In November, the pair also gave private performances in Frankfurt for Clara Schumann and at Castle Altenstein for the Duke of Meiningen. The first public performances occurred in Vienna in January of 1895.