Braving the Stave

All things autumn. (And some concrete). 

As autumn beckons and St David's Hall lingers to have its concrete checked,  JJ and Haz spend their first podcast back considering music of the moment: seasonal themes of renewal, colourful landscapes and some musique concrète too (the fun bits). The challenge is to avoid autumnal stereotypes along the way.  And Haz surveys whether musicians have a favourite version of 'Autumn Leaves', the perennial jazz classic.

Hyfrydwch hydrefol. (Ac ychydig o goncrit).

Wrth i’r hydref agosáu ac wrth i Neuadd Dewi Sant aros i’w goncrit gael ei wirio, yn eu podlediad cyntaf yn ôl mae JJ a Haz yn ystyried cerddoriaeth y cyfnod: themâu tymhorol am adnewyddu, tirweddau lliwgar, ac ychydig o musique concrète hefyd (y rhannau diddorol). Yr her yw osgoi stereoteipiau hydrefol. Ac mae Haz yn holi a oes gan gerddorion hoff fersiwn o ‘Autumn Leaves’, y clasur jazz bythol.

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To culminate this season of Braving the Stave, Haz and Jon contemplate what it might be like to kiss a fanfaring trumpeter and uncover a disturbing past to the fanfare genre. They then pick their favourite rousing (or crushing) finales from the music of Tchaikovsky, Beethoven, Bartok and John Williams.

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Continuing the theme of our May episode, JJ interviews Sali-Wyn Ryan, a proudly Welsh member of the Royal Philharmonic Orchestra, and asks her about the perks and pitfalls of orchestral life.

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In this deep-dive into orchestral life, JJ and Haz discover why so many orchestral musicians own a pilot's licence, why a percussionist can feel like a lemon, why basketball-players could make excellent violists and the most important question of them all: which section always arrives late to every rehearsal?

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Haz sets out to enlighten JJ, a self-confessed harmony junkie, in the joys of Minimalism. Starting with the hippy experiments of La Monte Young, they trace the style's evolution via Glass and Reich to the complex scores of post-minimalist, John Adams. Along the way they discover why Haz salivates at the sound of a gamelan and how every minimalist needs a marimba. 

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Haz takes the lead in this podcast about female composers and women in music. Is there still a 'gender agenda' in the classical music industry, and is there enough female representation at the top table? Expect bold, beautiful music, frank exchanges and a contentious review of the film 'Tár'. Featuring pieces by Rebecca Clarke, Dani Howard, Rebecca Dale, Debbie Wiseman, Hildur Guðnadóttir, Rachel Portman and Florence Price.

Playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=de2ff953d16940af

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What was the story behind Sibelius' French first name and what makes his music so distinct and compelling? Expect brooding mountain spirits, magical string textures, Welsh-sounding hymns and abrupt 'Fininish' endings. Including an interview with a champion and foremost interpreter of Sibelius' music, conductor Jukka-Pekka Saraste.

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In this first podcast of the year, JJ and Haz share what they love about Johannes Brahms and his music. It's more raving than 'braving' as they reveal some lesser known stories about when he grew his famous big beard, how he was a prankster, and why his first conducting of the concerto turned out to be the stuff of JJ's nightmares.

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JJ and Haz discuss classical music's Christmas clichés and compete to find the piece with the most sparkle. With new carols from young Welsh composers and a nostalgic glance back to wintry treasure swaps from earlier podcasts.

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What is it about the human voice and the special sound of a choir that holds such power for people (and makes JJ 'leaky')? Using examples from all genres, Haz and JJ explore issues of the perfect blend, keeping a drone in tune and what it means to have a 'true tone'. With an interview with members from The Sixteen, including their founder-director, Harry Christophers.

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