
Sign up to save your podcasts
Or


On today’s date in 1885, at a public rehearsal at the Old Metropolitan Opera House, the New York Symphony, led by fresh-faced 23-year-old conductor Walter Damrosch, performed 61-year-old Austrian composer Anton Bruckner’s Symphony No. 3 for the first time in America.
The New York Times critic, in fairness to this unfamiliar composer, attended both the rehearsal and concert before venturing an opinion:
“As to form and workmanship, it is a highly commendable achievement,” he wrote. “The composer’s motives are distinct and fluent, the instrumentation is rich, though not cloying … Unfortunately, there is not in the whole composition a measure in which a spark of inspiration, or a grain of inventiveness is discernible.”
Other New York papers were more blunt: “A dreary waste of sound … formless, weird, flimsy, uncongenial and empty” according to The Sun.
The Post observed, “The first movement is marked ‘misterioso’, but the only mystery about it is how it ever came to be written, printed and performed.”
In fairness to those critics of 1885, it would take many decades before American audiences started to acquire a taste for Bruckner’s particular blend of music and mystery.
Anton Bruckner (1824-1896): Symphony No. 3; BBC Scottish Symphony; Osmo Vänskä, conductor; Hyperion 67200
By American Public Media4.7
176176 ratings
On today’s date in 1885, at a public rehearsal at the Old Metropolitan Opera House, the New York Symphony, led by fresh-faced 23-year-old conductor Walter Damrosch, performed 61-year-old Austrian composer Anton Bruckner’s Symphony No. 3 for the first time in America.
The New York Times critic, in fairness to this unfamiliar composer, attended both the rehearsal and concert before venturing an opinion:
“As to form and workmanship, it is a highly commendable achievement,” he wrote. “The composer’s motives are distinct and fluent, the instrumentation is rich, though not cloying … Unfortunately, there is not in the whole composition a measure in which a spark of inspiration, or a grain of inventiveness is discernible.”
Other New York papers were more blunt: “A dreary waste of sound … formless, weird, flimsy, uncongenial and empty” according to The Sun.
The Post observed, “The first movement is marked ‘misterioso’, but the only mystery about it is how it ever came to be written, printed and performed.”
In fairness to those critics of 1885, it would take many decades before American audiences started to acquire a taste for Bruckner’s particular blend of music and mystery.
Anton Bruckner (1824-1896): Symphony No. 3; BBC Scottish Symphony; Osmo Vänskä, conductor; Hyperion 67200

90,966 Listeners

38,518 Listeners

6,782 Listeners

8,760 Listeners

3,997 Listeners

9,193 Listeners

3,629 Listeners

925 Listeners

1,389 Listeners

520 Listeners

182 Listeners

1,225 Listeners

13,700 Listeners

3,083 Listeners

247 Listeners

28,255 Listeners

13,238 Listeners

5,490 Listeners

2,177 Listeners

14,110 Listeners

1,142 Listeners

6,336 Listeners

2,514 Listeners

229 Listeners

635 Listeners