One of the great things about working at the Brattle is that you never know what’s going to walk through that door. Recently, a customer surprised us by bringing in a copy of the Nuremberg Chronicle, one of the earliest printed books to feature illustrations. As if that wasn’t interesting enough, he also had a copy of the Kelmscott Chaucer, as well as a handful of volumes inscribed by their publisher (William Morris) to their illustrator (Edward Burne-Jones) for good measure. In this episode, we’ll talk about how we put a value on such a rare collection and the importance of avoiding ethical conflicts of interest when buying and appraising books.