Om Shanti Om Screenwriting Breakdown | Hero’s Journey, Character, Dialogue & Scene Craft
Written by Farah Khan, Mayur Puri, & Mushtaq Sheikh
What makes Om Shanti Om work as a screenplay?
In Episode 25 of Breakdown Besties, Ananya and Akshay break down Farah Khan's Om Shanti Om from a screenwriter's perspective, looking at the structural choices, character design, genre conventions, scene construction and dialogue techniques that make the film so tightly plotted.
The film is especially interesting because it effectively contains two Hero’s Journeys. Shah Rukh Khan's character dies and is reborn into a completely different world, creating a second narrative that is driven by the first. The episode maps both journeys and looks at how the two halves inform each other.
We also get into some of the smaller writing choices that make the screenplay work: cause and effect, micro-conflict, callbacks, mirror scenes, the Rule of Three, genre tropes, character layering, Easter eggs, foreshadowing and dialogue repetition.
If you're a screenwriter, aspiring screenwriter, film student or simply someone who wants to understand how Bollywood films are actually constructed, this episode is a practical breakdown of the craft behind Om Shanti Om.
In this episode, we discuss:
How to build a logline around a protagonist's goal, limitation, conflict and stakes
Why Om Shanti Om has two Hero’s Journeys
How the Hero’s Journey can remain emotionally coherent even when individual beats are compressed or unconventional
How cause and effect keeps a screenplay tightly plotted
How to use scenes to establish the protagonist's want immediately
How the Rule of Three can become a mini-arc with consequences
How mirror scenes reveal character growth
How micro-conflict keeps scenes from becoming static
How callbacks can track changes in relationships
How genre tropes create audience anticipation
How character secrets create layering
How worldbuilding can generate conflict
How Easter eggs reward an audience without becoming plot exposition
How to use foreshadowing in dialogue
How dialogue can reveal a character's status
How a film pass, world pass and language pass can make dialogue specific to its world
How repetition can make a single piece of dialogue carry an entire relationship
Chapters
00:00 Intro: One Year of Breakdown Besties
03:00 The Logline of Om Shanti Om
10:06 Hero’s Journey: Why This Film Has Two
12:27 Hero’s Journey #1: Om Prakash Makija
24:00 Hero’s Journey #2: Om Kapoor
35:35 Theme: How Long Should Justice Be Pursued?
38:19 Scenes & Sequences: Meeting Audience Expectations
42:04 Retelling Old Stories for New Audiences
44:06 Easter Eggs & Audience Reward
46:05 Rule of Three + Mini-Arcs
48:38 Mirror Scenes & Character Growth
50:02 Coincidence, Planning & Conflict
55:28 Callbacks: Repeating Moments With Purpose
58:01 Micro-Conflict: Keeping Scenes Moving
59:03 Rom-Com Genre Tropes
01:03:56 Reincarnation Genre Tropes
01:05:18 Character Creation: Making Us Love Om
01:08:30 Worldbuilding Through Conflict
01:11:20 Dialogue: Foreshadowing & Status
01:13:30 The Movie Pass in Dialogue
01:15:13 Bombay Language & Character Voice
01:17:10 Dialogue Repetition & Character Identity
Music licensed through Soundstripe.
Code: I8DNWPXZDEONTA51