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Volume 59:4 (2020) - On November 21, 1993, the world dozed in watery light and I felt off-balance as the northern hemisphere listed away from the sun. Seasonal blues made watching PBS all day seem like a reasonable choice. Onscreen, a Ford Lincoln Continental zipped through Zapruder’s frame. Tomorrow would be the thirtieth anniversary. Old news footage aired to commemorate the assassination, and I watched as if America’s end of innocence were happening live along with my own. Seeing Jackie statuesque in bloodied nylons, I mourned like I’d discovered the thirty-fifth president was my long-lost grandfather. I was thirteen and had never heard of Camelot when I became a believer.
A few years later, I went to college and roomed with Mak, a high-school friend who went by her initials. Greaves Hall sported a rusty fallout shelter sign—a relic from before Kennedy told Kruschev to point his Cuban missiles the other way. Now our basement could host movie nights and block the noise of a timer wailing upstairs like an air-raid siren as the oven incinerated Mak’s forgotten tater-tots.
Volume 59:4 (2020) - I think most of us are familiar with a recent trend in storytelling to revisit and tell a traditional tale from the perspective of the antagonist. The live-action Disney movie Maleficent, for example, provides an empathetic backstory to the terrifyingly evil, but otherwise flat, character of Maleficent in the iconic animated version of Sleeping Beauty. The popular musical Wicked, by Stephen Schwartz, does the same with the character Elphaba, the Wicked Witch of the West in The Wizard of Oz. Even children’s books have gotten in on the postmodern storytelling action. In The True Story of the Three Little Pigs, Alexander T. Wolf tells his side of the story, in which he explains that a simple sneeze and the need to borrow a cup of sugar to make Grannie a birthday cake have been misunderstood and blown way out of proportion, leading to the erroneous conclusion that he is the bad guy.
It is my aim here to do something similar: I hope to explore the story of the creation of the BYU Jerusalem Center from the perspective of those usually seen as the antagonists. But I also hope to bring out the voices of others, perhaps not antagonists so much as interested but confused onlookers and even firm supporters but, nonetheless, voices we don’t hear from nearly as often.
This essay by Elena Jarvis Jube tied for first place in the 2020 Richard H. Cracroft Personal Essay Contest, sponsored by BYU Studies.
The author was confronted with the possibility of the death of her fourteen-year-old son. The teenager suffered for days or weeks before being treated for a cyst in his skull. As she watched her son’s suffering, she cried for the suffering of all children, all mothers, and all humanity. Although her son lived, she still felt immense grief. She draws meaning from the words of Dostoevsky and finds in Jesus’ beatitude “Blessed are they that mourn” a reminder of the connection between grief and love, that all our sorrow for another person matters.
Volume 59:4 (2020) - It is a privilege to be with you as we celebrate the thirtieth anniversary of the dedication of the Jerusalem Center and the impact it has made on the lives of so many students, faculty, administrators, members of the Church from around the world, and those who currently reside in the Holy Land. A heartfelt welcome to all.
The Jerusalem Center and the events leading to its completion and dedication in 1989 may best be summed up by a response given by Elder Jeffrey R. Holland during an interview with a well-known Utah news anchor. When asked about the acquisition of property and construction of the Center, Elder Holland said, “It was nothing short of a miracle. It was a miracle!” Seeing that this conference revolves around Jerusalem, a land of miracles, Elder Holland’s statement seems apropos for much of my own presentation.
My assignment is to share in brief the “beginnings” of the Church and its involvement in the sacred land where our Savior lived, died, and was resurrected. While the majority of this presentation will focus on Orson Hyde, the first portion of it is devoted to shedding light on Joseph Smith and his prophetically motivated influences on Hyde’s mission and the gathering of dispersed Israel.
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